colonel Posted September 12, 2016 Share #20901 Posted September 12, 2016 (edited) Advertisement (gone after registration) It's new stock available from Film Photography Project online.Many thanksVery interesting Some real unusual stuff there ... Apparently Svema is Ukranian http://www.astrum-ltd.com Edited September 12, 2016 by colonel Link to post Share on other sites More sharing options...
Advertisement Posted September 12, 2016 Posted September 12, 2016 Hi colonel, Take a look here I like film...(open thread). I'm sure you'll find what you were looking for!
Doc Henry Posted September 12, 2016 Author Share #20902 Posted September 12, 2016 (edited) A couple more to round off the evening... A002 by Eoin Christie, on Flickr A001 by Eoin Christie, on Flickr Eoin Hi glad see you back I like these 2 pictures . I'll give a title "lost in his thoughts" Stunning b&w pictures For your thanks , I also noticed that sometimes I explode the "thank you" and it remains blocked Eoin you are too and so nice Thanks for posting again Best Henry Edited September 12, 2016 by Doc Henry Link to post Share on other sites More sharing options...
EoinC Posted September 12, 2016 Share #20903 Posted September 12, 2016 (edited) Eoin Hi glad see you back I like these 2 pictures . I'll give a title "lost in his thoughts" Stunning b&w pictures For your thanks , I also noticed that sometimes I explode the "thank you" and it remains blocked Eoin you are too nice Thanks for posting again Best Henry Thanks, Henry. There is a lot to be thankful for on this thread, and it's good to see you back, too. "Lost in thought" is exactly right, and is one the states I enjoy seeing in people-watching - So lost, they don't even notice the loud, clunking, Hasselblad. Edited September 12, 2016 by EoinC 1 Link to post Share on other sites More sharing options...
Doc Henry Posted September 12, 2016 Author Share #20904 Posted September 12, 2016 Eoin, yes I am just back from SE Asia . I am now fine after 1 week "in the vapor" (french expression means to be "peaky") : jet lag, gastroenteritis and hot-cold passage (air conditioner and heat wave) giving right a tracheitis Kodak TMax100 Dev D76 pure Leica MP 50 Summilux Asph Early dawn in Tamky fish market beach 5 am. Lights still on boats Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Best Henry 5 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! Best Henry ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3110999'>More sharing options...
Doc Henry Posted September 12, 2016 Author Share #20905 Posted September 12, 2016 (edited) Quang Nam beach at sunset Fishermen village the children give you the size of the boat Kodak Portra 160 (home dev Tetenal C41-30°C) Leica M7 35 Summilux Asph Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Rg Henry Edited September 12, 2016 by Doc Henry 15 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! Rg Henry ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3111113'>More sharing options...
Guest JMF Posted September 12, 2016 Share #20906 Posted September 12, 2016 Thanks, Christoph. I am glad that my OCD and recklessness have combined to translate into a source of inspiration for you. Here is another for you along these lines. More than knee deep in, with my camera on tripod in one hand and camera bag with an extra film back, spot meter, full set of LEE filters, a freezer pack with my film held tightly under my other arm while I very carefully bending down to focus this shot wide open with my ground glass + prism (for Chris) so as too not acquire that fatal drop of Dead Sea water on my gear. Neve Zohar, Dead Sea, Israel SWC Provia 100F dead sea wide open.jpg Worth the effort imho !! Link to post Share on other sites More sharing options...
Sparkassenkunde Posted September 12, 2016 Share #20907 Posted September 12, 2016 Advertisement (gone after registration) Henry, you brought some really good pics from your latest trip! 4 Link to post Share on other sites More sharing options...
Michael Hiles Posted September 12, 2016 Share #20908 Posted September 12, 2016 Quang Nam beach at sunset Fishermen village the children give you the size of the boat Lovely. Terrific composition. 1 Link to post Share on other sites More sharing options...
Popular Post honcho Posted September 12, 2016 Popular Post Share #20909 Posted September 12, 2016 Eilean Glas, Scalpay. The 'blue hour', almost dark. The problem of course with very long exposures at this time of day is that the light is dropping at the same time as reciprocity failure means increasing your exposure, so you're in something of a guessing game at times. Really getting know your chosen film can be an advantage. Hasselblad 503cw Zeiss 150mm cf sonnar Fuji Velvia 50 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 21 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3111137'>More sharing options...
