EoinC Posted December 30, 2017 Share #44801 Posted December 30, 2017 Advertisement (gone after registration) M2, 35FLE, XP2, EI 100, HC-110, X1 scan: The Road Through the Woods by chrism229, on Flickr Another stellar example of your XP2 work, Chris. 2 Link to post Share on other sites More sharing options...
Advertisement Posted December 30, 2017 Posted December 30, 2017 Hi EoinC, Take a look here I like film...(open thread). I'm sure you'll find what you were looking for!
EoinC Posted December 30, 2017 Share #44802 Posted December 30, 2017 In waiting the High Speed Train to go home , some pictures in the dark with Kodak TX 400 dev in Ilfotech HC Eastern station at 9 pm Dec 2017 Image4parisgarestkodtxmplf+++1000.jpg Best Henry Beautiful, Henry. The dark areas really make the light zones glow. 1 Link to post Share on other sites More sharing options...
Guest 10511 Posted December 30, 2017 Share #44803 Posted December 30, 2017 In waiting the High Speed Train to go home , some pictures in the dark with Kodak TX 400 dev in Ilfotech HC Eastern station at 9 pm Dec 2017 Image4parisgarestkodtxmplf+++1000.jpg Best Henry I like such scenes. Jozef 2 Link to post Share on other sites More sharing options...
Doc Henry Posted December 30, 2017 Author Share #44804 Posted December 30, 2017 (edited) In this thread has been discussed quite often, whether rather digital images on the one hand or negatives, paper prints and slides on the other hand will be preserved for generations to come. I think we all agree that film images will have a greater chance of remaining for decades and centuries. Even more interesting, however, is the question of which images our posterity will want from us. I do not think that pictures of beautiful landscapes or holiday pictures will be asked first and foremost. Rather, it will be impressions of our everyday lives. Our homes and facilities, towns, streets and cars, but also our food and clothes will most likely be of great interest. So I consider it just as a film photographer our duty to capture our cultural assets and our way of life as diverse as possible in pictures and keep safe. In this sense, a few pictures from the previous century. _DSC0634.jpg Stefan I agree Do not count on digital, I have two hard drives in which I backed up my photos M8 and M9 that died So I lost all my pictures , as they are digital pictures ... Not possible to recover and the after-sales service is void and absent for your information it's Western Digital Best Henry Edited December 30, 2017 by Doc Henry 1 Link to post Share on other sites More sharing options...
Tmx Posted December 30, 2017 Share #44805 Posted December 30, 2017 M2, 35FLE, XP2, EI 100, HC-110, X1 scan: The Road Through the Woods by chrism229, on Flickr Very nice tonality. What is the developing time for XP2 @ 50 & 100 ASA? 3 Link to post Share on other sites More sharing options...
Doc Henry Posted December 30, 2017 Author Share #44806 Posted December 30, 2017 M2, 35FLE, XP2, EI 100, HC-110, X1 scan: The Road Through the Woods by chrism229, on Flickr Superb Chris really superb Henry 3 Link to post Share on other sites More sharing options...
chrism Posted December 30, 2017 Share #44807 Posted December 30, 2017 Advertisement (gone after registration) Thank you, Chris. I'm vacillating on which direction I'm headed. I know it will be 4x5, and a Field camera. I also need it to be reasonably light, as part of its service will be landscapes in an area that involves ~2-weeks to walk in and out. I also want to do some portraiture (head & shoulders to full body). I'm bouncing between getting a 90mm + 180mm, or settling for a 120mm or 135mm, and being content with that. Primary intention is contact prints (I like the 4x5 size), so no need for trucks and cranes, with heads the size of a VW. A further thought for you about lightweight 4x5 cameras, there is an extremely light model made by Intrepid that's a steal at £250, with lensboards at £25. It's reviewed here: Intrepid website: https://intrepidcamera.co.uk Chris 4 Link to post Share on other sites More sharing options...
Guest 10511 Posted December 30, 2017 Share #44808 Posted December 30, 2017 M2, Summitar 2/50, Neopan 400 @3200 (From my Unsharp Studies... studie_1.jpg . Je länger ich dieses Bild betrachte um so mehr fasziniert es mich. Sehr gelungen! 1 Link to post Share on other sites More sharing options...
Doc Henry Posted December 30, 2017 Author Share #44809 Posted December 30, 2017 Beautiful, Henry. The dark areas really make the light zones glow. I like such scenes. Jozef Thank you Eoin and Jozef for your comment ... and the rendering of TX is great too Best Henry 1 Link to post Share on other sites More sharing options...
Popular Post otto.f Posted December 30, 2017 Popular Post Share #44810 Posted December 30, 2017 (edited) Rolleiflex 3.5/75mm. FP4+ in PMK, nice combination! Although I had to bring back the head of the watering can a lot, it sure has rich blacks. Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Edited December 30, 2017 by otto.f 23 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3428763'>More sharing options...
