Doc Henry Posted April 12, 2017 Author Share #30561 Posted April 12, 2017 (edited) Advertisement (gone after registration) You really should try the 35mm Summicron on the SL Henry. Gary Yes Gary I just mount my 35mm on the SL Thank you Best Henry Edited April 12, 2017 by Doc Henry 1 Link to post Share on other sites More sharing options...
Advertisement Posted April 12, 2017 Posted April 12, 2017 Hi Doc Henry, Take a look here I like film...(open thread). I'm sure you'll find what you were looking for!
Doc Henry Posted April 12, 2017 Author Share #30562 Posted April 12, 2017 Leica CL, 35 Summilux pre, Agfa Vista 200 image073.jpg image074.jpg Wayne very relaxing pictures Thanks for posting Best Henry 1 Link to post Share on other sites More sharing options...
Doc Henry Posted April 12, 2017 Author Share #30563 Posted April 12, 2017 (edited) You can see this with over-agitation too, just to be awkward. If there is fast turbulent flow through the sprocket holes the film adjacent to them sees a lot more fresh developer molecules than the rest of the film. It's a bit like rubbing a print's highlights with a finger while it is in the developer tray to darken them. The clue here is that if it were over agitation those stripes should be on both sides of the film, though not so pronounced on the side that was uppermost in the tank. There are two things to do here: a bit more initial agitation gently tumbling the tank in your hands, and you might try a presoak in water (when the emulsion is saturated with water it can only take up the developer more slowly and there is less likelihood of some bits getting more than others) Chris. Chris , my agitation in Paterson tank is always "gentle" never strong (10 seconds per minute) Paterson delivers an agitator for that , I make the same for color film but in continous . Best Henry Edited April 12, 2017 by Doc Henry Link to post Share on other sites More sharing options...
EoinC Posted April 12, 2017 Share #30564 Posted April 12, 2017 Yep, got a bucket full of Ektar 100, and on the Doc's orders will get some Portra too. Not sure if my anti-social nature will handle the masses though, lots of people, lots. Gary Key is to be there after the crowds head back (most are day trippers). 1 Link to post Share on other sites More sharing options...
EoinC Posted April 12, 2017 Share #30565 Posted April 12, 2017 One to make Eoin a tad homesick, I hope. Gary Yeah! Am I right in thinking your commute is over Mt Eden? 1 Link to post Share on other sites More sharing options...
EoinC Posted April 12, 2017 Share #30566 Posted April 12, 2017 And now a question to you all from me. I have found amongst a bunch of old camera stuff two exposed, undeveloped rolls - one 620 roll of Kodak Verichrome Pan and one roll of Ilford FP4. I'm not sure of the ages, but let's say probably from the 50s or 60s. Would anyone have any suggestions of development times for them. I use XTOL 1:1 usually, or I have some Rodinal or could mix up some Caffenol. Has anyone tried anything like this? On old exposed films, I've headed for stand developing to play it safe. 1 Link to post Share on other sites More sharing options...
EoinC Posted April 12, 2017 Share #30567 Posted April 12, 2017 Advertisement (gone after registration) ...Excellent choice Eoin. My 1N is starting to become erratic regarding the battery, sometimes draining a new one over the course of a couple of days. Even though it's an intermittent problem it has given me a very good excuse to get a 1V, which is my dream EOS camera. If you have the HS with the NP-E2 battery you'll get the truly necessary 10fps continuous mode Handling-wise the EOS 1 series cameras feel just lovely, like a true extension of the hand. The follow AF on the 1N is very good so I can only imagine it must be great on the 1V. Would work great for cycling ... Yes - There's nothing I need more than the ability to shoot a 36-exp roll of film in 3-1/2 seconds Cycling is one of the intentions. Actually, I usually shoot the EF 300 at single shot rather than continuous on my 1DX at track racing. Its focusing speed is stunning. I'm looking forward to some macro with my MP-E 65, and using my TS-E 24, and Otus 55, and EF 85L, and ZE 135 Apo... I'd better stop there. I'm just trying to finalise the camera deal at the moment. 1 Link to post Share on other sites More sharing options...
EoinC Posted April 12, 2017 Share #30568 Posted April 12, 2017 Might take a look with a roll of colour, and on a day when it's not wet like this day. SWC FP4+ R09 Epson 4870 Gary Good practice for Père Lachaise cemetary, Gary. 1 Link to post Share on other sites More sharing options...
