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Saint Michel Bay

 

 

Kodak TX400

M7-35 Summilux Asph

 

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Rg

Henry

 

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"Rich and Poor"

Tmax 400, Summarit 35mm, MP

 

best regards

Marc

 

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Richterswil - Ilford XP2 film by -Ric Capucho-

 

 

Another foggy picture... I tried to get closer to the nearest tree to see if I could increase the contrast.

 

Shot off the rest of my first roll of Cinestill 800T last night, so looking forward to seeing the results. It'll take a week at the lab.

 

Ric

Ric nice sky , cloud and tree

Best

Henry

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Arromanches in Normandy

landing beach World War 2

blocks of floating concrete in the background are the boat anchors

 

 

Kodak TX400

remarkable film

Leica M7

35 Summilux Asph

 

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Henry

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The handful of shots I uploaded this week from my 'new' Fuji GW690II were all landscapes, so yesterday I tried it out on the High St to see results in an urban environment and with the lens focussed at closer settings.  The first one below is full frame with minimal PP in LR(CC) and then a hard crop to see how resolution is.  I might just keep this camera...   :)

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Birch, White Peak.

 

Leica MP

CV28mm color-skopar f3.5

Adox Silvermax

Heliopan O22

 

 

 

 

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"P" like "Paris" ,  I love 

It's the "total" : barges on river bank , Pont des Arts, walkers, bateau-mouche, Le Louvre  :)

 

in Kodak TX 400

I like black , grey and white tonality of this film !

 

Leica MP

35 Summilux Asph

 

 

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Henry

Edited by Doc Henry
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Here are a couple of results from the roll of Ilford Pan-F 50 that I shot as per my message from Sunday.

I think these are strong from a composition perspective although I think that my ideal shot would be with Ektar during either the onset of a sunset with clouds or during the magic hour with a bright navy blue sky (no clouds needed), in either case with long strings of red, orange and yellow car lights running along the length of the streets (resulting from the long exposure of ideally b/n 8 and 15 seconds).

I have until July to execute as that it when this chrome guy is being removed...

 

 

attachicon.gifman2-1.jpg

 

 

 

 

attachicon.gifman1-1.jpg

 

Hi there,

 

I really like the wide horizontal framing with long exposure, which I'd prefer slightly tilted up (less foreground and more space for the statue to look upwards for) .

I imagine the colorful streaks of passing cars would enhance the contrast with the stillness of the statue. Reminds me of your Brooklyn passing train shots you shared a few weeks ago.

 

Best regards, JM, in Paris for the next 2 weeks .

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Hi there,

 

I really like the wide horizontal framing with long exposure, which I'd prefer slightly tilted up (less foreground and more space for the statue to look upwards for) .

I imagine the colorful streaks of passing cars would enhance the contrast with the stillness of the statue. Reminds me of your Brooklyn passing train shots you shared a few weeks ago.

 

Best regards, JM, in Paris for the next 2 weeks .

 

Thanks, Jean Marc - you are totally right.  There is not nearly enough headroom in the first shot.  And there needs to be a lot more.  The problem I was facing is that this type of shot (with lots of buildings with lines and angles that we expect to see straight and aligned) with a very wide angle lens really needs to be shot with the camera very level.  My old 53mm zeiss biogon (effectively a 24mm in 35mm FL terms) just wasn't wide enough to get the requisite headroom with the camera level.  This leaves me with two options:  use my Hasssy SWC and get a little more headroom (with a few mm more width) and/or go ahead and point the camera up a little and then adjustment the leveling later in LR.

 

This place is only two blocks from my home so I will no doubt be hitting it hard over the next couple of months...!!

 

Thanks again and enjoy Paris and hope you and Henry can get together...

 

-Adam

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Thanks, Jean Marc - you are totally right.  There is not nearly enough headroom in the first shot.  And there needs to be a lot more.  The problem I was facing is that this type of shot (with lots of buildings with lines and angles that we expect to see straight and aligned) with a very wide angle lens really needs to be shot with the camera very level.  My old 53mm zeiss biogon (effectively a 24mm in 35mm FL terms) just wasn't wide enough to get the requisite headroom with the camera level.  This leaves me with two options:  use my Hasssy SWC and get a little more headroom (with a few mm more width) and/or go ahead and point the camera up a little and then adjustment the leveling later in LR.

 

This place is only two blocks from my home so I will no doubt be hitting it hard over the next couple of months...!!

 

Thanks again and enjoy Paris and hope you and Henry can get together...

 

-Adam

 

Hi Adam,

 

I'll be looking forward to your SWC shots then :-)

 

Henry and I will hopefully  get in touch soon I hope.

 

Cheers JM

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Be interesting to see what a wet print looked like.

I found that my later scanning showed similar, lottsa grain.

One day I'll crank up the trays and chemicals and print a few, more to see if it is in fact the scanning.

Gary

 

I have tried scanning prints and prefer the result but there is usually too much dust which does add more time, not much, but enough for me to think I could be doing something else. I tend to only print the 'keepers'. 

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I'll call and raise you £50, 20 years out of date HP5, great minds must think alike

 

 

 

Done !

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