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Two different things. A lab scan gives you a digital file, usually printed inkjet. An optical print is usually made from an analog negative in a darkroom. Although it is possible to get an optical print from a digital file, it involves making an LVT film negative for enlarging, or a digital negative for contact printing black and white platinum prints. I am not aware of any services that print optically from digital files. You can get silver gelatin prints from a digital file through a service that uses a light jet laser printer, but that is not what I would consider an optical print.

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About as different as a horse and cart are different from an automobile.

Both 'get you there', but by completely different routes, and the destination is not exactly identical.

The tonal range possible from a digital file and printed on an inkjet type printer exceeds that possible in a normal darkroom process. However, the darkroom print is capable of a 'look' that digital seems to miss.

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I shot film for many years with a Nikon F2. Costs of development, optical printing, film, shipping with long wait times discouraged me enough to go digital with the MD 262.  
Still like film enough to shoot occasionally.  The lab scans are considerably less expensive than optical printing…🎞️

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Just now, Anthony MD said:

I shot film for many years with a Nikon F2. Costs of development, optical printing, film, shipping with long wait times discouraged me enough to go digital with the MD 262.  
Still like film enough to shoot occasionally.  The lab scans are considerably less expensive than optical printing…🎞️

 

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

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20 minutes ago, Anthony MD said:

I shot film for many years with a Nikon F2. Costs of development, optical printing, film, shipping with long wait times discouraged me enough to go digital with the MD 262.  
Still like film enough to shoot occasionally.  The lab scans are considerably less expensive than optical printing…🎞️

Lab scans are not prints. You seem to want to compare an image displayed on a monitor with a print. Not the same. It takes a similar set of skills and talent to make a good inkjet print as it does a darkroom print. And a good digital print will cost about the same as a good wet print. Having said that, both can be done poorly.

Edited by Pieter12
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6 minutes ago, Pieter12 said:

Lab scans are not prints. You seem to want to compare an image displayed on a monitor with a print. Not the same. It takes a similar set of skills and talent to make a good inkjet print as it does a darkroom print. And a good digital print will cost about the same as a good wet print. Having said that, both can be done poorly.

What I meant was premium scans on flash drives vs optical enlargements from Blue Moon Camera…📷

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25 minutes ago, Pieter12 said:

And digital files straight out of your camera are even cheaper. Your point is?

Do the enlargements of optical prints surpass the premium scans of film and digital files straight out of a digital camera in quality…?

Edited by Anthony MD
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Once again, you cannot compare prints to scans. A well-made print from a scanned negative (at sufficient resolution) should compare favorably to a well-made darkroom print from the same negative. Neither is inexpensive. The digital file has the advantage (in color) of being simpler to adjust, manipulate and retouch if any of that is necessary.

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A variable not mentioned here is whether you do your own darkroom work or scanning and printing, or shop it out to a lab.

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52 minutes ago, erl said:

A variable not mentioned here is whether you do your own darkroom work or scanning and printing, or shop it out to a lab.

A big variable, indeed. Can you communicate what you want from a negative or file to the technician doing the work? Do you have the skills and equipment suited to produce the end results you want on your own? Expense has been mentioned, and neither option is cheap. Sure, straight machine prints can be made from a scan or a negative but they usually are not the best that can be made from either.

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Nowadays, the advent of artificial intelligence is greatly devaluing digital photography. I'm not talking about professional photography, where you need promptness and certain requirements.

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16 hours ago, prioritet said:

Nowadays, the advent of artificial intelligence is greatly devaluing digital photography. I'm not talking about professional photography, where you need promptness and certain requirements.

It seems that AI is getting absolutely everywhere; even here in this thread. When will it be killed off?

Philip.

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3 minutes ago, pippy said:

It seems that AI is getting absolutely everywhere; even here in this thread. When will it be killed off?

Philip.

The moment it appears before my camera, I will shoot it!

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22 hours ago, Pieter12 said:

A big variable, indeed. Can you communicate what you want from a negative or file to the technician doing the work? Do you have the skills and equipment suited to produce the end results you want on your own? Expense has been mentioned, and neither option is cheap. Sure, straight machine prints can be made from a scan or a negative but they usually are not the best that can be made from either.

Yes, something which cheapened our hero  Cartier Bresson, a bit  I believe.  He always sent his stuff out for printing and fixing his exposure mistakes...sakre bleau..

He did get a couple nice pics though...

I'm of old dark room school...follow through from film to print.

Unless it's digital of course.. ;)

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1 hour ago, david strachan said:

Yes, something which cheapened our hero  Cartier Bresson, a bit  I believe.  He always sent his stuff out for printing and fixing his exposure mistakes...sakre bleau..

He did get a couple nice pics though...

I'm of old dark room school...follow through from film to print.

Unless it's digital of course.. ;)

I continue the old school theory with digital. Just as much to learn, just as much to keep track of, just as much skill required.

One of my mantras (there are many ;)), 'What I don't do, doesn't happen'.

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On 2/1/2025 at 3:53 AM, erl said:

I continue the old school theory with digital. Just as much to learn, just as much to keep track of, just as much skill required...

Absolutely agree 100%.

'Old School Skills' are every bit as valuable - not to mention directly transferrable - and relevant in the Digital World as they are in the Wet-room World.

Philip.

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