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Scotland to get battered with high winds


Guest NEIL-D-WILLIAMS

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Guest NEIL-D-WILLIAMS

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Sounds perfect for a few days of west coast of Scotland costal photography with the Leica SL and Noctilux........... bring it on[emoji23][emoji23][emoji23][emoji23][emoji23][emoji23]

 

 

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Guest NEIL-D-WILLIAMS

I don't think that the Noctilux is weatherproof.

i guess we are away to find out. Wait maybe this calls for Leica S and 120mm as they are weather proof but maybe not Scottish weather proof

 

 

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I would not try to find out with that lens, given the lack of weatherproofing and the cost. In my opinion, for landscape work it's nothing special in comparison to other 50mm options. The magic is wide open and I wouldn't expect to use razor thin DOF doing coastal photography.

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Guest NEIL-D-WILLIAMS

I disagree. The Noctilux is not only amazing wide open it's also amazing stopped all the way down especially for shooting panoramas

 

 

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 Wait maybe this calls for Leica S and 120mm as they are weather proof but maybe not Scottish weather proof

 

 

 

 

Unlikely to get any worse than David's Iceland adventure....   http://www.reddotforum.com/content/2015/09/my-photographic-adventure-through-iceland-with-the-leica-s-typ007/

 

The SL and native lenses should perform as well.  Adapted lenses....a crap shoot.

 

Jeff

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Guest NEIL-D-WILLIAMS

I don't have any SL lenses. The whole purpose of buying the SL was to shoot Noctilux which is still my main purpose. I've got my S with me but with only my S120 and Hasselblad 250 supercomputer which is probably also not Weatherford proofs.

 

 

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Guest NEIL-D-WILLIAMS

Saying that I'm getting peer pressure to buy the 24/90 even though I know it's not that great a lens......... I just don't need it if I want to shoot landscape I will use S007 or if while traveling I will use Noctilux or the 21mm SCM that I just bought

 

 

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Ohh it's special it's so so special [emoji7][emoji7][emoji7][emoji7][emoji7]

 

 

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I don't know if you're being serious. The Noctilux is designed for the large aperture. The size, weight, focus throw, optics are all designed for wide open use. Compare it to a Summilux stopped down (f2 is enough to compare) and you'll find the Summilux is better, smaller, lighter, and a third the cost. It's got less distortion and better edge sharpness.

 

I love the Noctilux and keep finding myself considering to buy it for use with the SL, but I'm realistic about what makes it special. It's not stopped down performance.

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Guest NEIL-D-WILLIAMS

I'm 100% serious. What comes out of the printer has nothing to do with size f stop or weight it's just a tool for taking pictures and IMOP I find the Noctilux better in every f stop compared to the sumerlux

 

 

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Saying that I'm getting peer pressure to buy the 24/90 even though I know it's not that great a lens......... 

 

I wouldn't care if you bought it or not, but by all accounts it's a superb lens, one of the best zooms Leica ever made, and likely better than the S zoom.  And the 90-280 SL beast is apparently as good or better than the 24-90.  But you could only know by trying.

 

I'd probably already own the SL if it had a range of much smaller, lighter weather sealed primes.  But the zoom is not really a compromise optically, from what I've read (including user reports here), although I have no reason to do my own testing.

 

The 50 SL Summilux might interest you as a substitute 50 for inclement weather.  But it's probably not much smaller than the 24-90.

 

Jeff

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The Noctilux is better at 0.95 :-) and surprisingly good at f2.8 on, but at f1.4/2 the Summilux is the better lens.  But neither are lenses that will be happy in the windy rain.  The zooms are much heavier and more robust and both they and the SL Summilux will produce cleaner images (edge resolution, the various types of CA).  But only you know what type of images you intend to take and the risks to which you are willing to subject your gear.

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My M lenses have always been happy in the worst of the Scottish west coast weather.

 

I wouldn't worry about a Noctilix. What's the worst that can happen? 

 

Anyway, weather-sealing won't stop a camera (with a lens attached) lens getting blown into the sea: I've seen that happen in a gale.

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I'm sure I read that Leica said M lenses do not require 'weather sealing' as the mechanical tolerances, and grease used, means they are effectively 'weather sealed'.

 

True (according to Stefan Daniel), but not to the extent of the SL or S system (camera and lenses), which Leica openly praises as weather sealed.  See the link in post #8 and tell me if you'd run around for days at a time in hard rain and wind with an unprotected M as primary gear for an expensive trip.  I take my M out in inclement weather, but I wouldn't do with it what David Farkas did with his S in Iceland (although I have insurance that would pay for a repair or replacement).  Not all weather sealing is created equally....the LenRentals site has some fascinating gear tear-downs from various manufacturers and products to demonstrate.

 

Jeff

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