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Took a while to whittle through this roll, but finished it yesterday, and ran it through the soup this morning.

Nothing startling on it, but fun to be back in the swim, and even after nearly 50 years of processing I still get a thrill when it all comes together.

No prints yet, but used the BEOON to quickly digitize a few of the ones that looked half-pie decent.

All on a roll of Delta 100 which accompanied the M6 from Bruno (thank you Bruno, still loving it). Rodinal 1+50, 15 minutes. M6 and either the 35/2 or the 50/2 collapsible.

Gary

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Looks like I am only able to load one at a time, so here is the second.

Gary

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A powerful stance...

Ektar with use of a warming filter

Linhof Technika Press 6x9 (film is 6x7)

Zeiss Planar 180mm

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Edited by A miller
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M7, Nokton 50/1.1 + Yellow filter, Adox Silvermax in R09 One SHot

 

 

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Central Park at dawn

Kodak Ektar

Hassy SWC/M

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From last weekend,

 

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M7 Summicron-M 50/2 Fujifilm Superia X-tra 400

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Shades of Green.  M7, Summaron 35mm f2.8, Portra 160.

 

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Lines In The Countryside.   M7, Summaron 35mm f2.8, Portra 160.

 

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From my office, looking north...at a sunset in the dead of winter (which is the best)

Fuji Provia 100F

No WB, saturation or other color adjustments (yes, these winter sunsets can be that spectacular)

Linhof Technika Press, 53mm Zeiss Biogon (6X7 film size)

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From my office, looking north...at a sunset in the dead of winter (which is the best)

Fuji Provia 100F

No WB, saturation or other color adjustments (yes, these winter sunsets can be that spectacular)

Linhof Technika Press, 53mm Zeiss Biogon (6X7 film size)

Stunning! The window cleaners must have done a good job...   ;)  With views like that, does any work get done?

 

 

You might consider leveling the horizon just a tad, although it could just be my monitor...

 

The land rises as the horizon transitions from the flat plain of the west towards the high ground of the Cotswold to the north...

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Ilford Delta 100

Hassy SWC/M

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Edited by A miller
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Summertime and the access is easy...  M7, Summaron 35mm, Portra 160.

 

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yesterday morning's sunrise from the Brooklyn Bridge

Portra 400

Linhof Technika Press (circa 1959), 180mm Zeiss Planar (using a 6X6 film back)

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ADAM --- STOP!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!  you are going to cost me money I don't have to spend. These wide angle shots are exactly what I have been wanting to shoot and clearly one needs a wide lens plus MF to achieve it.  :-)     BTW, the shot in Central Park at dawn, did you use a filter?

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Ha, ha. Very funny, Steve. Thanks for the kind remarks.

The one just above of Central Park did not involve any filter.

We should have coffee one morning and I can bring you up to speed regarding my MF escapades. :)

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Adam,

 

I enjoy looking at your last three LF shots, very nice. Are you still busy with street as well?

 

Rgds

 

c.

Hi Chris - sincere thanks for your kind remarks.  Over the past couple of months I have been shooting mainly MF.  Some in the streets, but mostly of inanimate subjects.  Thanks again and all the best, Adam

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