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So Nikon sells an adapter that allows you to mount 35mm film in front of their 60mm 1:1 Marco lens and digitize it with one of their DSLR’s. This mount just filters onto the lens and you point it towards a light box.

 

I have lots of old film and I was wondering if anyone has tried this out with the 60mm APO. This lens also has a 1:1 magnification ratio, and I’m wondering if it would work, or if the crop factor from the APC sensor would cut off part of the image...

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I have tried this with a variety of devices, lenses and DSLR's.  None gave results even close to a quality scanner, like the Nikon 9000ED or I'm sure others.

 

Recommend sending to a good scanning service and save the time and frustration. 

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Having just tried scanning some colour negatives with the CL and 60mm 2.8 Macro R with 1:1 adaptor, I needed to have some space between lens and negative which I placed between two pieces of glass on a lightbox.  It was ok, that's all I can say.   I think if I was going to do a lot of film I would invest in a scanner.  One thing for sure it makes you realise how little trouble sensor dust is, when it comes to trying to keep dust off negatives it's a whole different ballgame.

 

Below example of scan inverted in lightroom - dust a plenty - then the other is after conversion to black and white and cleaned up.

 

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Yes, my thoughts exactly, I haven't tried to print anything,  this was my first film out of an M3 and after spending a couple of hours watching you tube videos I gave it all a go - was fun but seemingly endless process!!!!

 

Not bad at all! Probably not good for a print, but not bad for a casual scan

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Having just tried scanning some colour negatives with the CL and 60mm 2.8 Macro R with 1:1 adaptor, I needed to have some space between lens and negative which I placed between two pieces of glass on a lightbox.  It was ok, that's all I can say.   I think if I was going to do a lot of film I would invest in a scanner.  One thing for sure it makes you realise how little trouble sensor dust is, when it comes to trying to keep dust off negatives it's a whole different ballgame.

 

Below example of scan inverted in lightroom - dust a plenty - then the other is after conversion to black and white and cleaned up.

 

attachicon.gifScan colour lightroom.jpgattachicon.gifafter clean up & B&W.jpg

 

 

Was that from a slide or from a color negative? If the latter, what was your method of removing the orange mask?

 

Thanks

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Was that from a slide or from a color negative? If the latter, what was your method of removing the orange mask?

 

Thanks

 

I just followed the instructions on this you tube video - sure there are better ways but I am still experimenting.

 

 

 

Sure you would find better answers to this question in one of the "Film" forums.

Edited by Boojay
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Guest Nowhereman
I have tried this with a variety of devices, lenses and DSLR's.  None gave results even close to a quality scanner, like the Nikon 9000ED or I'm sure others.

 

Recommend sending to a good scanning service and save the time and frustration. 

 

fsprow - My experience with camera digitalization, using a Focotar-2 50mm enlarger lens on a Leitz BEEON copy stand and an M10, is completely different: in post #6 of my thread on scanning transparency film with this setup I wrote, the BEOON + M10 combination is a great alternative to scanning — and much faster. My feeling is that the results in scanning slides are at least as good as I got from my old Imacon Precision III scanner, which has a true optical resolution 6300 dpi and a dMax of 4.2. I doubt a scanner with a dMax of 3.6 (equivalent to about 2 stops less dynamic range) could scan transparencies so easily...

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