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Thanks, Henry. I'm thinking of it as a classic and compact time machine that is faster than my 28mm summaron, which needs to be stopped down to f8 to avoid vingetting.

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sincere thanks, Henry. I think, however, that the lens may not be the LTM version but rather the EF version. Not sure what EF means, but I have a suspicion that it is not the same as the old LTM screw mount version.

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Thank you so very much for helping me out, Henry. I really appreciate it. I came across this collection of photos but I will spend more time looking. From what I can gather, this lens has a characteristic of being low to mid in contrast and soft at the corners when opened up to 5.6 or more, and pretty sharp when stopped down smalled than 5.6. The contrast rendering is of particular interest to me b/c we are now entering a season(s) in which the sun if more directly over our heads which leaves shadows in and around our faces. A high contrast lens has a problem picking up the detail in the shadows. I am thinking that this older low contrast lens may help with this problem and also give me a more classic rendering, particularly with B&W. So we will see...

 

Thanks very much again!

 

Best,

adam

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The 28mm F2.8 version is rare compared with the F3.5 version. Prices seem to be double what I paid for my Nikkor 2.8cm F3.5, which I am very happy with.

 

If you Must have a 28mm F2.8, go for it and report back how it is! From the ones sampled on Ebay- one with glass separation, others with coating marks. I would hang-out on RFF or here and look for one.

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Thanks, Lenshacker - The one I am looking at on ebay is in "near mint" condition cosemetically and optically. It is from Japan. I saw a few others that looked like more of a gamble...

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Thanks again, Henry. No, I've never heard of Kobalux; it is a funny name, though :)

 

I have plenty of clinicly perfect optics but sometimes get the urge to go back in time and "see" the world with the same glass that saw it 50 years ago. :)

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I have plenty of clinicly perfect optics but sometimes get the urge to go back in time and "see" the world with the same glass that saw it 50 years ago. :)

 

Hello Adam

 

Well then you may want to consider also one of the two 2,8cm LTM lenses - the Hektor 2,8cm f6,3 or the Summaron 2,8cm f5,6. I have the Hektor, which is widely recognised as being the worst of the two but still performs well and in a lovely old-school (to use a pop term) way. It is a fine street lens when zone-focused on a camera with Tri-X.

 

The Summaron is much better if one is to believe Mr Puts.

 

br

Philip

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Hi Philip - thanks a lot for your post. I know the 28mm summaron inside and out, as I have one that is in really good condition and have used it extensively on my M9, MM and film Ms. It is really lovely a f8 and f11. It vignettes quite a bit at 5.6 to a point where I really only want to use it if there is enough light for f8 or f11. The lens is also quite contrasty. The performance when shooting in direct sunlight is really cool, though; it is pretty glare resistent and when it does show it does so in an interesting fashion.

 

The Canon is faster and supposedly is not as contrasty. For $450, I'll give it a whirl:)

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This thread might end up costing me as much as it cost you...

 

very funny :) I guess that's why they call you "Lenshacker"?:D

 

At $450 I'm happy to be the guinea pig on this one... :)

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I'd be interested in any insights as to the optical quality and rendering characteristics. I used the search function of this forum and havent found much. Thanks in advance, adam

 

Adam, look at the photographs of Garry Winogrand, it was the lens he used for much of his work.

 

Steve

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I have this lens, not the sharpest towards the edges but I think it renders very nicely, it can definitely produce a subtle 3D effect, it is more of a documentary-type lens.

Super tiny, with quite a long focus throw.

Not that easy to find a clean one though, haze is common with these old Canon lenses and it can be quite bad if it starts etching the glass or if it affects a cemented element.

Edited by padam
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The later Canon lenses used a (then) new type of glass along with some sort of lubricant that did not get along with each other. If the lubricant got onto the aperture blades, it formed "corrosive haze" on the glass. If you get to it quickly enough, not a problem. If the lens looks good now, chances are someone replaced the lubricant. I suspect Canon figured this out with the last run lenses, and changed the lubricant.

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very funny I guess that's why they call you "Lenshacker"?:D

 

At $450 I'm happy to be the guinea pig on this one... :)

 

In the mid 70s, the term "Hacker" was used in the computer department as it referred to someone that made furniture using a sledge hammer.

 

I started using it after using Pipe Cutters to make RF Cams. Seemed appropriate.

 

8286120180_e508701f6f_z.jpg

 

8285061583_35753628c7_z.jpg

 

You have to polish it down to 0.01mm. I use fine sand paper and check it a lot.

 

Brian "LensHacker"

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Many thanks, steve, Padam and Brian -

Steve - I am aware of this, although there is a video out there of Garry from 1982 in Los Angeles using a an early version 28mm Elmarit.:cool:

Padam - thanks for your insights.

Brian - very intersting (and funny) history on you. Made me laugh :)

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