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I like film...(open thread)

Doc Henry

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Doc Henry

Doc Henry

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The mangrove

Bay of Hoi An

2016

 

Kodak TMAX400-Leica MP-50 Summilux Asph

 

 

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Henry

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Michael Hiles
Michael Hiles

Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

grahamc
grahamc

Kodak Ultramax & 35:1.4v2 , MP 

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Cyril Jayant
Cyril Jayant

This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

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Doc Henry

Doc Henry

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Kodak TMAX100-Leica MP-50 Summilux Asph

 

 

Tam Ky beach

Sept 2016

 

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Henry

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Doc Henry

Doc Henry

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In a deep country. I just stay here one day to care elderly and children

during my last med humanitarian mission

 

 

Kodak TX400-Leica MP-Summilux Asph

I like very much this film , the grain is so beautiful :)

in comparison with TMAX grain is fine and gives a softer image but black is really black

 

taken from our minibus air-conditioned

Outside 41°C under heat-wave and in full dryness as said our patients

 

 

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Henry

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Steve Ricoh

Steve Ricoh

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For Tytan :)  for his decision , following his thread

https://www.l-camera-forum.com/topic/272998-seeking-quick-advise-mp-bp-vs-m6-ttl-bp-nsh/?do=findComment&comment=3286495

 

Fight between "M Monochrom (left) and M9 Analog film (right)"

Both are always in my Billingham bag and I am happy with them :)

Never missed a single photo when shooting and specially pictures in contre jour

 

 

attachicon.gifL1016718-2mpm7filmht+++900.jpg

 

with Summilux 50 Asph (left) and 35 summilux Asph (right) :)

Enjoy !

 

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Henry

Doc Henry, from the looks of it you have purple filters on both. I'm intrigued.
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Doc Henry

Doc Henry

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Doc Henry, from the looks of it you have purple filters on both. I'm intrigued.

 

Yes Steve but it's UV neutral filter  :)

It's a reflection on the white table when I took the picture who gives this aspect .

No influence on pictures Steve

Henry

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Doc Henry

Doc Henry

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Some color now, last medical humanitarian mission in France this time

 

 

Refugees camp Grand Synthe 2016

I let you guess how  Afghans and some Syrians live

 

Kodak Portra 160-Leica M7-35 Summilux Asph

 

Rg

Henry

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Doc Henry

Doc Henry

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 sorry for the double I cannot remove the second picture 

 

... continuation :)

 

 

The meeting room . 800 people in this camp

Same camera, lens and film as above

 

 

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Henry

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stray cat

stray cat

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I don't think I've posted this pair here before - apologies if I have.

 

The first picture I took in 1980, when I was looking for pictures for a photography course I was doing at the time. It has since become one of my favourite photographs :

 

p564062274-5.jpg

 

Rowers, South Yarra, 1979

Canon AE1, FD 100mm f2.8 SC, Agfapan 100

 

The second was just a few years ago, 32 years after the first one was taken, when I decided to revisit the location and see if I could recapture something like the first picture:

 

p1109874114-5.jpg

 

Rowers, South Yarra, 2012

Canon A1, FDn 100mm F2, Kodak E100VS

 

I remembered I'd used 1/8th or 1/15th of a second, so I just kept shooting to see what I'd get (a bit like I'd done with the first photo).

 

As Henry alluded to above, with our tangible film negatives or transparencies these sorts of things will always be possible. It might also be possible with digital, but if I were wanting to make sure of it, I'd always stick with film to give you a solid, real, palpable object.

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Doc Henry

Doc Henry

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I don't think I've posted this pair here before - apologies if I have.

 

The first picture I took in 1980, when I was looking for pictures for a photography course I was doing at the time. It has since become one of my favourite photographs :

 

p564062274-5.jpg

 

Rowers, South Yarra, 1979

Canon AE1, FD 100mm f2.8 SC, Agfapan 100

 

The second was just a few years ago, 32 years after the first one was taken, when I decided to revisit the location and see if I could recapture something like the first picture:

 

p1109874114-5.jpg

 

Rowers, South Yarra, 2012

Canon A1, FDn 100mm F2, Kodak E100VS

 

I remembered I'd used 1/8th or 1/15th of a second, so I just kept shooting to see what I'd get (a bit like I'd done with the first photo).

 

As Henry alluded to above, with our tangible film negatives or transparencies these sorts of things will always be possible. It might also be possible with digital, but if I were wanting to make sure of it, I'd always stick with film to give you a solid, real, palpable object.

 

Really nice effect in picture and film reproduces very well this effect movement

All in softness it's great

Thank you Phil for this demonstration :)

Best

Henry

 

If Chris pass here , can you reply to Gary for conservation of E6 developers ?

Thank you

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vhfreund

vhfreund

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I don't think I've posted this pair here before - apologies if I have.

