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M10 - the Image Thread

TheGodParticle/Hari

By TheGodParticle/Hari
in Leica M10

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Posted by jaapv,

How to upload images: Prepare the image as follows: 1.   The image should be sRGB and 8-bits 2.   Reduce the size to 2048 pixels on the longest side. (smaller sizes can be set, but are not recommended) 3.   Sharpen properly for screen. 4.   Save as JPG to your desktop, reducing JPG quality to produce 2000 kB (5000 kB for sponsoring members). 5.   In Lightroom these parameters should be set in the Export dialog. 6.   In the Forum posting or editing box, click “choose Fil
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Rollin

Rollin

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Summilux 35 II

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rnl
rnl

train, Lancaster county PA

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ajitmenon
ajitmenon

From 2 years ago; M10 with tri-elmar 16-18-21mm

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Mucca244
Mucca244

Scottish Highlands at sunrise M10 - Super Elmar 21

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Rollin

Rollin

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Church in the park

 

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Carl Zeiss C Sonnar 50/1.5 ZM

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Prosophos

Prosophos

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Church in the park

 

attachicon.gifL1002193.jpg

 

attachicon.gifL1002213.jpg

 

Carl Zeiss C Sonnar 50/1.5 ZM

 

Well done!  I really like the (lack-of?) post-processing in these delightful images.  There is something "honest/wholesome" (apologies for the poor descriptors, but I hope you understand what I'm saying) about the rendering, which complements the moments you've captured.  Speaking of rendering, the Zeiss Sonnar never ceases to amaze me.

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Coolattitud

Coolattitud

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"Owls & the white dog" Festival - Anthony from Gwenn group

Leica M10 - Noctilux 0,95

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Rollin

Rollin

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Well done!  I really like the (lack-of?) post-processing in these delightful images.  There is something "honest/wholesome" (apologies for the poor descriptors, but I hope you understand what I'm saying) about the rendering, which complements the moments you've captured.  Speaking of rendering, the Zeiss Sonnar never ceases to amaze me.

 

Wow, thank you! You just made my week!

As a photojournalist from the film era I've been striving the last few years to find digital toning that does not distract from the content, and won't feel dated, and have arrived to this point just recently. I don't care for the "film look" - let film be film and digital be digital - however, I have learned restraint from the good film simulations and reading about what works for those trying to emulate the M9 CCD: don't open the shadows much unless there is detail important to the content (and then maybe a brush is a better tool), most of the time make sure there is a good black, no added clarity, usually leave contrast as shot unless an older lens, little bit of vibrance, zero the NR built into the DNG, and usually Standard output sharpening (LR) no matter how much sharper High looks.

 

The Leica colors have also made this so much easier, especially for skin and wood tones, compared to the Sony FF I dumped late last year to get the M10. And these M10 calibration values for LR have been key for me. I now enjoy post processing. And as a former newspaper Photo Editor thank you for calling it post processing!

 

This was the first time using the Zeiss 50 Sonnar in anger and I am very pleased with it so far. What Zeiss calls the "rounded sharpness" seems to play into the rendering as you wonderfully described as "honest/wholesome."

No, you made my month!

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rnl

rnl

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Advertisement (gone after registration)

  m10, 35lux FLE at f4, 1/4000

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rnl

rnl

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m10, 35LUX FLE, ISO 200, 1/4000 F/4

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pipatree

pipatree

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M10 + Elmar 65mm/f3.5

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pipatree

pipatree

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M10 + Elmar 65mm/f3.5

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M11 for me

M11 for me

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Wow, thank you! You just made my week!

As a photojournalist from the film era I've been striving the last few years to find digital toning that does not distract from the content, and won't feel dated, and have arrived to this point just recently. I don't care for the "film look" - let film be film and digital be digital - however, I have learned restraint from the good film simulations and reading about what works for those trying to emulate the M9 CCD: don't open the shadows much unless there is detail important to the content (and then maybe a brush is a better tool), most of the time make sure there is a good black, no added clarity, usually leave contrast as shot unless an older lens, little bit of vibrance, zero the NR built into the DNG, and usually Standard output sharpening (LR) no matter how much sharper High looks.

 

The Leica colors have also made this so much easier, especially for skin and wood tones, compared to the Sony FF I dumped late last year to get the M10. And these M10 calibration values for LR have been key for me. I now enjoy post processing. And as a former newspaper Photo Editor thank you for calling it post processing!

 

This was the first time using the Zeiss 50 Sonnar in anger and I am very pleased with it so far. What Zeiss calls the "rounded sharpness" seems to play into the rendering as you wonderfully described as "honest/wholesome."

No, you made my month!

Thank you for the interesting description of what you do in post.

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magixaxeman

magixaxeman

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My brother popped in at the weekend so I grabbed a couple of pics.

 

 

 

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