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That's very kind of you to say, Phil.  Regrettably, so many views of London and so little Color Implosion to do it with.  The concept is appealing though.

 

Pete.

 

I'm almost tempted to suggest that, as a group, we write to Adox and ask them to consider releasing some more. There seems to be a lot of interest amongst "our lot" to get our hands on some. I don't know what it would take to make a production run economically viable for them though.

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Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

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I'm almost tempted to suggest that, as a group, we write to Adox and ask them to consider releasing some more. There seems to be a lot of interest amongst "our lot" to get our hands on some. I don't know what it would take to make a production run economically viable for them though.

 

I have asked them through their Facebook page to produce more but sadly I've had no response.  But if enough people lobbied through different media then, who knows, that might be enough to persuade them to produce another run.  The website describes Color Implosion as an "experimental" emulsion but it's not clear whether it was a commercial experiment, a technical experiment, or some other type.  If it was a commercial one then calls to produce more couldn't hurt ...  :D

 

Pete.

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Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

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28175202259_6f3f5af2b6_c.jpgRoll1_581ganz-R1-26-26A by ganzology, on Flickr

 

39056893715_47500a8480_c.jpgRoll1_581ganz-R1-35-35A by ganzology, on Flickr

 

28175189139_1547181aea_c.jpgRoll1_581ganz-R1-01-1A by ganzology, on Flickr

 

28175189979_c36831f16e_c.jpgRoll1_581ganz-R1-03-3A by ganzology, on Flickr

 

39056899325_e2a6683999_c.jpgRoll1_581ganz-R1-02-2A by ganzology, on Flickr

 

28175192159_578ff43925_c.jpgRoll1_581ganz-R1-06-6A by ganzology, on Flickr

 

28175193019_02c7c12dd4_c.jpgRoll1_581ganz-R1-08-8A by ganzology, on Flickr

 

39056905665_0bbeb66223_c.jpgRoll1_581ganz-R1-11-11A by ganzology, on Flickr

Northern end of Hoboken towards JC, and a bit along Observer Highway

 

Leicaflex Standard Mk2 / 90mm Elmarit-R Mk1 / Portra 400

 

(I really need a nice quiet LTM camera for my walks...)

Edited by ganzosrevenge
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Thanks, Phil.  You make all film stocks sing.

 

Thank you Adam. I do miss Plus-X - is there a film we don't miss? I used it a bit but probably used FP4 a bit more at the time. I don't think of it as you describe, but as a film that had the most wonderful greys. It really stands out to me now that I scan these pictures again. Films - even films that share similar DNA - have characteristics that subtly (mostly) differentiate them from their brethren. I'd like to be able to say that I have always chosen them largely because of their unique characteristics - unfortunately it's most often for far more practical reasons than that - being availability and cost!

 

This really works Adam. If it were possible that a still photograph could be full of motion, this would be the one. Look at those clouds - they seem to move even as you look at them. On a large print this would be almost hypnotic. Totally agree, too on your thoughts on a) the thread and B) reworking images.

 

 

As cool as this film is, I think this film is one of the most challenging film stocks to make sing.  You need just the right subject matter otherwise the photos ends up looking like a time-wasting muddy mess.  Not a lot (or at least not enough) of photographers are up to the challenge, at least in a way that will lead to frequent-enough use.  

I'm almost tempted to suggest that, as a group, we write to Adox and ask them to consider releasing some more. There seems to be a lot of interest amongst "our lot" to get our hands on some. I don't know what it would take to make a production run economically viable for them though.

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Thanks, Phil.  You make all film stocks sing.

 

As cool as this film is, I think this film is one of the most challenging film stocks to make sing.  You need just the right subject matter otherwise the photos ends up looking like a time-wasting muddy mess.  Not a lot (or at least not enough) of photographers are up to the challenge, at least in a way that will lead to frequent-enough use.  

 

Color Implosion is very high on my list.

 

I'm also wishing Kodak would bring back Plus-X.  And Tech Pan (yes, I know the FPP has it, but come on... if they can bring back Ektachrome, let's push for Tech!)

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I have asked them through their Facebook page to produce more but sadly I've had no response.  But if enough people lobbied through different media then, who knows, that might be enough to persuade them to produce another run.  The website describes Color Implosion as an "experimental" emulsion but it's not clear whether it was a commercial experiment, a technical experiment, or some other type.  If it was a commercial one then calls to produce more couldn't hurt ...  :D

 

Pete.

I also emailed Adox, but no reply. When I spoke to Process last December they were hopeful of another batch this month, January. Current status is showing no stock. I've tried as many EU based suppliers as I could, all without stock. Importing from outside the EU becomes financially questionable.
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Color Implosion is very high on my list.

 

I'm also wishing Kodak would bring back Plus-X.  And Tech Pan (yes, I know the FPP has it, but come on... if they can bring back Ektachrome, let's push for Tech!)

 

I can spare you a roll if you can make your way to east midtown or the financial district one day...

Edited by A miller
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Thanks, Phil. You make all film stocks sing.

 

 

As cool as this film is, I think this film is one of the most challenging film stocks to make sing. You need just the right subject matter otherwise the photos ends up looking like a time-wasting muddy mess. Not a lot (or at least not enough) of photographers are up to the challenge, at least in a way that will lead to frequent-enough use.

 

I suppose my consideration regarding CI is /was different not having used any yet (I have one roll waiting in the fridge). I take your word based on your infinitely superior knowledge (me = 0, you >1; 1/0 is a big number).

