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I've done the research


Artorius

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I've read almost everything I can get a hold, reviews, user reviews, forums, of concerning the M8.

Mine arrives tomorrow. I think I memorized the instruction manual. I will charge the battery and format a 2 Gb card in camera. What should I look for after it arrives?

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Thanks. I do have a lot of subjects, mostly travelogue. Doing an informal wedding reception Sat.,(I am not the hired one) along with my film M's and (shudder) Nikon DSLR's. They are letting me do whatever I want, I figured 25 4X6 prints, and a DVD slideshow with MY choice of pics as a gift, sales will be later. I know the paid guy, he knows my work, and he has no problem with me doing what I do best.

I vowed I would never do weddings again, but this woman works with my wife, and she feels obligated to help her out.

Now, I've got two more daughters getting married this year, and I thought the M8 with my other M's would fit the bill as the father.

Sorry for the rant, but, I am a bit excited at the future of my daughters.(neither of which will I be the hired one, at my request) I'm just going to sit back, have a couple, and maybe snap a pic, and enjoy.

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Art:

 

The M8 does fit the bill for weddings... that's what I am using for my wedding work.

 

Cheers,

 

Riccis

I just checked out your website, nice.

Are you using on-camera flash. I do NOT use flash for anything other than studio, and micro/macro work with SLR/DSLR.

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Art:

 

I use a combination of flash or video light only on some parts of the reception, everything else is available light, shooting wide open the Sumis or Nocti.

 

BTW, I haven't updated my site in a long time, just check out my blog for the latest work.

 

Cheers,

 

Riccis

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Art:

 

I use a combination of flash or video light only on some parts of the reception, everything else is available light, shooting wide open the Sumis or Nocti.

 

BTW, I haven't updated my site in a long time, just check out my blog for the latest work.

 

Cheers,

 

Riccis

I'll check the blog.

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I've read almost everything I can get a hold, reviews, user reviews, forums, of concerning the M8.

Mine arrives tomorrow. I think I memorized the instruction manual. I will charge the battery and format a 2 Gb card in camera. What should I look for after it arrives?

 

IR filters, and a sharpie to code your lenses if not done already :)

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HI Arthur

Congratulations!

Like you, I swore I'd never do another wedding, but then a really good friend wanted me to do it 'because they like my style' . . . . so I did:

 

http://www.slack.co.uk/2007/Grogono.html

 

I used an olympus with fill flash for a few shots, but it's 90% with the M8. You will need the filters though. I thought I could get away with it, but now I've given up and have them on everything.

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Art:

 

I use a combination of flash or video light only on some parts of the reception, everything else is available light, shooting wide open the Sumis or Nocti.

 

BTW, I haven't updated my site in a long time, just check out my blog for the latest work.

 

Cheers,

 

Riccis

 

 

Hello Riccis,

I checked out your website (and really like your images).

 

Question #1: Do you use a specific way of raw file processing to obtain the color palette seen on many of your shots? Its quite different, so I am wondering what's the cause...

 

Question #2: Is the M8 satisfying your need for tele-lenses? (Meaning is the reach of a 75mm or 90mm enough for your wedding work, or which tele lens do you use?)

 

Again, beautiful work.

 

Peter

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Peter:

 

Thanks for checking out my work and your kind comments.

 

My RAW processing entails the basic adjustments for WB and exposure (when needed). The color and feel of my images is done in PhotoShop after the RAW conversion and it is nothing else than a combination of color layers set to to different blend modes (Multiply and Soft Light are the ones I use the most)... I am a big fan of a brown-green-yellow palette and have a few color combinations that I apply to keep the colors consistent. Other than that, I only use curves to add density to the images (specially B&W) plus the addition of grain... It is a very simple and straightforward process that you should be able to replicate easily as long as you are familiar with the concepts of layering and masking in Photoshop (if you are not, any Photoshop book will get you up an running in no time).

 

Even when I was using the Canon DSLRs for my work, the longest lens I used was the 85/1.2 since my style is a bit more intimate. Right now, the longest lens I have is the 50mm and while I am deciding whether to get a 75 cron or lux (if I can find one) or a 90 cron, I am doing all my work with a 21/2.8, 35/1.4, 50/1.4 and 50/1.0 without any problems.

 

Hope this helps,

 

Riccis

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