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Potential new owner in need of some advice !


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The TTL M6 was my entry into film leicas and I absolutely loved that camera, I ended up getting a classic M6 as a back up. I had a digital M body before hand, so I noticed the flare right away and while it wasn't a deal breaker I found it annoying when it occured. If I were in the market for another M6, I've since traded in both of mine for an MP, I would look for an M6 that has been upgraded. I'm assuming that if the viewfinder has been upgraded then the previous owner probably had it CLA'd as well, which would be another advantage.

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Guys, you are all being very helpful and I don't mind reading any opinion !

 

I do understand that getting in Leica's system it's quite a step, especially as far as the lenses are concerned. Sometimes I think, just go a get a russian lens and buy a camera and test it !!

 

But when I cool off I think that it might be better to wait a bit longer than rush into things. I like Leica glass, obviously ! But it can get expensive.

 

My main use of the camera will be for documentary work and in this field I like the 35mm view. Although I started in film photography with the classic 50 ...

 

So I will surely get the Color Skopar and I might later invest in a 50, if I find a good deal at local shops.

 

Well the first time I had to use a rangefinder to be sure I would have enjoyed it I bought an humble Zorki 6 with a Jupiter 8 and started making pics, I found out that RF was for me and then I saved for getting an M3, then I got a DR Summicron and my addiction started!

 

Still have the Z6 and many other Soviet RFs and I like to use it once on a while, especially when I'm afraid to use my expensive gear, of course they have limitations in comparison to a Leica M but they are a good school and with 50 euros you can have a working camera.

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  • 2 weeks later...

VC lenses are really great bang for the buck. I'd prefer one of the Noktons, but the skopars are great.  As for camera, considering your experience, I'd go for a meter-less Leica. My personal favorite is the M2. But the M3, if you're a 50 guy, or the M4, are wonderful. 

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Minimum focusing distance can be kind of a big deal.  I have a bunch of wonderful old lenses that focus to 1 meter - and, frankly, they can be frustrating. Do you ever shoot someone at a cafe across an intimate table or booth? Or want a close portrait of a person, sculpture or flower with an OOF background? You're going to find yourself leaning back a lot, and shooting a frame that you'll probably want to crop. It's no huge deal… but, over time, it's frustrating - and definitely becomes part of the equation when you're considering which lens to mount on your camera for the day. 

 

BTW, obviously, it makes no real difference in street, architectural, or wide nature photography.  And, on the street, I find that my old Elmar 35 is so funky looking that people are intrigued and oddly calm about having it pointed at them. The Elmar on my tiny, and equally funky IIF, may be my best street camera/lens combo for their weird, nerdy stealth. 

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A very tempting option, indeed.

when I started with M, a M6 , very glad with it, because of the light meter inside the camera which makes things just easier . after a year I sold my F3 Nikon to buy a 2,8/28mm Elmarit-M lens. I my view it was a very expensive lens . I still have it and still like it on my M. What i'm saying is, maybe you have to invest more heavily than you now want, but it may be worth it.

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The screw mount Skopar has the same optical design with the P & PII versions. Correct ?

I believe the only difference is the lack of a focusing tab and the minimum focusing distance.

 

Yes correct, same lenses. I prefer the screw version for the focus tab. 

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