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Italian made C41 film, labeled Photoworks, I suspect a product of Seattle Film Works, many years ago.  DR Summicron 50, M3.

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Études, #66. Rolleiflex wide, Distagon 4.0, FP4+, Rodinal.

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Edited by Bo-Sixten
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20 hours ago, tuna said:

Thanks - yes, I think I applied some sharpening after the fact. What we also see may be my attempt to bring out some detail in the lower part through levels/contrast - I probably should have just left it alone where it was extremely faded…

Also, the negative may be approaching D-max in the lower area where the tables are. Highlights start to flatten out that far up on the scale, and curve adjustments to increase detail (contrast) at that point can start to do weird things to the image.

Edited by George Collier
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Acros

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The quake train (2/2)

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iiif, Hektor 28, Santa Rae 1000 (in dd-x)
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Nürnberg old town

MP, 50 APO, Foma 100, Diafine

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F3, Nikkor 50mm f/1.2, Kodak Trix 400, EI 800, HC-110(E)

 

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Shadowplay Scumble
MP APO 50 Eastman Doulble-X

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Spring cleaning 

 

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Inside the quake train (1/2)

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iiif, hektor 28, SantaRae 1000 (in dd-x)
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An other old shoot from my Leica M2 on KODAK negativ Film. Two pictures that just happened to go together. It was so quite in the big city, Roof garden at the Metropolitain Museum New York City ca. 1998

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Edited by Panfoto
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Shadowplay Sketch
MP APO 50 Eastman Double-X

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