Wayne Posted May 30, 2017 Share #33321 Posted May 30, 2017 Advertisement (gone after registration) M3, 90mm Collapsible Elmar, Portra 160 image72847 by Keith Finney, on Flickr 10 Link to post Share on other sites More sharing options...
Advertisement Posted May 30, 2017 Posted May 30, 2017 Hi Wayne, Take a look here I like film...(open thread). I'm sure you'll find what you were looking for!
christoph_d Posted May 30, 2017 Share #33322 Posted May 30, 2017 Continuing a bit with the portraits I made at the tattoo festival in Melbourne: Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! M4-P, 35, Rollei IR400, 92 Filter, exposed at 25ASA, developed in Rodinal 1:50 Regards, Christoph 13 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! M4-P, 35, Rollei IR400, 92 Filter, exposed at 25ASA, developed in Rodinal 1:50 Regards, Christoph ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3285332'>More sharing options...
christoph_d Posted May 30, 2017 Share #33323 Posted May 30, 2017 The pump is primed.... SWC, Ektar bridge.jpg Very nice. I particularly like the subtle colours, and the different layers in the foreground. Rgds C. 2 Link to post Share on other sites More sharing options...
Doc Henry Posted May 30, 2017 Author Share #33324 Posted May 30, 2017 I'll go to Salon Photo of Bièvre this week end . Which of you are going to go there ? http://www.foirephoto-bievre.com/en/ I think James or Christoph already know this fair Henry 1 Link to post Share on other sites More sharing options...
Doc Henry Posted May 30, 2017 Author Share #33325 Posted May 30, 2017 Continuing a bit with the portraits I made at the tattoo festival in Melbourne: 170408_2_M4-P_0018.jpg M4-P, 35, Rollei IR400, 92 Filter, exposed at 25ASA, developed in Rodinal 1:50 Regards, Christoph Superb picture and tatoo drawing ! the rendering is also fine in black Christoph this gentleman seems to be an accomplice with you Thanks for posting your nice series Rg Henry 1 Link to post Share on other sites More sharing options...
Doc Henry Posted May 30, 2017 Author Share #33326 Posted May 30, 2017 M3, 90mm Collapsible Elmar, Portra 160 image72853 by Keith Finney, on Flickr I wonder how these buildings or houses can stand, given the old age. Nice red bricks in film and no moiré on electric cables and iron balustrades I'll post after this post an example ! M3, 90mm Collapsible Elmar, Portra 160 image72847 by Keith Finney, on Flickr I like this color Wayne Thank you for posting. Good M3 Wayne . Keep it ! Best Henry 3 Link to post Share on other sites More sharing options...
Ratzfatz Posted May 30, 2017 Share #33327 Posted May 30, 2017 Advertisement (gone after registration) The pump is primed.... SWC, Ektar bridge.jpg Adam, wow ... outstanding, really great. I am very impressed ... Did you take this picture in morning or in the evening? Do you remember how long you exposed? Best Gregor 1 Link to post Share on other sites More sharing options...
Ratzfatz Posted May 30, 2017 Share #33328 Posted May 30, 2017 untitled-1-31.jpg Wes, great, I love this kind of photos, strong contrast and structure in b/w. great ... Best Gregor 1 Link to post Share on other sites More sharing options...
stray cat Posted May 30, 2017 Share #33329 Posted May 30, 2017 Continuing a bit with the portraits I made at the tattoo festival in Melbourne: 170408_2_M4-P_0018.jpg M4-P, 35, Rollei IR400, 92 Filter, exposed at 25ASA, developed in Rodinal 1:50 Regards, Christoph Christoph, this is superb. You made an excellent choice in using the IR film for these tattoo portraits - the contrast is really striking and makes a bold portrait, sympathetic to the subjects. 2 Link to post Share on other sites More sharing options...
Fotoklaus Posted May 30, 2017 Share #33330 Posted May 30, 2017 Rolleicord Vb, Tmax 400, D76 1:1 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 15 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3285382'>More sharing options...
Fotoklaus Posted May 30, 2017 Share #33331 Posted May 30, 2017 Rolleicord Vb, Tmax 400, D76 1:1 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 18 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3285384'>More sharing options...
philipus Posted May 30, 2017 Share #33332 Posted May 30, 2017 Thanks Adam, this is really cool. Are they real people or mannequins of some sort? Very eery somehow, like a lit de parade of sorts I dedicate this one to Philip for his love of reflections. New York City SWC, Delta 400 (single exposure) 2 Link to post Share on other sites More sharing options...
