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I like film...(open thread)

Doc Henry

By Doc Henry
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stray cat

stray cat

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Great photo, Phil. Really cool actually.

 

 

Very nice architecture shots, Martin. Framing is excellent.

 

Love this shot! Everything falls nicely in place, and perfect moment.

 

Gorgeous lines. Fantastic!

 

This is a great shot, Philip, with a lot of potential. Needs just a touch of PP to bring out the red in the umbrella.

 

Beautiful fluid lines.

 

Great shot, Wayne!

 

Lovely! (both the photo and the friend :) )

 

 

That's a wow shot, Adam! One of the best from the dead sea series.

 

Awesome! It's amazing how much latitude this film has.

 

Thank you so much Philip and Edward!

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Michael Hiles
Michael Hiles

Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

grahamc
grahamc

Kodak Ultramax & 35:1.4v2 , MP 

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Cyril Jayant
Cyril Jayant

This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

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Guest NEIL-D-WILLIAMS

Guest NEIL-D-WILLIAMS

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Chamonix 8x10

 

Lost

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Frank Sellitto

Frank Sellitto

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Love this shot! Everything falls nicely in place, and perfect moment.

 

Thank you Edward for commenting. Very much appreciated!!!

 

Frank

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A miller

A miller

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Many thanks, Phil.  I think "OCD" might be a more apt description than "fortitude".  But I'll use "fortitude" I am being lectured by my wife about my escapades :)

 

Adam - this is superb. Your fortitude and determination to get out there in those early mornings has been well rewarded. The colours in this landscape are simply breathtaking.

 

 

Many thanks for your opinion, Edward.  It is really helpful!

 

 

That's a wow shot, Adam! One of the best from the dead sea series.

 

Philip - All are nice, but the third pushes my buttons.  It is so "you" :)

As some of you know I'm attracted to reflections. Here are a few from train journeys in Sweden and the Netherlands.

 

50/1.4A Superia 400 at EI100

 

 

Flickr

 

 

Flickr

 

36707805402_f22587bbeb_b.jpg

Flickr

 

Lovely, Ian!

Haven't posted a butterfly photo for a while. There's a tendency amongst butterfly photographers (as was the case with collectors) to target pristine, newly emerged examples. Personally, I rather like many of the tattier, more worn specimens which have lived a bit (albeit only for a few days). I don't think I've posted this one before. A female Common Blue. Portra 400 and Macro Elmar-M.

 

36242402833_6d9f19c792_c.jpg

 

Many thanks again, Gregor.  

Yes, the colors are so fantastic and the Ektar is a great film ... but only in combination with good photographer :)

 

Please share more!

 

Best

Gregor

 

This one is beautiful.  Excellent job at executing this!

Black beauty ...

 

attachicon.gifCOL_Bogota+Subachoque_R1_SFX200_07_listo.jpg

Hasselblad 500 cm, Iflord SFX200, Epson V700 with ANR Glass

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A miller

A miller

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Here's a lovely pre-dawn "Fuji Provia 100F moment" on the beach of the Dead Sea. Fuji's strength at rendering blues and greens are showcased here nicely, me thinks.

The first is the full uncropped 6x6 frame.

The second is a 16X9 frame.

Which do you like better???

Many thanks for any input.

-Adam

 

Hassy SWC

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A miller

A miller

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Here's the sacrilege-cropped version  :ph34r:

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A miller

A miller

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These are both beautiful Adam. I wouldn't like to choose between them - I'll stay sitting on the fence for this.

 

Ha, ha, ok, Phil, I think I see where you are coming from.  A part of me thinks it really depends on the space on the wall that this will be hanging and general personal preference.  I really appreciate your feedback.

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A miller

A miller

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My apologies. Without thinking I seem to keep reorganizing my Zenfolio galleries after I post a picture and the picture gets lost. here's that Pompidou Centre shot again:

 

p2502382527-5.jpg

 

George Pompidou Centre, Paris 1980

Canon F1, FD 100mm f2.8 SC, Agfapan 100

Yes, I was wondering where the photo went.  Man, this is incredible.  First of all, you nailed the exposure.  I am very impressed by the good detail that you managed to get in the skin  as well as the fire.  The expression on his face is a showing of power and fury.  Very cool, indeed.  Thanks for sharing this piece of history!