Fotoklaus Posted September 12, 2016 Share #20910 Posted September 12, 2016 Eilean Glas, Scalpay. The 'blue hour', almost dark. The problem of course with very long exposures at this time of day is that the light is dropping at the same time as reciprocity failure means increasing your exposure, so you're in something of a guessing game at times. Really getting know your chosen film can be an advantage. Hasselblad 503cw Zeiss 150mm cf sonnar Fuji Velvia 50 Wonderful picture! But I won't put the logo into the picture. 3 Link to post Share on other sites More sharing options...
honcho Posted September 12, 2016 Share #20911 Posted September 12, 2016 Wonderful picture! But I won't put the logo into the picture. Thanks, it's a Photoshop action. 1 Link to post Share on other sites More sharing options...
chrism Posted September 12, 2016 Share #20912 Posted September 12, 2016 Rolleiflex 2.8GX, XP2, Rodinal, X1 scans: Pippa 2016 #16 by chrism229, on Flickr Using the Rolleinar 1 close up lens set: Inca Berry by chrism229, on Flickr and a silly one for the end of the roll: Framed by chrism229, on Flickr Chris 15 Link to post Share on other sites More sharing options...
gbealnz Posted September 12, 2016 Share #20913 Posted September 12, 2016 Eilean Glas, Scalpay. The 'blue hour', almost dark. The problem of course with very long exposures at this time of day is that the light is dropping at the same time as reciprocity failure means increasing your exposure, so you're in something of a guessing game at times. Really getting know your chosen film can be an advantage. Hasselblad 503cw Zeiss 150mm cf sonnar Fuji Velvia 50 Loving the feel, the colours, the whole thing Steve. Lovely. Gary 4 Link to post Share on other sites More sharing options...
Sparkassenkunde Posted September 12, 2016 Share #20914 Posted September 12, 2016 (edited) Today I treated myself a new scanner for the medium format. It is a Epson V550, thus being on the low cost end in the scanner world, but my first few tests with Vuescan gave some good results. I have to cope with my first roll of Velvia 50 - the reds are much to saturated. Any advice for this film in combination with Vuescan is much appreciated. In case anyone feels hungry: Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Mamiya 645 1000s - Kodak Vericolor 100 (long expired) Edited September 12, 2016 by Sparkassenkunde 8 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! Mamiya 645 1000s - Kodak Vericolor 100 (long expired) ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3111281'>More sharing options...
atournas Posted September 12, 2016 Share #20915 Posted September 12, 2016 Ektachrome Elite 100 ASA nominal. Shot with a FED 5 and a 55mm f2.8 lens (lens brand written in Russian!), more than twenty years ago. Paul Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 10 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3111288'>More sharing options...
philipus Posted September 12, 2016 Share #20916 Posted September 12, 2016 Charles thank you very much. Philip, I particularly enjoyed this photograph with its delights of subtle colour and disjointed elements. I could quite easily see it hanging in an exhibition of modern art! Thanks Charles Terrific nature shot Henry. I particularly like how the cloud formation is rendered. Kodak Portra 160 (Home lab dev Tetenal 30°C) Leica M7 35 Summilux Asph Nikon Coolscan 5000 Image8nunglinhkp160feclfht+++1000.jpg Regards Henry I like that contrasty look. And the first one is very nice too. Agfa Vista is a terrific film. Went to a car show this weekend; I shot Svema64 (a Russian film ISO 64; VERY contrasty) and my old standby Agfa Vista 400. Beautiful shot Steve. Eilean Glas, Scalpay. The 'blue hour', almost dark. The problem of course with very long exposures at this time of day is that the light is dropping at the same time as reciprocity failure means increasing your exposure, so you're in something of a guessing game at times. Really getting know your chosen film can be an advantage. Hasselblad 503cw Zeiss 150mm cf sonnar Fuji Velvia 50 3 Link to post Share on other sites More sharing options...