 

The first picture I took in 1980, when I was looking for pictures for a photography course I was doing at the time. It has since become one of my favourite photographs :

 

p564062274-5.jpg

 

Rowers, South Yarra, 1979

Canon AE1, FD 100mm f2.8 SC, Agfapan 100

 

The second was just a few years ago, 32 years after the first one was taken, when I decided to revisit the location and see if I could recapture something like the first picture:

 

p1109874114-5.jpg

 

Rowers, South Yarra, 2012

Canon A1, FDn 100mm F2, Kodak E100VS

 

I remembered I'd used 1/8th or 1/15th of a second, so I just kept shooting to see what I'd get (a bit like I'd done with the first photo).

 

As Henry alluded to above, with our tangible film negatives or transparencies these sorts of things will always be possible. It might also be possible with digital, but if I were wanting to make sure of it, I'd always stick with film to give you a solid, real, palpable object.

Stunning pictures, I like the first one most.

 

Cheers Theodor

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Doc Henry

Doc Henry

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Simply red :)

 

Kodak Portra 160-Leica M7-Apo Summicron 901 Asph

 

Poppies May 2017

 

and for Eoin  :)

 

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WB checked for James :)

 

Best

Henry

 

 

 

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AntonioF

AntonioF

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A turistic photo from Pisa. The Baptistery.
Leica M6, 35/2 asph with orange filter and Trix400 stock. I like the constrast of the white marble with the darker sky.

I shot the same photo with the Mamiya 645 and of course it is much more defined, but it lacks the darker sky because I did not use a filter.
Ciao. Antonio.

377d956da23bf1b2594446a9eb25eb5e.jpg


Sent from my iPhone using Tapatalk Pro

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Wayne

Wayne

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I don't think I've posted this pair here before - apologies if I have.

 

The first picture I took in 1980, when I was looking for pictures for a photography course I was doing at the time. It has since become one of my favourite photographs :

 

p564062274-5.jpg

 

Rowers, South Yarra, 1979

Canon AE1, FD 100mm f2.8 SC, Agfapan 100

 

Every once in a while I see a photograph that encapsulates the "photography as Art" discussion. This is such a photograph. In the rowers, captured by the emulsion, is the human form in exactly the presentation seen so often in- what I perceive to be- impressionist paintings of dancers. But they are humans; not somebody's perception of humans. Extraordinary.

 

The AE1. What a great camera....in it's day.

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Doc Henry

Doc Henry

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For me, too. This is my favorite poppy photo, Henry. ........So far. :)

Thank you for your nice comment ... so I am not alone now

 

For Wayne ,

 

Which you prefer Wayne picture 1 or picture 2 ?

 

in the middle of wheat with shadows , a romantic style ? :)

 

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or more vivid  ? :)

 

 

depending angle of shooting , we can have color changing a little.

 

Have you noticed that the petals can be crumpled like paper because of wind  ,

but in film it remains thick. It's not the case in digital > too fine and edges hypersharp !

 

Leicaflex SL-50 Summicron 50 + Elpro V1b

 

Pictures Uncorrected directly from Nikon Scanner 5000 (RGB calibrated factory)

Tiff > Jpeg for post ...  and also uncropped  :)

 

A poppy hunter every year  :)

Best

Henry

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Doc Henry

Doc Henry

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A turistic photo from Pisa. The Baptistery.

Leica M6, 35/2 asph with orange filter and Trix400 stock. I like the constrast of the white marble with the darker sky.

I shot the same photo with the Mamiya 645 and of course it is much more defined, but it lacks the darker sky because I did not use a filter.

Ciao. Antonio.

 

377d956da23bf1b2594446a9eb25eb5e.jpg

 

 

Sent from my iPhone using Tapatalk Pro

 

Really nice Montez and with the sky in background it's great

Thank you for posting

Best

Henry

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Wayne

Wayne

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Thank you for your nice comment ... so I am not alone now

 

For Wayne ,

 

Which you prefer Wayne picture 1 or picture 2 ?

 

in the middle of wheat with shadows , a romantic style ? :)

 

attachicon.gifImage3popkp16lxslelprolfht++++1000-20.jpg

 

or more vivid  ? :)

 

attachicon.gifImage5popkp16slelprolfht++++1000-20.jpg

 

depending angle of shooting , we can have color changing a little.

 

Have you noticed that the petals can be crumpled like paper because of wind  ,

but in film it remains thick. It's not the case in digital > too fine and edges hypersharp !

 

Leicaflex SL-50 Summicron 50 + Elpro V1b

 

Pictures Uncorrected directly from Nikon Scanner 5000 (RGB calibrated factory)

Tiff > Jpeg for post ...  and also uncropped  :)

 

A poppy hunter every year  :)

Best

Henry

I prefer the color of 2, but the composition and context of 1. may I have both?:)

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Wayne

Wayne

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@Henry,

 

I remember a photograph, taken in GB, I think it was at Buckingham Palace, where they memorialize the dead of WW1 with a number of porcelain poppies- I believe equal in number to the dead of that tragic conflict. Have you ever seen photographs of the display? It appears magnificent. I cannot imagine the magic your camera could bring in presenting it.

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