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Digital for Commercial Work, Film for Personal Work


stump4545

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Wild guess would be that clients are ever-demanding and want near instant results. With digital the photographer can start organizing and (if necessary) editing asap.

 

With analog, development takes time and then the negatives will need to either be printed or scanned, which also takes time. In the mordern world of digital photo editing, i suspect that many if not most film negatives would be scanned and then edited, which invariably takes longer b/c the scanned filed usually need a lot or work.

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I also would note that fusing film for client work is MUCH more expensive given the film and development costs. This is potentially huge as it is not uncommon for a photographer to take over 1000 shots at a wedding, for example.

 

I for one LOVE film and much prefer the results over digital. But the extra time and expense do limit my use.

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Obviously for many, or most clients, the advantages of film arent appreciated, or don't outweigh the conveniences of digital.

 

But to the more discerning eye . . . The craftsman must have some reason for preferring film.

Their preference speaks volumes.

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I also would note that fusing film for client work is MUCH more expensive given the film and development costs. This is potentially huge as it is not uncommon for a photographer to take over 1000 shots at a wedding, for example.

 

...

 

I wouldn't confuse quantity with quality. In principle, some poor devil has to edit those 1000 photos, but in may cases they simply present near enough the whole lot to the 'happy couple' as a job well done.

 

Could film be construed as evidence of a more thoughtful and caring approach?

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