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From my project "Living Like This".

 

Some more from the house meeting in my hometown Bradford, UK.

 

Doc Henry asked me if I knew the people :-

 

"I walked into the mosque one Sunday afternoon and I asked the Imam if I could take some pictures. I went back over many weeks and they realised that I wasn't going to "turn them over" and they became friends and some of the most hospitable people that I have ever met. I was invited to a wedding, into a Maddrasa and then finally I was invited into their homes. Never once did anyone give me any hassle or object in any way to anything that I as doing. All people are the same the world over and religion is very important to the Pakistani community of Bradford and I tried to reflect this devotion in my photographs. They respected me and I respected them"

 

The pictures were taken on a Leica MP with 35mm Summicron V4 lens. The film was Kodak TRI-X pushed to about ISO 3200. I aren't really sure what the ISO was exactly as I set the camera to a 1/30th at F2 as this was just about the limit of the light and hand holdability.

 

The film was developed in D76 1+1 for 18 minutes. A speed increasing developer would probably have been better but I standardise on D76 and that is what I always use.

 

Paul you're lucky to photograph the closeness of this people 

Pictures are all great and the value is stronger

Film has a nice rendering through all your series , I doubt you can have

this ambiance and the beauty of pictures with digital

Best

Henry

Edited by Doc Henry
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Adam, thank you very much. You have read my mind regarding the chromes. I think they would result in quite contrasty images since the celing lights will really beat down on whatever is below causing strong shadows. I will bring a second film magazine with something else in it. Perhaps I'll rotate that mag and shoot some scenes with Provia and some with my new friend XP2 or Acros. But Ektar does seem to be the best choice. I don't think I want to take the risk that Cinestill goes belly up on me and ruins the shots. 

 

Best

Philip

 

 

Excellent Henry, just the kind of abstract I enjoy looking at.

 

Thank you Philip for watching and commenting

Best

Henry

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You guys really are too fast for me ... :rolleyes::)

As I have lots of work at the moment I thought I'd shoot one of these over the date Agfa Portrait Colour film with the very vintage wooden camera I presented, some time ago.

And yes, Henry, I have put one roll of this film away for You. If You have a 6x6, or a 6x9 camera ... well any cam that takes 120 roll film , just tell me.

I gave the film to the local photographer, simple devellopment, scan of the photo as I have little time for more at the moment.

Not a great shot, but I simply love the way this old camera still works. Less side light than the last time, as I put black scotch tape around the back. Some "flare" ( is this called "flare" in English , the way the sun comes in on the bottom ? ), but I don't care.

 

 

 

attachicon.gifWeb.Photo couleur caméra très ancienne en bois.jpg

 

And this is a Leica IIIf / Elmar 3.5 shot of the old camera. Film is Kodak Gold 200.

 

attachicon.gifWeb. Leica IIIf appareil très ancien.jpg

 

Jean-Marie you know old camera can sometimes give you great picture

The flare is nice and show us that picture is taken in little contre- jour

Nice color .

Thank you for sharing with us

Best

Henry

JM I have only 24x36 (135) cameras (6) ,  no MF at the moment !

Thank you for your suggestion. :)

Edited by Doc Henry
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Kodak Ektar 100-Leica M7- 35 Lux Asph

 

Hoi An coast

Aug 2017

attachicon.gifImage9hoian1kodektalfht+++550.jpg

Best

Henry

 

and in b&w now

advantage to have two cameras without changing roll when shooting

and without converting color in b&w in LightRoom > not nice black !

Sometimes you perceive after b&w is better than color ... :)

 

 

Leica MP-Summilux 50Asph-Kodak TMAX100 (dev pure Kodak Prof D6)

 

 

 

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Rg

Henry

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My first self developed film with digibase .

 

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M6 Elmar 2,8/50old BOOWU-M  A6      Agfa Vista 200

 

Regards

Joachim

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Very nice, Keith.

Pastoral peace   :)  R5, 90mm Elmarit-R, Neopan 400.

 

Paul - Stellar series; so insightful.  I'm on the fence as to whether color would have also been very effective.  Certainly the B&W is effective; not saying it isn't.  But color also has its window into how it was really like in those scenes.  It is good to have choices!  Keep up the great work!

From my Project "Living Like This"

 

Bride in Bradford, West Yorkshire. UK,

 

Leica M6 with 90mm Summicron lens - wide open at F2.

 

Film is Kodak TRI-X at box speed, in D76 stock.

 

 

From my project "Living Like This"

 

Day of Ashura, in Bradford, West Yorkshire, UK.

 

Leica M6 with 35mm Summicron lens.

 

Kodak TRI-X pushed 1 stop to ISO 800 and developed in D76 1+1,

 

 

From "Living Like This"

 

Outside the mosque, Day of Ashura, Bradford, West Yorkshire - women wait whilst the men pray in the mosque. They wear black as a mark of respect.

 

Leica R6 35mm Elmarit. 

 

Film is Kodak TRI-X pulled 1 stop to ISO 200, developed in D76 stock.

 

 

From "Living Like This"

 

Outside the mosque, Day of Ashura, Bradford, West Yorkshire - women wait whilst the men pray in the mosque. They wear black as a mark of respect.

 

Leica M6 35mm Summicron. 

 

Film is Kodak TRI-X at box speed, developed in D76 stock.

