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iiif, 50 elmar f3.5, Wolfen NC400

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The next two

Inside the Schans van Schilde

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Minolta 505 Si Super + Minolta 17-35D, FP4+

 

Sluice bunker in the anti-tank canal

OM4T + OM Zuiko 21/3.5, FP4+

Edited by pegelli
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And the last two

A different view of the same sluice bunker

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OM4T + OM Zuiko 135/2.8, FP4+

B.t.w., these are all "semi analog", shot on film, developed at home, scanned on an Epson V700 and further processed/printed digitally

And here is how the exhibition looks (can't post the photo here, not film and not a leica camera or lens)

Edited by pegelli
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Other seats but the same theater
 

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M3 Elmar 50mm 2.8, FOMA100 Rodinal Edited by DreiPunkte
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iiif, Thambar 90 ltm, orwo nc500

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iiif, Thambar 90 ltm, orwo nc500

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22 hours ago, pegelli said:

And the last two

A different view of the same sluice bunker

 

OM4T + OM Zuiko 135/2.8, FP4+

B.t.w., these are all "semi analog", shot on film, developed at home, scanned on an Epson V700 and further processed/printed digitally

And here is how the exhibition looks (can't post the photo here, not film and not a leica camera or lens)

A nice series, thank you.

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On 9/1/2024 at 11:11 PM, DreiPunkte said:

Roll low and park high.


MD-2, CV 12mm, Foma400 AM74

How do you like working with this ultra-wide lens? I imagine each picture needs careful consideration wrt horizontal/vertical lines. Also, have you successfully been using it for people photography?

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4 hours ago, christoph_d said:

How do you like working with this ultra-wide lens? I imagine each picture needs careful consideration wrt horizontal/vertical lines. Also, have you successfully been using it for people photography?

Yes I like very wide and wider lenses, but on the other side they the are real beasts.
- you don't have think your picture not twice you have to plan much more.
- the think with the orientation of horizts and verticals ist relative easy.
   Just hold your camera in a way that the filmplane is paralell to your subject.
   you will see everything ist ok. With the amount of tilt you can control wideangel effect.
- The UWA-effect is the bad side of these lensses because effects have a short life.
   I think good UW pitures are the ones where you cannot see how wide the lens realy was.
- the next problem is what shall you do with so much forground. Look for high viewpoints.

People are ok, when you want to show the in a enviroment. But arrange them in the middle and not
too close!!!!!! These wide lenses are realy big in destroying everything what comes near to the corners.

When you have tamed these habits and be used with them they deliver lots of joy.
In my oppinion a 15mm Lens the the most practikal ultra wide lens because it is realy wide and good to control.

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  Edited by DreiPunkte
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Marysville WA - Leica M6, Summicron 35 asph, Ferrania P33

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Haunted corridor

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iiif, Thambar 90 ltm, Orwo NC500

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Portra400, lab processed and scanned, rolleiflex

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circus, france 1996

nikon, ektachrome

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