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Point&Shoot:

 

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Rollei Prego micron - Agfa CT 100 Precisa

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This man is polishing amber in a shop at the Baltic Sea coast in Germany. Shot through the shop window.

 

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Leica IIIc - Summitar 50 - Cinestill 800T

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m4-2 2/50IV portra400

 

Rgds

Joachim

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m4-2 2/35IV Portra 400

 

Rgds

Joachim

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Hi friends - Been busy and not able to spend as much time on the LUF.

Here are two versions from Tel Aviv

Provia 100F and Velvia 50

Which do you prefer?

Thanks for your time.

Provia 100F, SWC

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Velvia 50, SWC


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Another from the coast

Velvia 50, SWC

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I definitely prefer the velvia. 

 

Thank you!

One from the Beach in Tel Aviv... :)

M7, 50mm lux asph, Portra 160

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Hi friends - Been busy and not able to spend as much time on the LUF.

Here are two versions from Tel Aviv

Provia 100F and Velvia 50

Which do you prefer?

Thanks for your time.

Provia 100F, SWC

attachicon.gifmarina1.jpg

 

Hi Adam, I prefer the Provia. I would say that he has more details in the dark/black o strong blue areas...

Regards

Gregor

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Adam, glad to see you again... Since you asked ... the Provia seems more detailed (sharper) while the Velvia is more subtle and richer in tone, perhaps the greater saturation of Velvia masks the details? However I enjoyed the Velvia version more because of the colour rendering.

 

Regards

Charles 

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Hi friends - Been busy and not able to spend as much time on the LUF.

Here are two versions from Tel Aviv

Provia 100F and Velvia 50

Which do you prefer?

Thanks for your time.

 

That is a tough one, I am torn between the different versions. The Velvia delivers that punch and deeper colors, while the Provia seems more natural and, as Gregor mentioned before, gives a bit more detail. In the end the Provia wins this head-to-head race for me with a tiny advantage... 

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Hi friends - Been busy and not able to spend as much time on the LUF.

Here are two versions from Tel Aviv

Provia 100F and Velvia 50

Which do you prefer?

Thanks for your time.

 

 

Provia 100F, SWC

attachicon.gifmarina1.jpg

Whilst the Velvia obviously has greater saturation, and thereby more contrast and dimensionality, I actually prefer the more restrained and realistic colours of the Provia. It seems better balanced and cohesive as an image to me. The Velvia is at risk of appearing a little too artificial.

 

Great composition as usual, Adam :)

 

Cheers

 

J

Edited by Mute-on
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Zeiss Ikon Ikonta 521/16 (from about 1938), uncoated Tessar, Portra 160

 

 

 

Not only were these great images...I LOVE the little hair right in the middle of the frame that you didn't take out. It's these sorts of things that make life interesting.

 

Long live film! :)

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