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Thank you Adam, and that's a good question but I honestly don't know. How does one set black point in ACR? I just pull the various levers :D The colours are really weird with T64 in daylight. This is the uncorrected scan...

 

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Philip - very nice.  I wonder, though, whether the black points are sufficiently set on this one.  They look a little light only monitor (could just be me, though)

 

This one is just great, really cool.

 

I would think that the photos are very good. The lone tree is ... really nice. I love this kind of b/w photos ...

Don't ask my about my first to load the camera or ...my Jobo-Box hahahahah

 

Here one of the first roll -> 36 in 1 :)

 

attachicon.gifimg301_leica_First-Film_800x517.jpg

 

I think it was Kodak Ektra (?)

 

Very enjoyable photo. Well composed, developed etc and just the right DOF.

 

32729787010_806dbb7996_b.jpgBeatles by Theodor Kierdorf, auf Flickr

Ilford Delta 100 Pro in ID 11 / 1+ 3

 

 

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1st Roll of colour Portra 400 M6TTL 35mm f2 Summicron[

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attachicon.gifuntitled-30-3.jpg

 

1st Roll of colour Portra 400 M6TTL 35mm f2 Summicron[

 

 

These are really nicely seen and taken, Wes54. The first two in particular look quite a bit (2 stops?) underexposed to me. Could be your meter needs calibration or your metering too much of the lighter areas (like the sky) before you make an exposure. These would improve drastically with correct exposure. Although the third picture looks OK as it is it could probably use one stop more exposure as well (I personally generally overexpose Portaa 400 by a stop anyway). But - great shots nonetheless.

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Mark - Very good film photographic art.  Find me a film preset/plugin for this one... phew!

 

 

Abandoned Petrol Station
Stanwell Park, NSW
Australia

M7 Ektar 100, 2.8.28 Elmarit ASPH
approx 4 min exposure

attachicon.gif040203-Edit.jpg

 

Love the first one in particular, Keith. Well done!

Yesterday I visited the Great Coxwell Tithe barn, a National Trust property.  Three views below (1) the barn in its setting; (2) Doorway & interior; (3) a view of the interior (hand-held at a ridiculously slow shutter-speed, which in itself was guesswork as my Sekonic meter was barely registering! 

All Hasselblad 500C, 60mm DistagonCB + yellow filter, Tri-X, Rodinal.

 

32296845373_b91e1418eb_o.jpg

 

 

 

 

 

Superb!

32729787010_806dbb7996_b.jpgBeatles by Theodor Kierdorf, auf Flickr

Ilford Delta 100 Pro in ID 11 / 1+ 3

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Wow, they is some blue cast from hell; the kind that is really tough to reverse without fucocking the entire WB.  Good luck with that one! :)

Thank you Adam, and that's a good question but I honestly don't know. How does one set black point in ACR? I just pull the various levers :D The colours are really weird with T64 in daylight. This is the uncorrected scan...

 

attachicon.gif2017-31(534)-9k-203-RTP64_5_s.jpg

 

 

This one is just great, really cool.

 

 

Very enjoyable photo. Well composed, developed etc and just the right DOF.

 

Thanks, Philip.   Here's a nod back to you :)

A nod to Adam and all other flash daredevils :D

 

32983830451_68215d8e1c_b.jpg

Flickr

35 FLE Velvia 100

 

 

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Mark - Very good film photographic art.  Find me a film preset/plugin for this one... phew!

 

Sure thing Mr Smarty-Pants :-)

Very hard to emulate reciprocity failure.

 

It's always a nice waiting to see what I will get with long exposure night photography, the film (or sensor) sees light that we don't, obviously more so with film than digital. 

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Semflex LTM 6x6, 4.5 Berthiot, Fuji 400H

 

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Excellent, I like the surreal effect of the different colours.

 

Rgds

 

.C

 

 

This is outstanding. Thanks for sharing.

 

 

Thanks guys. Another from the same nocturnal outing.

 

 

Abandoned petrol station

Stanwell Park, NSW

 

M7 Ektar 100, 2.8/28 Elmarit ASPH

approx 4 min exposure

 

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Edited by MarkP
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Guest NEIL-D-WILLIAMS

Small house in the woods

 

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Guest NEIL-D-WILLIAMS

Breaking through

 

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A couple of circus pictures from a project I hoped would expand to embrace many more visits with this and various different circuses, but which stalled for various reasons after this shoot:

 

p2219581663-5.jpg

 

Silver's Circus, Mornington Australia 1993

Nikon F801s, Nikkor AF 80-200mm IF-ED, Fuji 400 transparency film

 

 

p2219585288-5.jpg

 

Silver's Circus, Mornington Australia 1993

Same gear, except Ilford HP5+

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Guest NEIL-D-WILLIAMS

Making Rubber in Thailand

 

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