 

Great one, Brendan.

 

I'm finally back in Ontario after spending the summer out west, and I just started developing my backlog of rolls.  Here's one of the first images from my new 0.85 M7.

 

M7, Zeiss 50/2 Planar, HP5, HC110:

 
36171398180_0673cba689_c.jpg
Untitled by Brendan | Toews, on Flickr

 

 

Love the colors, Ian.  Is this also Portra 400?

Compton Bay is one of the best beaches in England IMO and suitably popular. However, if you arrive at about 5.30am you get the whole beach to yourself. The town of Freshwater Bay in the distance is just starting to catch the sun as it rises above the downs.

 

36535861586_1d414e7f91_b.jpg

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From my hotel tower I try to photograph in 360° landscapes

here the result

 

 

 

Leica MP-Apo Telyt 135 Asph-Kodak TMAX100 (dev myself Kodak D76)

 

 

Danang his river Han and bridge

Sept 2016

 

 

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Best

Henry

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I'm finally back in Ontario after spending the summer out west, and I just started developing my backlog of rolls.  Here's one of the first images from my new 0.85 M7.

 

M7, Zeiss 50/2 Planar, HP5, HC110:

 

36171398180_0673cba689_c.jpg

Untitled by Brendan | Toews, on Flickr

This IS art, fantastic too.

I'm sure there's no PP going on here, looks like mist and I'm wondering if it's a picture of a print. I love the grain. Grain done artistically is the main attraction for me. God, I wish I could produce stuff like this!!!

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Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

 

M3, 50mm Summicron DR, Fuji Superia 800

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FAO Adam Miller:-

 

Hi Adam thanks for your feedback - I do appreciate it.

 

I much prefer B&W for my type of pictures but I know that you yourself use colour very effectively for your pictures.

 

I am always and always have been drawn to B&W photojournalism and to be honest other than family pictures on my Leica R6, I have never once taken a colour picture with any of my Leica M cameras.

 

I have always stuck to Kodak TRI-X because I like the gritty contrast that the film gives. For photojournalism I also like the way that it can be pushed and pulled - I have taken it up to ISO 3200 and pulled it back to ISO 100 which to me is amazing that one film can give such a broad range of speeds with just the dev times being adjusted.

 

The other day I was searching through my old archives of my daughter when she was young and came across this slide of her on Ektachrome so just to give a nod to my colour work, I post it here:-

 

Leica R6 with 90mm Summicron

 

She is now 26 and a successful journalist on a daily Uk paper.

 

Really superb this portrait color first and general rendering

Paul you must do sometimes color ... life will be sad without color

 

From "Living Like This" 

 

Jewish School and Yeshiva in Manchester, UK.

 

This Gentleman was walking down Northumberland Ave and as I passed he admired my Leica M6 and we got talking. His family had fled Nazi Germany before WW11 and his father had been a keen Leica photographer. 

 

Leica M6  and Leica R6 with 21mm Super Angulon,  21mm Elmarit M, 28mm Elmarit M, 35mm Summicron M, 35mm Elmarit R and 50mm Summicron M.

 

Film was Kodak TRI-X in D76 stock.

 

From "Living Like This" 

 

Jewish School and Yeshiva in Manchester, UK.

 

Leica M6  and Leica R6 with 21mm Super Angulon,  21mm Elmarit M, 28mm Elmarit M, 35mm Summicron M, 35mm Elmarit R and 50mm Summicron M.

 

Film was Kodak TRI-X in D76 stock.

 

...... like these pictures too  :)

 

So you can photograph in the intimacy of all religions :)

A good point for you

Great series in b&w in film. 

Best

Henry

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Kodak TMAX400-Leica MP-Summilux 50 Asph

Black is black , not inhomogeneous like from "synthesys" image

Black is nicer in film !

 

 

... and for Keith :)

 

 

King Chapel

Blois Castle

May 2017

 

 

 

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

 

Best

Henry

Edited by Doc Henry
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FAO Adam Miller:-

 

Hi Adam thanks for your feedback - I do appreciate it.

 

I much prefer B&W for my type of pictures but I know that you yourself use colour very effectively for your pictures.

 

I am always and always have been drawn to B&W photojournalism and to be honest other than family pictures on my Leica R6, I have never once taken a colour picture with any of my Leica M cameras.

 

I have always stuck to Kodak TRI-X because I like the gritty contrast that the film gives. For photojournalism I also like the way that it can be pushed and pulled - I have taken it up to ISO 3200 and pulled it back to ISO 100 which to me is amazing that one film can give such a broad range of speeds with just the dev times being adjusted.

 

The other day I was searching through my old archives of my daughter when she was young and came across this slide of her on Ektachrome so just to give a nod to my colour work, I post it here:-

 

Leica R6 with 90mm Summicron

 

She is now 26 and a successful journalist on a daily Uk paper.

 

Paul - Wow, what a wonderful color photo!!  I love it!  As for your amazing reportage, I think they look fantastic and very authentic in B&W.  If that's your thing, you should keep on rocking.  

It looks like you found yourself in a Lubavitch Yeshiva.  They are amongst the most welcoming (their mantra is out-reach), unlike the folk in Williamsburg, Brooklyn where I do my weekly Challah runs.   They look at me like I'm from outer space, and that's sans my camera! :)

 

In any case, keep up the great work and I look forward to you sharing more...

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