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Richard  - the second one is quite clever with the colorful dots against the backdrop of the rainbow.  Are those your foot prints running up the road? :)

Thanks Adam, a little bit funky sounds good to me, we get up early for those 'fruit salad skies' after all :) and colour is such a subjective thing.

I have had difficult green/magenta colour shifts with Ektar in the past in lower light that put me off using it for a while but I think a little underexposure by me was at least partly to blame.

 

A couple of older Ektar shots on 35mm from NSW 'for the love of saturated colours', look forward to more from the Dead Sea.

 

 

25174140270_42a967e76c_c.jpg

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Thanks Adam, a little bit funky sounds good to me, we get up early for those 'fruit salad skies' after all :) and colour is such a subjective thing.

I have had difficult green/magenta colour shifts with Ektar in the past in lower light that put me off using it for a while but I think a little underexposure by me was at least partly to blame.

 

A couple of older Ektar shots on 35mm from NSW 'for the love of saturated colours', look forward to more from the Dead Sea.

 

24473928454_6699c2969c_c.jpg

 

25174140270_42a967e76c_c.jpg

Very nice, Richard, especially the second.

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Reflections of mountains, palm trees, blue sky with salt formations floating abound.

The Dead Sea

Velvia 50

Hassy 503cw, 250mm Sonar Superachromat

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Popular Photography:

 

 

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M3, 50mm Summicron, Kodak Elite Chrome 100

 

 

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And now Pro 400H:

 

M7-Distagon 1.4/35 ZM-Pro 400H by edward karaa, on Flickr

 

M7-Distagon 1.4/35 ZM-Pro 400H by edward karaa, on Flickr

 

Edward, 

 

Thanks for showing your interesting views which seem to bring out the specific colour qualities of your respective films so well. I noticed that you are using a Zeiss lens for these shots. Have you any view / comparison how this may influence the colour quality vs. a Leica Lens? 

 

Best regards,

 

Christoph

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A "Postcard" view of Assisi

 

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M5, 40, Color Implosion, ns

 

Rgds

 

Christoph

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End of the day

 

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Edward,

 

Thanks for showing your interesting views which seem to bring out the specific colour qualities of your respective films so well. I noticed that you are using a Zeiss lens for these shots. Have you any view / comparison how this may influence the colour quality vs. a Leica Lens?

 

Best regards,

 

Christoph

Thank you very much Christoph for the kind comments. I have not done any comparisons especially that I don't own any M lenses, but my understanding is that individual film character largely predominates any subtle lens color casts. However, the current generation of T* coatings has a slight yellow/green cast that might enhance the color of the trees.

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Edward, 

 

Thanks for showing your interesting views which seem to bring out the specific colour qualities of your respective films so well. I noticed that you are using a Zeiss lens for these shots. Have you any view / comparison how this may influence the colour quality vs. a Leica Lens? 

 

Best regards,

 

Christoph

 

I noticed that too... that you are using Zeiss lenses. I've heard that they have a propensity to add 'pop' to the colours and an 'edge' to the sharpness. I have the 25mm ZM but seldom use it. In any case, at the moment I'm out of colour film!

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Kodachrome 64 - August 1987

 

Not really sharp but it was a grab shot as I was walking by.

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