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Provia 100 - 50 Angénieux S1 f1.8 - M3 

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Provia 100 - 50 Angénieux S1 f1.8 - M3 

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Yew tree in the dim depths of the wood.

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Leica M3, Summilux-M 50 ASPH @ 1.4, Fuji Superia 400.

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The people who usually tidy up the wood must have stopped work for the duration of the lockdown.

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Leica M3, Summilux-M 50 ASPH @ 4, Fuji Superia 400.

Edited by John Robinson
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More tangle in the woods.

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Leica M3, Summilux-M 50 ASPH @ 2.8, Fuji Superia 400.

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Hinge Red AP7
Rolleiflex F2.8  & M-A APO 50  Fuji Velvia 100
Further history in the obstinacy of red.

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Edited by Ernest
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If you think coaxing images from a 60-year-old Leica is fun, how about trying to get a 110-year-old piano to sing in tune?

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Leica M3, Summilux-M 50 ASPH @ f1.4, Fuji Superia 400.

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4 hours ago, John Robinson said:

If you think coaxing images from a 60-year-old Leica is fun, how about trying to get a 110-year-old piano to sing in tune?

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Leica M3, Summilux-M 50 ASPH @ f1.4, Fuji Superia 400.

Wooden or metal frame?

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FM2n 50mm f1.2 HP5+

Plus some tweaks in LR and Silver Efex Pro2 (Is that allowed in a pure film forum?)

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2 hours ago, John Robinson said:

Cast iron frame on wooden soundboard (still intact) with under-dampers in the "modern" style designed in 19thC England.  Accredited for use by William IV apparently.

At least the tuning should last beyond the next temperature or humidity change 🙂

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5 hours ago, benqui said:

Have a break.....

M-A, Apo 90, Portra 400

 

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Loving it when you go "cinematic," as Phil would say. Dovetailed wooden school desk, so class is back in session? There must be lessons here.

Edited by Ernest
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Just Strawberry Diptych
M-A APO 50 ADOX Color Implosion (meets) Rolleiflex F2.8 Planar Fuji Velvia 100

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Spring arrives.

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Leica M3, Summilux-M 50 ASPH, Fuji Superia 400.

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m4-2 1.4/35pre

Joachim

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