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Leica M4, Summaron 3,5/35mm, Kentmere 100, developed in Cinestill D96, Vuescan, Epson V800.

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Bessa R2m Tmax 100

 

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Flooded fields with grasses.  The kind of evening light that 200T seems to like, with some assistance from the veiling flare in the (always superb) lens.

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Leica M3, Summilux-M 50 ASPH, Kodak Vision 3 200T (no filter).

Edited by John Robinson
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"Gardening" at sunset.

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Leica M3, Summilux-M 50 ASPH, Kodak Vision 3 200T (no filter).

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Grazing   [m6, 35mm, fp4]

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Much rain, construction work grinds to a halt.  [m6, 35, fp4]

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A photo from a hike in the Caldor Fire (2021) burn scar last summer. Northern Sierra Nevada Mountains.  Life finds a way back.

Mamiya 645 / Dekor 110 f2.8 / Kodak Gold

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Reala

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Ice cream triangle 

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m3, summicron 50 rigid, portra 400
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18 hours ago, Doc Henry said:

... and for Phil a Kodachrome lover

Occidental Atlas Algeria

Kodachrome 64-Leicaflex SL-50 Summicron Scan Nikon CS5000 Nikon Scanner Software Option Kodachrome

Best

Henry

 

 

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That's it I'm weeping...

Stop posting Kodachrome please, my life as been black and white since it's gone...

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On 2/21/2024 at 1:37 AM, tuna said:

To finish my thought, the second half of the JCH Streetpan 400 roll provided better results. However, as much as I love visible grain in my prints, I think the unpredictable results from shot to shot will most likely dissuade me from another roll...this set with the MP again but a 50 Summilux attached.

 

 

Yes i got very unpredictable results from JCH as well, its either jet black or white white 

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vor 59 Minuten schrieb hillavoider:

 

Yes i got very unpredictable results from JCH as well, its either jet black or white white 

According to this source: https://www.analog.cafe/r/jch-streetpan-400-film-review-qv7p the film is a repackaged security film with a special curve: few midtones, but strong accent on the fringes of the curve.  Seems to serve the original purpose. And may be appropriate for a  "japanese style of street photography". 

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16 hours ago, John Robinson said:

Trying to see if I can learn to like Vision 3 200T.

This is Kodak's standard cine stock. It should be almost grainless, astonishingly high-resolving with a distinct acuity and unbelievable headroom in the whites. Somewhere in your pipeline, something is off. Colours are nice!

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52 minutes ago, hansvons said:

This is Kodak's standard cine stock. It should be almost grainless, astonishingly high-resolving with a distinct acuity and unbelievable headroom in the whites. Somewhere in your pipeline, something is off. Colours are nice!

Yes, colours take some work but are charming when I get there.  I am relying on a lab for processing, having tried three so far.  Their work is good but not excellent.  I rather think I will need to do my own processing to get consistent results but that is a challenge as I don't have a safe place (yet) to handle the chemicals.  Either that or find a better lab but all the ones I have seen in the UK (with the exception of the cine lab that is set up to process 400ft minimum length) rely on hand-processing in small tanks, with various issues.  Still, given the difficulty in obtaining good 35mm colour stock (as opposed to BW) at a sensible price, it is a useful project.

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18 minutes ago, John Robinson said:

Yes, colours take some work but are charming when I get there.  I am relying on a lab for processing, having tried three so far.  Their work is good but not excellent.  I rather think I will need to do my own processing to get consistent results but that is a challenge as I don't have a safe place (yet) to handle the chemicals.  Either that or find a better lab but all the ones I have seen in the UK (with the exception of the cine lab that is set up to process 400ft minimum length) rely on hand-processing in small tanks, with various issues.  Still, given the difficulty in obtaining good 35mm colour stock (as opposed to BW) at a sensible price, it is a useful project.

John do it your self you'll obtain best result 😀 just need heating plate purchased at the beginning but quickly paid for itself

....   beautiful color in your pictures

Best

Henry

Edited by Doc Henry
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