Jump to content

Has Digital reduced the quality gap with MF ?


Guest flatfour

Recommended Posts

Advertisement (gone after registration)

Fair enough Alfie, here's a plastic Canon shot.

 

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

Link to post
Share on other sites

  • Replies 44
  • Created
  • Last Reply

Yea, makes you wonder why pro's are running to them in droves, National Geographic has practically made them their standard equipment and they are blowing everyone else in the market into the weeds. Must be that everyone in the whole world has lost their minds....

Link to post
Share on other sites

10 out of 10 for recognising the location Andy ;-)

 

' Out on the wiley, windy moors

We'd roll and fall in green.

You had a temper like my jealousy:

Too hot, too greedy.

How could you leave me,

When I needed to possess you?

I hated you. I loved you, too.'

Link to post
Share on other sites

I think many in this forum would be very happy if Leica had a 5D sensor :) At least I would be..

I don't think that Canon files are that hard to process and get good results. They need a bit more sharpening but can also take more sharpening than any other camera. They are also a bit too red. But I really don't agree about a "plastic" look...

Link to post
Share on other sites

Martin, the image I posted is from a 300D - ancient technology in digital terms :-) - but I agree, I'd be more than happy with a 5D sensor in a Leica rangefinder body. In the event I'm probably going to have to settle for an equally excellent alternative.

Link to post
Share on other sites

Guest flatfour

Steve - With respect that picture does look plasticy on my monitor. Hope you don't mind I've tried to remove the plasticy look with PS.

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

Link to post
Share on other sites

' Out on the wiley, windy moors

We'd roll and fall in green.

You had a temper like my jealousy:

Too hot, too greedy.

How could you leave me,

When I needed to possess you?

I hated you. I loved you, too.'

 

"I didn't know you cared"

 

:)

 

(That was a great programme from my youth...)

 

BBC - Comedy Guide - I Didn't Know You Cared

 

Sorry, but Anthony's edit looks like a nice flat scan that then needs the levels adjusted, to my eye. Indeed, the histogram in PS has nothing at the top and bottom ends.

Link to post
Share on other sites

Guest flatfour

Andy - I'm new to all this - (don't say I knew it) - but what do you mean by the histogram has nothing at the top and bottom ends ?

Link to post
Share on other sites

Like this, Anthony

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

Link to post
Share on other sites

But, if you are not using the full width of the histogram, you are not getting the full tonal range in the image.

 

This may be what you want, if it's a highlight shot for example.

 

But in a scene lile this, one would normally wish to see a full range of colours and tones.

 

The edited version looks like it is being viewed through an ND filter.

 

However, each to his own taste - there is no "right" answer.

 

:)

Link to post
Share on other sites

Sorry but that landscape shot just looks very bleachy looking. I think that the colors are slightly off :(...

 

And yes, the gradations are still too smooth. I bet that if I were to print that at 4 by 6 feet, then I will know that everything looks a little too buttery for my taste. :eek:

Link to post
Share on other sites

Sorry but that landscape shot just looks very bleachy looking. I think that the colors are slightly off :(...

 

And yes, the gradations are still too smooth. I bet that if I were to print that at 4 by 6 feet, then I will know that everything looks a little too buttery for my taste. :eek:

 

You really can't comment about the colors unless you have seen the actual scene. The 'bleachy' look is actually preferred in professional DSLRs, and you only get 'Disney' colors from P&S cameras, or if you decide to boost the saturation in-camera.

 

And color gradations are supposed to be smooth! The greatest thing about the 16bit a/d converter in the DMR is that you'll get even more colors and even smoother gradations.

Link to post
Share on other sites

Indeed, I agree but the scene needs to have the full spectrum of coloration and I feel that the Canon just doesn't do it. It is very subjective and my personal opinion but that's why I choose to shoot with Leica (and Zeiss).

 

I just find that the Canon shots especially with humans are just too plastic and smooth. And I don't mean smooth transition among tones. I'm talking about muddy tones. If you shoot the 85mm Canon f1.2 wide open versus the Leica Summilux-R I'm willing to bet that the Canon will not resolve the same amount of details. In fact, I prefer to see the living daylights/pores on the model. They look like f****** mannequins with Canon lenses. I would rather have the reality showing and not some Canonized view of the universe. :cool:

Link to post
Share on other sites

If you shoot the 85mm Canon f1.2 wide open versus the Leica Summilux-R I'm willing to bet that the Canon will not resolve the same amount of details. In fact, I prefer to see the living daylights/pores on the model. They look like f****** mannequins with Canon lenses. I would rather have the reality showing and not some Canonized view of the universe. :cool:

 

The Canon lens is better. Mine resolves over 7oLp at f1.2. One of the very best people photographers on this forum had both, and used the canon because it was the better lens.

 

As for the other argument (“muddy” canon), it is beyond ridiculous.

Link to post
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.
×
×
  • Create New...