A miller Posted May 30, 2017 Share #33333 Posted May 30, 2017 Beautiful colors and contrast, Phil. Some russet from England's Lake District: Derwent Water, England 2010 Canon A1, FD 135mm f2.5 SC, Kodak Portra 160VC Thanks, Richard! Love the subtletly (and serenity) of this one Adam. Wow Phil, this is like the whole alphabet of Russet in one go, cracking colour and shadow. Thanks, Christoph! Very nice. I particularly like the subtle colours, and the different layers in the foreground. Rgds C. Thanks, Gregor. This was taken just after sunset and I believe the exposure was b/n 90-120 seconds. Adam, wow ... outstanding, really great. I am very impressed ... Did you take this picture in morning or in the evening? Do you remember how long you exposed? Best Gregor Thanks, Philip. This was actually a video art display inside of a gallery on the other side of the window. The display featured a woman in stages sleeping and then rising from bed. People thought I was very weird for sticking my camera in the window in the middle of 23rd street like that! Thanks Adam, this is really cool. Are they real people or mannequins of some sort? Very eery somehow, like a lit de parade of sorts 2 Link to post Share on other sites More sharing options...
chrism Posted May 30, 2017 Share #33334 Posted May 30, 2017 Pentax K2, 85/1.4, Pan F @ 25, Rodinal, X1 scan: Wasp trap by chrism229, on Flickr C. 8 Link to post Share on other sites More sharing options...
Doc Henry Posted May 30, 2017 Author Share #33335 Posted May 30, 2017 (edited) This one is from a day with extra flat lighting. I'm so used to our super high contrast Sydney scenes, I struggle a bit with how to proceed when the shadows go missing. Austral Brickworks, HP5, Rolleiflex/80 Planar Very nice b&w picture Henry Edited May 30, 2017 by Doc Henry 1 Link to post Share on other sites More sharing options...
Doc Henry Posted May 30, 2017 Author Share #33336 Posted May 30, 2017 (edited) Pentax K2, 85/1.4, Pan F @ 25, Rodinal, X1 scan: Wasp trap by chrism229, on Flickr C. Superb blank and grey tone Chris Pan F Ilford have fine grain Thanks Henry Edited May 30, 2017 by Doc Henry 2 Link to post Share on other sites More sharing options...
stray cat Posted May 30, 2017 Share #33337 Posted May 30, 2017 (edited) Beautiful colors and contrast, Phil. Thank you most kindly, Adam. This picture reminds me how much I really miss that soft Northern English light - even when it is contrasty as in this picture, it is not harsh - not like our Australian light at all. This is from the exact same location - same camera and film, but with a wide-angle lens: Derwent Water, UK 2010 Canon A1, FDn 24mm f2.8, Portra 160VC Edited May 30, 2017 by stray cat 16 Link to post Share on other sites More sharing options...
A miller Posted May 30, 2017 Share #33338 Posted May 30, 2017 Thank you most kindly, Adam. This picture reminds me how much I really miss that soft Northern English light - even when it is contrasty as in this picture, it is not harsh - not like our Australian light at all. This is from the exact same location - same camera and film, but with a wide-angle lens: Derwent Water, UK 2010 Canon A1, FDn 24mm f2.8, Portra 160VC beautiful, Phil. Link to post Share on other sites More sharing options...
Wayne Posted May 30, 2017 Share #33339 Posted May 30, 2017 (edited) M3, 90 Elmar Collapsible, Kodak Gold 200 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! El Gato must have blinked...........Crafty devil! Edited May 30, 2017 by Wayne 11 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! El Gato must have blinked...........Crafty devil! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3285509'>More sharing options...
A miller Posted May 30, 2017 Share #33340 Posted May 30, 2017 (edited) For Steve Walton, who can add "think cool" to his "think warmth" spiel about when to use Ektar Steve - perhaps you can now charge double for your workshops, since people can apply your advice not only to warm but also cool situations? Blue Hour SWC, Ektar Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Edited May 30, 2017 by A miller 19 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3285510'>More sharing options...
Recommended Posts
Create an account or sign in to comment
You need to be a member in order to leave a comment
Create an account
Sign up for a new account in our community. It's easy!
Register a new accountSign in
Already have an account? Sign in here.
Sign In Now