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Leica M Film Photos -- Feel Free to Share Yours

RayD28

By RayD28
in Leica M-A / M7 / MP and Film M

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Posted by jaapv,

How to upload images: Prepare the image as follows: 1.   The image should be sRGB and 8-bits 2.   Reduce the size to 2480 pixels on the longest side. (smaller sizes can be set, but are not recommended) 3.   Sharpen properly for screen. 4.   Save as JPG to your desktop, reducing JPG quality to produce 1000 kB (2000 kB for sponsoring members). 5.   In Lightroom these parameters should be set in the Export dialog. 6.   In the Forum posting or editing box, click “c
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jakontil
jakontil

M2-R + 50 apo Kentmere 400  ILfotec HC 

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jakontil
jakontil

MP | 50 lux asph | kodak portra 400 | home souped

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jakontil
jakontil

M6 | 50 noctilux | cinestill 800t home souped

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Smudgerer

Smudgerer

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2 hours ago, hansvons said:

These are shots I recently took. Nothing to write home about, but they were shot on Kodak 5219, aka Vision3 500T. On S-35mm, I rated the film IE 320; on FF, I found IE 400 works just fine. Cinestill 800 is the same stock, but with the rem jet layer removed, allowing for reddish helation galore. I prefer the original to the rem jet-free copy. None of the shots received a tungsten-to-daylight 85 filter correction. This pays into the special look of 5219, I find. This was/is often the preferred method in cinematography as well.

BTW, the lens is the mighty 35mm Nokton 1,4 SC. The night exterior longshot was shot at f 1,4 and 1/60.

Click to enlarge.

 

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Interesting Hansvons, thank you..........I've still got some 5219 short ends in the freezer so if I can drag myself out of my B&W world I am tempted to try a load or two of that stock with stills on an upcoming trip and home process afterwards.

Right about not needing to use an 85 filter, I rarely did that preferring to keep all the film speed I could, shoot a grey card / Macbeth and trust to the magic touch of my favourite telecine colourist to find the right white balance. Vision is an amazing filmstock.

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colint544

colint544

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Condemned tower blocks, Glasgow

Leica M5, 50mm Summilux ASPH, Ilford HP5

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JMF

JMF

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Kodak 50D Vision3 - Leica MP - 2 inch f1.9 Dallmeyer

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JMF

JMF

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Kodak 50D Vision3 - Leica MP - 2 inch f1.9 Dallmeyer

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JMF

JMF

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35mm f1.8 W-Nikkor 2005 reissue converted to Leica M by Skyllaney - Kodak Vision3 50D - Leica MP

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JMF

JMF

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Advertisement (gone after registration)

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35mm f1.8 W-Nikkor 2005 reissue converted to Leica M by Skyllaney - Kodak Vision3 50D - Leica MP

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quietglow

quietglow

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M3 | Summicron 50 Collapsible | Kodak Vision3 250D

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Edited by quietglow
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Bronco McBeast

Bronco McBeast

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IIIg+sonnar 50mm f1.5 west germany

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OSEGAL

OSEGAL

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minilux

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Jeremy Bunting

Jeremy Bunting

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Leica M6TTL w/ APO Summicron 50. TMax 400 scanned at 7200dpi on a Plustek 8300i. Click through for hi-res.

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And w/ Summilux 35 FLE v2.

 

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JMF

JMF

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35mm f1.8 W-Nikkor 2005  - Kodak Vision3 50D - Leica MP

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Mefty

Mefty

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Leica MP + reflexLab Pro in Cinestill C41 with Filmomat Light

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RayD28

RayD28

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M3 21mm SEM Portra 400

 

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RayD28

RayD28

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M3 50mm 2.0 DR HP5+

From my first home developed roll of film.

 

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RayD28

RayD28

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MP 0.58 vf 50mm Summicron v4 HP5+

 

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RayD28

RayD28

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Same setup as above.  A friend’s father’s headstone  

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Edited by RayD28
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dimm

dimm

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Play time

 

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M6, Lux' 50mm f/1.4, Kodak Vision3 500T, CS41

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colint544

colint544

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Condemned tower blocks, Glasgow

Leica M2, 28mm Summicron ASPH, Portra 400

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JMF

JMF

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Kodak Vision3 50D - Leica MP - 35/1.8 W-Nikkor

 

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