EoinC Posted April 12, 2017 Share #30569 Posted April 12, 2017 Landscape in b&w now French Alpes Haute Savoie 1990's Ilford FP4 -Leica R4S-50 Summicron Image3clusilfordPanF+feslfht+++-2-950.jpg Best Henry Wonderful, Henry!!! 1 Link to post Share on other sites More sharing options...
Paul Verrips Posted April 12, 2017 Share #30570 Posted April 12, 2017 Landscape in b&w now French Alpes Haute Savoie 1990's Ilford FP4 -Leica R4S-50 Summicron Image3clusilfordPanF+feslfht+++-2-950.jpg Best Henry Beautiful! 1 Link to post Share on other sites More sharing options...
Paul Verrips Posted April 12, 2017 Share #30571 Posted April 12, 2017 M7/Summicron 50/Ilford FP4+/homedevelopment Ilford D-DX Porto: 12 Link to post Share on other sites More sharing options...
Doc Henry Posted April 12, 2017 Author Share #30572 Posted April 12, 2017 (edited) On old exposed films, I've headed for stand developing to play it safe. Phil and Eoin, you must increased your devt time and GsGary dev in b&w with good result. In any case , you can dev them to see what it's inside these films. A great moment to discover ! Best Henry Edited April 12, 2017 by Doc Henry 2 Link to post Share on other sites More sharing options...
Doc Henry Posted April 12, 2017 Author Share #30573 Posted April 12, 2017 In case anyone is interested my site, link below, is finally back online. Philip wow the first page is a big lion very impressive and after you have Film is photography I like it and superb images inside Thanks Philip, really glad to find film pictures with natural color specially in "Nature" Best Henry 2 Link to post Share on other sites More sharing options...
Doc Henry Posted April 12, 2017 Author Share #30574 Posted April 12, 2017 Wonderful, Henry!!! Landscape in b&w now French Alpes Haute Savoie 1990's Ilford FP4 -Leica R4S-50 Summicron Image3clusilfordPanF+feslfht+++-2-950.jpg Best Henry Beautiful! Thank you Eoin and Paul for your comment. already 27 years for this picture and like in the first day , no deterioration of the image same notice in print with my enlarger Best Henry 1 Link to post Share on other sites More sharing options...
Doc Henry Posted April 12, 2017 Author Share #30575 Posted April 12, 2017 M7/Summicron 50/Ilford FP4+/homedevelopment Ilford D-DX Porto: This picture is outstanding with this little ray of sun on the first lady Really nice Paul More please for our eyes Thanks for posting Henry Link to post Share on other sites More sharing options...
gsgary Posted April 12, 2017 Share #30576 Posted April 12, 2017 One to make Eoin a tad homesick, I hope. Gary Was that a Volcano ? Link to post Share on other sites More sharing options...
gsgary Posted April 12, 2017 Share #30577 Posted April 12, 2017 Paris in front of Notre Dame Cathedral March 2017 my selfie at right I like the position and the fur coat of this lady Kodak TX400-Leica R4S-Summicron 50 Image20sppariskodtxr4slfht+++1000.jpg Best Henry Is that your shadow bottom right ? 1 Link to post Share on other sites More sharing options...
gsgary Posted April 12, 2017 Share #30578 Posted April 12, 2017 In case anyone is interested my site, link below, is finally back online. No not interested :D :D 3 Link to post Share on other sites More sharing options...
chrism Posted April 12, 2017 Share #30579 Posted April 12, 2017 Well I'm feeling very irritated today. I noticed on the shots taken yesterday with the Rolleiflex FT that there was back focus, so I used up a roll of film today shooting a sheet of paper with text on it at an oblique angle. At closest focus at f4 the plane of focus is six inches behind the spot that the viewfinder said was in focus. There are no Rollei service people in Canada, and if I send it to the USA it will probably attract duty again on its return, nor do I feel I should have to spend a few hundred dollars on a service. So now I'm trying to contact the seller in Korea to arrange a return (I'm within the 30 day period that eBay allows). I knew I should have stuck with the 500c and the Sonnar 150mm for these kind of portraits, but these Rolleiflexes are so damnably addictive. C. 2 Link to post Share on other sites More sharing options...
Doc Henry Posted April 12, 2017 Author Share #30580 Posted April 12, 2017 (edited) Is that your shadow bottom right ? Yes It's mine not high like you Henry Edited April 12, 2017 by Doc Henry Link to post Share on other sites More sharing options...
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