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Thanks, Harold. Nice to see you over here on the light side:)

Even above your usually high standard

Well done!

 

(don't fancy that Pizza though)

  

Oddly enough, in viewing the photo, I would say the pizza guy has an expression of: "Who stands around taking photos at 10am in the middle of a brutal snow blizzard?" :)

 

 

Good one, Wayne. :)

 

 

 

 

 

 

Something for the film nerds amongst us (all of us?). I usually take more than one frame of a given subject and just happened to be at the end of a roll of Portra so took the next photo after having reloaded with the Fuji 400H. Unintentionally I have a couple of photos that enable a comparison to be made between the films which I find quite interesting. Nothing scientific of course: the photos are handheld and the light may have changed a little in the time it took me to rewind one film and load the other. Interesting that I managed a slightly wonky horizon in both photos – at least I am consistent. :)

 

Portra 400

M0002691-w.jpg

 

 

 

Fujifilm Pro 400H

M0002693-w.jpg

Very interesting comparison of greens. Thanks for sharing

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Guest NEIL-D-WILLIAMS

FISHING FOR JELLY FISH

Think I will stick with digital Leica S

Tmax 100........or was it 12800 :)

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Edited by Neil D
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Roadside misery

 

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M3, 35, RPX400, ns

 

Rgds

 

C.

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Not convinced that this works - what do people think?  Hasselblad 500C, 60mm Distagon CB, Fomapan 200.

 

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Not convinced that this works - what do people think?  Hasselblad 500C, 60mm Distagon CB, Fomapan 200.

Looks intriguing the path into the dark is great. Perhaps a colour filter could have separated some of the stones better from the flowers, if this is what you mean.

 

Rgds

 

Christoph

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Looks intriguing the path into the dark is great. Perhaps a colour filter could have separated some of the stones better from the flowers, if this is what you mean.

 

Rgds

 

Christoph

I had a medium yellow filter on, but this and the very dull light meant insufficient DoF to have the church, headstones and foreground snowdrops all in focus.  It is the softness of the flowers that raise my concern as to whether or not the image works as a whole.

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Something for the film nerds amongst us (all of us?). I usually take more than one frame of a given subject and just happened to be at the end of a roll of Portra so took the next photo after having reloaded with the Fuji 400H. Unintentionally I have a couple of photos that enable a comparison to be made between the films which I find quite interesting. Nothing scientific of course: the photos are handheld and the light may have changed a little in the time it took me to rewind one film and load the other. Interesting that I managed a slightly wonky horizon in both photos – at least I am consistent. :)

 

Portra 400

M0002691-w.jpg

 

 

 

Fujifilm Pro 400H

M0002693-w.jpg

 

I agree. Kodak seems to me more natural. Thank you for the comparison !

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BRACING!!!! NYC

M7, 28 elmarit pre asph, portra 400

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Absolutely superb Ian. What a terrific photo.

 

Some XP2 from last month. 28 Summaron,

 

M0002589-w.jpg

 


This is a great photo I think, very well executed.

 

Still shooting the Trip 35 and Eastman 5222. These were all dev'd in D96 for 7m.

They are from a trip to Washington D.C. this last weekend. We only packed the two Trip 35's, a Pen EE-S 2 as a backup and some clothes just in case. My other camera's feel like bricks now. :)

3.) Tomb of the Unknown Soldier Changing of the Guard Ceremony.

 

33076381536_9b8c601e93_h.jpg

 

 

I like this one a lot Keith. I think the myriad of flowers look wonderful in this photo, and particularly how similar patterns appear on the stones so it's as if the flowers have climed up on them.

 

Not convinced that this works - what do people think?  Hasselblad 500C, 60mm Distagon CB, Fomapan 200.

 

 

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Recent acquaintance looking for dinner (not me, luckily). Fast and beautiful.

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Staying with Keith's church theme, a lovely church in the middle of nowhere near Ilminster in Somerset. Fujifilm 400 Pro H and 28 Summaron.

 

M0002700-w.jpg

 

 

Lovely shot. I spent much of my younger days bumping around Somerset, though more around the Mendips than way down Dorset way. Love the very many sleepy old churches and villages in that corner of the world - look at all that lichen and moss! It takes a lot of time and even more miles to realise you actually miss the smell of the pig manure and fog filled frosty mornings :)

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I have to say the SF24D is a great little flash, so easy to use and plenty powerful. I just need to have a beer or two to work up the courage and get clooooser.

 

32732406990_fae8811af6_b.jpg

Flickr

35/1.4 Vista 400

 

Philipus thank you for your example, which looks real nice. I am looking for a small flash for my M7.

hahahahah and beer helps ... in almost situation of live, but only a good one :)

 

Best

GRegor

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I have to say the SF24D is a great little flash, so easy to use and plenty powerful. I just need to have a beer or two to work up the courage and get clooooser.

 

<snip>

 

Flickr

35/1.4 Vista 400

 

There is a disarming quality to this photograph which I like a lot Philip, the racy angle and participants dangling in the thread of light make for a memorable moment.

 

Thanks

Charles 

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Early morning as the sun breaks through the haze, overnight train from Bulawayo to Victoria Falls, Zimbabwe 28 September 1990.

 

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Fujichrome Velvia 100

 

 

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