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I really should have been able to solve this myself, but I am not yet fully satisfied with my own results.

I make some ads from time to time and use a simple "table studio" with lamps with a colour temperature of 6500 K.

The AWB of both Leica SL and Panasonic S1R fail to handle this. There is always a blue cast, which is easy to remove, however.

I have tried entering WB manually, but I am not successful - it seems difficult to remove the blue cast.

Can someone enlighten me?

 

 

Edited by Ivar B
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19 minutes ago, Ivar B said:

I really should have been able to solve this myself, but I am not yet fully satisfied with my own results.

I make some ads from time to time and use a simple "table studio" with lamps with a colour temperature of 6500 K.

The AWB of both Leica SL and Panasonic S1R fail to handle this. There is always a blue cast, which is easy to remove, however.

I have tried entering WB manually, but I am not successful - it seems difficult to remove the blue cast.

Can someone enlighten me?

 

 

Use the "grey card" option of the camera. You can use any neutral surface but a traditional gray card is most precise. Be aware, however, that whitebalance is set on raw conversion and that the camera white balance is no more than a suggestion for a postprocessing setting.

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Are your lamps CE specified to a CIE colour temperature? Even if they are there will be a tolerance of +/- usually 2~300K and they can be blue if on the high side. If they are not CIE accurate then the colour cast may be because they are not of as continuous spectrum as is desirable. This may also be why the cameras don't provide as accurate a white balance as you are anticipating. FWIW every digital camera I own seems to provide a different K value (and tint value in Photoshop) and consequently colour balances vary too.

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