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Actually, the sharpening method is irrelevant for the principle. For creative and output sharpening you can use any method you like.

 

ACR uses more sophisticated sharpening in ACR for capture sharpening, for creative sharpening I stick to the sharpening brush (and blur brush ;) )

PS offers two levels of USM sharpening - Unsharp mask and the more sophisticated Smart Sharpen, plus a number of presets, not to forget the "Fade" slider.

Personally I use High-pass sharpening, or apply sharpening to the L channel in LAB, for output sharpening.

 

You can go as complicated as you want, sharpening on a layer, layer masks, blending layers, splitting blending sliders, etc. I never do so. In the end it all comes to personal preference.

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