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Work glove. Retired.

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On 2/9/2025 at 12:13 PM, benqui said:

Jade, M6 TTL, Apo 2/50 and Ultramax 400

 

Very nice portrait! Jade’s eyes draw you in to the picture.

Also a great example of a top-notch lens with surprisingly good “budget” film, if such a thing exists today. Ultramax 400 retains the details and sharpness of good glass while still clearly looking like film. 

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Cellar 43.   [m6, hp5]

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Advertisement (gone after registration)

The shopkeeper, Bathad.  [m6, 50mm, hp5]

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vor 4 Stunden schrieb AZD:

Very nice portrait! Jade’s eyes draw you in to the picture.

Also a great example of a top-notch lens with surprisingly good “budget” film, if such a thing exists today. Ultramax 400 retains the details and sharpness of good glass while still clearly looking like film. 

Thank you very much! I have to admit that I take most of my color film photos with the Ultramax 400, I like the results and it is much cheaper as the Portra 400

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Winter early morning

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Ansco Memo (1927,) Wollensak Anastigmat, Orwo UN74

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The Munich subway. Munich, Germany

M6 original from 1985 with Apo-Summicron-M 1:2 /35 ASPH., Kodak Porta 800@400

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Huge tree in the park of the castle of Bad Homburg, Germany

M-A (Type 127) with Apo-Summicron-M 1:2 /50 ASPH., Ilford FP4+

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Jogging in the park

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IIIc/f Elmar 35mm, 5222 HC110 P1
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M6, 35mm, tri-X

Lulu

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Leica M3 | Summicron 50mm f/2 | Kentmere PAN 400 | Rodinal 1:25

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Give me Pink

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Horseman VH-R, 65 mm, Fuji NPS, 6x9 cm

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The „Motorworld“ in Munich, Germany

M6 original from 1985 with Apo-Summicron-M 1:2 /35 ASPH., Kodak Porta 800@400

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A recently completed pedestrian/cycling bridge near an expanding subdivision, crossing the local river as well. All "corten" steel.

P27 magazine on the SWC, HP5+ and Rodinal at 1:50.

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If only…

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