john_galt Posted May 31 Share #1 Posted May 31 Advertisement (gone after registration) M2, Summicron 50 DR, TMax 400 in TMax-Entw. (1:4) Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 3 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/421735-high-key-auf-film-gerne-zur-fortsetzung/?do=findComment&comment=5810145'>More sharing options...
Advertisement Posted May 31 Posted May 31 Hi john_galt, Take a look here High Key auf Film (gerne zur Fortsetzung). I'm sure you'll find what you were looking for!
john_galt Posted May 31 Author Share #2 Posted May 31 dto. Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 3 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/421735-high-key-auf-film-gerne-zur-fortsetzung/?do=findComment&comment=5810147'>More sharing options...
fotomas Posted May 31 Share #3 Posted May 31 (edited) Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! M6, 35 CronASPH1, TRI-X, Metol-Sulfit Edited May 31 by fotomas 2 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! M6, 35 CronASPH1, TRI-X, Metol-Sulfit ' data-webShareUrl='https://www.l-camera-forum.com/topic/421735-high-key-auf-film-gerne-zur-fortsetzung/?do=findComment&comment=5810179'>More sharing options...
Peter49 Posted June 5 Share #4 Posted June 5 Sehr schöne Serie – die Lichtsituation passt! Was mir allerdings auffällt: Der Film wirkt in dieser Kombination deutlich grobkörniger als erwartet. Das erinnert mich eher an den Look eines TriX in Rodinal – sehr präsent, fast schon „rau“. In XTOL oder auch einem anderen feinkörnigeren Entwickler wäre das Korn deutlich zurückhaltender, bei gleichzeitig guter Schärfe. Ich habe denselben Film schon mehrfach in XTOL 1+1 verarbeitet und fand das Ergebnis weitaus ausgewogener – insbesondere bei Motiven mit vielen hellen Flächen, wo das Korn sonst schnell dominiert. 1 Link to post Share on other sites More sharing options...
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