I wonder if there's a way of obtaining a similar odd response from regular film stock, like dunking in some form of household cleaning stuff from under the sink. (There's a guy on Flickr who pre-soaks his film at 0C in an automatic washing machine!)

Edited by Steve Ricoh
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I suppose my consideration regarding CI is /was different not having used any yet (I have one roll waiting in the fridge). I take your word based on your infinitely superior knowledge (me = 0, you >1; 1/0 is a big number).

I wonder if there's a way of obtaining a similar odd response from regular film stock, like dunking in some form of household cleaning stuff from under the sink. (There's a guy on Flickr who pre-soaks his film on a 40C in an automatic washing machine!)

 

perhaps Wayne can be consulted on this score...? :)  He seems to have it figured out...

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in the shadows of a narrow alleyway strewn with obsolete film canisters and discarded, curly, brown plastic strips with tell-tale sprocket holes two strangers approached one another guardedly.    A faraway siren sounds mournfully in the background. The first man speaks and says "I've been expecting someone.  Are you ... "

The other replies quickly "Yes.  Do you have it with you?"

"Yes," said the first man, "Are you sure you want it?"

The second man notices a brief metallic reflection from something hanging from a leather strap over the first man's shoulder and immediately starts to relax.  No digital cameras to worry about here.

"Yes I do!" replied the second man, "It's very high on my list."

A package passes quickly between them, unseen by others and the deal is done.  The Adox Color Implosion has found its mark.

The men part without further ado apart from a quick coffee and chat about emulsion and addiction. 

 

Such is a brief glimpse into a post-Color Implosion world.

Edited by farnz
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in the shadows of a narrow alleyway strewn with obsolete film canisters and discarded, curly, brown plastic strips with tell-tale sprocket holes two strangers approached one another guardedly.    A faraway siren sounds mournfully in the background. The first man speaks and says "I've been expecting someone.  Are you ... "

The other replies quickly "Yes.  Do you have it with you?"

"Yes," said the first man, "Are you sure you want it?"

The second man notices a brief metallic reflection from something hanging from a leather strap over the first man's shoulder and immediately starts to relax.  No digital cameras to worry about here.

"Yes I do!" replied the second man, "It's very high on my list."

A package passes quickly between them, unseen by others and the deal is done.  The Adox Color Implosion has found its mark.

The men part without further ado apart from a quick coffee and chat about emulsion and addiction. 

 

Such is a brief glimpse into a post-Color Implosion world.

 

Ha, ha, good one, Pete.  I was with you until you got to the part about the coffee, whereas I might have expected you to say "Guinness"  :lol:  which to a layman like me looks very much like coffee!  :)

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Thanks, Phil.  You make all film stocks sing.

 

As cool as this film is, I think this film is one of the most challenging film stocks to make sing.  You need just the right subject matter otherwise the photos ends up looking like a time-wasting muddy mess.  Not a lot (or at least not enough) of photographers are up to the challenge, at least in a way that will lead to frequent-enough use.  

 

I still have my five precious rolls of Color Implosion and am really looking forward to the challenge of making it at least hum. It's interesting - if you look it up on Flickr (OK not as a rule the greatest source for inspirational photography) the Color Implosion shots are very much like the time-wasting muddy mess you mention. Yet without fail the shots I've seen posted on this very thread are inspirational to say the least. But that's what differentiates good photographers - and when it does sing, it's like Jim Morrison, Elvis and Janis all warbling at the top of their form. A very "fine art" film in the right hands.

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I still have my five precious rolls of Color Implosion and am really looking forward to the challenge of making it at least hum. It's interesting - if you look it up on Flickr (OK not as a rule the greatest source for inspirational photography) the Color Implosion shots are very much like the time-wasting muddy mess you mention. Yet without fail the shots I've seen posted on this very thread are inspirational to say the least. But that's what differentiates good photographers - and when it does sing, it's like Jim Morrison, Elvis and Janis all warbling at the top of their form. A very "fine art" film in the right hands.

 

Well said.  And to be clear, I have had many more wasteful muddy messes than choruses with my rolls!

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in the shadows of a narrow alleyway strewn with obsolete film canisters and discarded, curly, brown plastic strips with tell-tale sprocket holes two strangers approached one another guardedly.    A faraway siren sounds mournfully in the background. The first man speaks and says "I've been expecting someone.  Are you ... "

The other replies quickly "Yes.  Do you have it with you?"

"Yes," said the first man, "Are you sure you want it?"

The second man notices a brief metallic reflection from something hanging from a leather strap over the first man's shoulder and immediately starts to relax.  No digital cameras to worry about here.

"Yes I do!" replied the second man, "It's very high on my list."

A package passes quickly between them, unseen by others and the deal is done.  The Adox Color Implosion has found its mark.

The men part without further ado apart from a quick coffee and chat about emulsion and addiction. 

 

Such is a brief glimpse into a post-Color Implosion world.

 

Classic. Could have been from Dashiell Hammett or Raymond Chandler. "Film" noir indeed!

 

Are we really facing a post-CI world? (shudders).

Edited by stray cat
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Ha, ha, good one, Pete.  I was with you until you got to the part about the coffee, whereas I might have expected you to say "Guinness"  :lol:  which to a layman like me looks very much like coffee!  :)

 

Adam,  I couldn't imagine you delivering the goods without having a friendly chat and, since it's New York, Guinness seemed unlikely.  :D  If it was me then, yes, a Guinness for sure.

 

Pete.

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