philipus Posted September 12, 2016 Share #20917 Posted September 12, 2016 Adam and Chris, how do use your spot meters when you're photographing and do you use them differently depending on which film type (C41, E6 etc), and perhaps camera, you shoot? Thank you in advance. Thanks, Christoph. I am glad that my OCD and recklessness have combined to translate into a source of inspiration for you. Here is another for you along these lines. More than knee deep in, with my camera on tripod in one hand and camera bag with an extra film back, spot meter, full set of LEE filters, a freezer pack with my film held tightly under my other arm while I very carefully bending down to focus this shot wide open with my ground glass + prism (for Chris) so as too not acquire that fatal drop of Dead Sea water on my gear. Neve Zohar, Dead Sea, Israel SWC Provia 100F dead sea wide open.jpg Adam, How on earth did those trees/shrubs ever grow there in the first place? Were they there long before the Dead Sea expanded or something? I was out with my lightest tripod today, and while convenient it has a panning head which I suppose is really for video rather than a ball head. Perhaps I should use my medium tripod (generally reserved for 4x5). Anyway, Pippa was following me with her PanaLeica, here, here, unt hier. The film is drying at present, then we shall see if I have learnt anything at all about framing with the SWC's viewfinder. The groundglass is still a week away or more. C. 2 Link to post Share on other sites More sharing options...
A miller Posted September 12, 2016 Share #20918 Posted September 12, 2016 Adam and Chris, how do use your spot meters when you're photographing and do you use them differently depending on which film type (C41, E6 etc), and perhaps camera, you shoot? Thank you in advance. Hi Philip - With me, it depends: 1. 35mm C41, i typically will take an incident meter reading and then increase the exposure by 1-2 stops. 2. 120 C41 that i shoot cityscapes with, i will use a spot meter and take an average reading of the darkest and brightest spots that i want detail. Very typically i will then open up a half to a full stop more than the average reading, even with Ektar (which i rate at 80 iso) 3. E6 - depends, - Velvia 50 - i take a spot meter on the lightest non reflective part of the scene and then open up 2.3 to 2.5 stops. I then will open up another 1/2 stop and take another exposure. Lots of people rate velvia 50 at 40 iso, so it needs a bit more light than the typical slide film. -Provia 100F or Velvia 100 - same as velvia 50 but will open up 2 stops, and then take a second shot and open up a 1/3 - 1/2 stop depending on what fraction of aperture the meter tells me. 2 Link to post Share on other sites More sharing options...
chrism Posted September 12, 2016 Share #20919 Posted September 12, 2016 With large format I take an incident reading and modify it if needed with some spot readings. For MF I use either an incident meter or the spotmeter, but not both. If the camera has a meter in it I tend to use it, but I'm always willing to adjust what it says by one or two stops if my subject is darker or lighter than the background. I'm not very scientific about it, and I suppose I'm hoping that I will gradually get better at that by a process of osmosis. I realised with my brief fling with transparencies that the wisdom that slide film is very unforgiving is really only true if you are going to project the slide - there is no second chance. But if scanning it then you can correct the exposure a bit afterwards. C. 2 Link to post Share on other sites More sharing options...
A miller Posted September 13, 2016 Share #20920 Posted September 13, 2016 Now my trip with Kodak Portra 160 and after Ektar 100 Quang Nam, the lake KP 160-M7-35 Summilux Asph Image1nunlinhkod160feclfht+++1000.jpg Rg Henry Kodak Portra 160 (Home lab dev Tetenal 30°C) Leica M7 35 Summilux Asph Nikon Coolscan 5000 Image8nunglinhkp160feclfht+++1000.jpg Regards Henry Very lovely composition and blues with a painterly sky. Really nice and among your best IMHO. Went to a car show this weekend; I shot Svema64 (a Russian film ISO 64; VERY contrasty) and my old standby Agfa Vista 400. this one is really seller. The film really has a classic look. Definitely worth trying. Worth the effort imho !! Thanks, Jean-Marc. Thanks, it's a Photoshop action. Can you make PS stop, or have you fed the beast so much that it has acquired a mind of its own and taken over your household?!? 2 Link to post Share on other sites More sharing options...
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