Steve Ricoh Posted December 30, 2017 Share #44811 Posted December 30, 2017 Just gone 12 minutes to 1 Pen F Tri-X, Plustek Just gone 12 minutes to 1 by -Steve Ricoh- 15 Link to post Share on other sites More sharing options...
Popular Post Guest 10511 Posted December 30, 2017 Popular Post Share #44812 Posted December 30, 2017 (edited) Hasselblad 501cm, 80 Planar, HP5 plus, Imacon 848 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Edited December 30, 2017 by cujoka 24 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3428771'>More sharing options...
X_Beliebiger Posted December 30, 2017 Share #44813 Posted December 30, 2017 Je länger ich dieses Bild betrachte um so mehr fasziniert es mich. Sehr gelungen! Thank you very much! It was 100% spontaneous, without focussing (what I like). She didn't realize me shooting most part of this film. 1 Link to post Share on other sites More sharing options...
Guest 10511 Posted December 30, 2017 Share #44814 Posted December 30, 2017 Thank you very much! It was 100% spontaneous, without focussing (what I like). She didn't realize me shooting most part of this film. The lady, lens, negative film are a harmony. And your eye for the situation is excellent. 1 Link to post Share on other sites More sharing options...
SunnySixteen Posted December 30, 2017 Share #44815 Posted December 30, 2017 Velvia 100F M6 Summicron 35 San Francisco September 2017 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 15 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3428802'>More sharing options...
Doc Henry Posted December 30, 2017 Author Share #44816 Posted December 30, 2017 Rolleiflex 3.5/75mm. FP4+ in PMK, nice combination! Although I had to bring back the head of the watering can a lot, it sure has rich blacks. Superb black Otto andyou are welcome Thanks for posting Have you more ? Rg Henry 1 Link to post Share on other sites More sharing options...
Steve Ricoh Posted December 30, 2017 Share #44817 Posted December 30, 2017 interesting - strange flaring and light bleed across the gate. Pen F Tri-X Albert Dock by -Steve Ricoh- 9 Link to post Share on other sites More sharing options...
otto.f Posted December 30, 2017 Share #44818 Posted December 30, 2017 Have you more ? Rg Henry Now and then . Just started with this Rolleiflex I bought the other day. I did that because I want to find out which film I like best for my 4x5 Chamonix. Trying out all the different color negative and positive films on 4x5 would cost a fortune so I use this Rolleiflex for that decision process. This b&w film was meant to become acquainted with this camera again, which I owned earlier. I must say that I still need a tripod for it to attain this sharpness; there was no sharpness added at all in pp.! All the other handheld captures thus far had more or less motion blur. 2 Link to post Share on other sites More sharing options...
chrism Posted December 30, 2017 Share #44819 Posted December 30, 2017 Very nice tonality. What is the developing time for XP2 @ 50 & 100 ASA? If using HC-110 diluted 1+49 (or equivalent Legacy Pro L110 or Ilfotec HC) at 20ºC, it will be 4 minutes for ISO 50 and 5 minutes for ISO 100. If you use fixer at standard strength, double your usual fixing time. Please show us the results as all this is still a work in progress. Chris 2 Link to post Share on other sites More sharing options...
Popular Post Activatedfx Posted December 30, 2017 Popular Post Share #44820 Posted December 30, 2017 Hi all - New guy here. Bought an M7 0.85 about a month ago. I've only put 4 rolls through it so far due to my work schedule, but I'm enjoying the M7 and film experience (again). i was a design and film student at Parsons and shot plenty of film in the early 80's through the late 90's, including 4x5's, Mamiya 7ii, Pentax Spotmatic, Contax G, etc., but I have been 100% digital since the Canon D30 was announced in 2001. I tried MF last year using a Kowa Six kit, but it was too much. This year, I got the bug for 35mm film and, after a quick affair with a gorgeous Yashica GX, I picked up the M7. I just posted some photos taken with CineStill films in the "Film" forum: https://www.l-camera-forum.com/topic/280381-cinestill-film-in-brooklyn-and-nyc/ Here are a few more. All M7 + Nokton 50/1.5, and CineStill films. "CineStill" is movie film stock that has been modified for use in 35mm still cameras and normal C-41 processing. The 800T is for "Tungsten" (or Fluorescent) lighting, and low light. The 50D is Daylight balanced, and is good for bright daylight like at the beach or skiing (which is where I'll be going next!). CineStill 800T - Art Gallery window. John St., DUMBO Brooklyn Ample Hills Creamery. Pier 5, Brooklyn Bridge Park. CineStill 50D - Sculpture under the Archway at Washington Square Park, NY. SALE. 5th Avenue @20th St., NYC. Flatiron Building. 5th Ave. 23rd St., NYC. 22 Link to post Share on other sites More sharing options...
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