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AlanT

AlanT

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Adam. Wonderful work as always - the subtlety of the colors and the transition of the light in the sky is simply amazing. You continue to surprise and impress! For me, nothing beats a Hasselblad square - so as beautiful as they both are, I think the 6x6 showcases the beauty of the image best.

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stray cat

stray cat

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Yes, I was wondering where the photo went.  Man, this is incredible.  First of all, you nailed the exposure.  I am very impressed by the good detail that you managed to get in the skin  as well as the fire.  The expression on his face is a showing of power and fury.  Very cool, indeed.  Thanks for sharing this piece of history!

 

Thank you so much Adam again for your thoughtful comment. And I totally agree with you about the Dead Sea photo and the relevance of placement/viewing/usage. Sometimes original ration cf crop pictures are easy to deduce, as there's a "rightness" to one or the other. These are both (IMHO) equally "right" and it would only depend on how you wanted to present the picture that would determine (for me) on or the other.

 

Are you swaying one way or the other for your choice of film - these Provia 100Fs are brilliant, yet you seem to get as much as is humanly possible from Ektar 100 as well. And, no, you are not allowed to fence-sit for your response to this!

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A miller

A miller

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Adam. Wonderful work as always - the subtlety of the colors and the transition of the light in the sky is simply amazing. You continue to surprise and impress! For me, nothing beats a Hasselblad square - so as beautiful as they both are, I think the 6x6 showcases the beauty of the image best.

 

Hi Alan - thanks very much for the careful look and very kind remarks.  It is extremely helpful and the reason why I always share my photos on this thread first before any place else!

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A miller

A miller

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Thank you so much Adam again for your thoughtful comment. And I totally agree with you about the Dead Sea photo and the relevance of placement/viewing/usage. Sometimes original ration cf crop pictures are easy to deduce, as there's a "rightness" to one or the other. These are both (IMHO) equally "right" and it would only depend on how you wanted to present the picture that would determine (for me) on or the other.

 

Are you swaying one way or the other for your choice of film - these Provia 100Fs are brilliant, yet you seem to get as much as is humanly possible from Ektar 100 as well. And, no, you are not allowed to fence-sit for your response to this!

Thanks, Phil.  I am getting some very interesting comparative results with the Ektar and Provia 100F in these low light situations, as I took the same photo with each film stock on quite a few occasions.  I will share some comparisons in due course.  My general view is that if there is a sufficiently narrow range of exposure values, I will prefer the Provia 100F, even with long exposures as Provia doesn't require any exposure time adjustments up to a minute.  The Ektar comes in really handy when the EV range is wider and/or the exposure time is quite long.   It obviously has more retention of shadow detail.  But when the Provia 100F sings I generally like it better.  Having said all of this, in bright daylight nothing beats the Velvia 50 for the type of surreal scenes that I was shooting.  I just love it!!

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stray cat

stray cat

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Thanks, Phil.  I am getting some very interesting comparative results with the Ektar and Provia 100F in these low light situations, as I took the same photo with each film stock on quite a few occasions.  I will share some comparisons in due course.  My general view is that if there is a sufficiently narrow range of exposure values, I will prefer the Provia 100F, even with long exposures as Provia doesn't require any exposure time adjustments up to a minute.  The Ektar comes in really handy when the EV range is wider and/or the exposure time is quite long.   It obviously has more retention of shadow detail.  But when the Provia 100F sings I generally like it better.  Having said all of this, in bright daylight nothing beats the Velvia 50 for the type of surreal scenes that I was shooting.  I just love it!!

Of course! I was forgetting Velvia 50! And hopefully there will be a new Ektachrome later this year (although time is marching on, Kodak!) to throw into the mix as well. Thank you very much - this gives an excellent basis for thinking about various film stocks depending on conditions.

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A miller

A miller

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Of course! I was forgetting Velvia 50! And hopefully there will be a new Ektachrome later this year (although time is marching on, Kodak!) to throw into the mix as well. Thank you very much - this gives an excellent basis for thinking about various film stocks depending on conditions.

 

 

So this is the Ektar version of the scene I just shared.  Taken within a minute or so of the Provia 100F photo shares above, and look at the difference in color palette!  The Fuji tilted more toward the blue/greens and the Ektar tilted more toward the warm tones....

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Now that I am focused on it, this Ektar version is growing on me!!!  Thanks, Phil!  :D

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