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Right, I sort of promised the colour segment, and while they are not as simple as the B&W, I was happy that the B&W post didn't turn into a squabble match. I think most are happy to use either or both, some are film only, and I respect that, others are digital only as well, both are happy.

 

The film shots were with the R8, and the R28-70 zoom, used Kodak 200, so a basic el cheapo colour film. Processed locally by a semi decent lab, and scanned via my Plustek 8100. Same deal as the mono, slight downsizing to match the digital dimensions. No sharpening, no mucking with them. I'd be less than honest if I said I had a faultless scanning discipline for colour, the Kodak 200 always seems to give me a bit of a cast.

 

Digital was same as the B&W stuff, all with the X-Pro2, and this time I used the Fuji XF18-56 zoom, and where I was able to, I matched the view zoom-wise with each camera, R8 being an SLR, Fuji having an EVF. Similar/same apertures. RAW files converted with the Fuji raw convertor, then converted to a JPEG in Photoshop.

 

Same deal as the B&W, take it all with a grain of salt, no scrapping, it's more an exercise in seeing how the two mediums stack up.

Gary

 

The colors are not the same

The brown wood  and the red orchard of the house in front

and especially the foliage in the foreground at the top

Not the same color and is darker on the first

1 Fuji and 2 R8

Thanks Gary

Henry

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I did one other, this complete with dust and colour cast from poor processing is blatantly obvious.

Gary

 

Like this Gary ? for the sky

I removed dusts

The color of electric pole is not the same . Which is like you see in 1 or 2

 

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Henry

Edited by Doc Henry
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Like this Gary ? for the sky

I removed dusts

The color of electric pole is not the same . Which is like you see in 1 or 2

 

attachicon.gifpost-27401-0-80241100-1486711967-2-4.jpg

 

Henry

 

Thanks Henry.

I actually like the Fuji shot better for this subject and not because of the dust either, it's just sharper and cleaner.

I didn't want to mess with any of it, simple scan and post.

Gary

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Thanks Henry.

I actually like the Fuji shot better for this subject and not because of the dust either, it's just sharper and cleaner.

I didn't want to mess with any of it, simple scan and post.

Gary

 

I recognize on some color pictures , you have sometimes a cast or a veil

(development temperature bath, old developer  ?)

It also depends on film brand . With Kodak Portra 160 or 400 (warmer) I have

less . Even Kodachrome have sometimes a little blue cast may be

Fuji Velvia or Provia have less or no cast.

 

Anyway , color is very difficult to reproduce and film (vs sensor) reproduces

almost  the best for the reason of difference in spectral curve between eyes

and sensor  like you can read in my post above.

 

Not easy ! b&w is simpler isn't Gary ?

 

As I tested Fuji XPro1 versus M8 I think the color of sky in Fuji is nice too !

Click top , middle and right icon to enlarge

http://gallery.leica-users.org/v/Doc+Henry/DSCF9034arbrlongxpro1lught___red1200.jpg.html

http://gallery.leica-users.org/v/Doc+Henry/L1014667arblongm828cronlught___red1200.jpg.html

Best

Henry

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I also like this one a lot. Technically very well done with pleasant verticals and an appealing contrasting composition. 

 

32767593876_5a75884355_b.jpgbeautifully lit housing by Theodor Kierdorf, auf Flickr

Leica M-A Ilford Delta 100 Professional

 

Really excellent, what amazing definition. Love the composition too, and the action in the lower left makes a beautiful landscape shot even more interesting.

 

I have just bought my first 5-pack of Ektar to shoot with the Hasselblad. Very much looking forward to it.

 

31993556143_1bb25020a9_b.jpg

 

A young family stops to take a father/daughter photograph near a waterfall in Yosemite National Park.  

This was taken just before Christmas 2016.

 

Hasselblad SWC on Kodak Ektar 100

 

Thank you Gary, I always find such comparisons interesting. The intrinsic qualities of film are evident and so are the strengths of digital. What this comparison shows in particular is that there really isn't any "accurate" colour. It's all perception.

 

br

Philip

 

Right, I sort of promised the colour segment, and while they are not as simple as the B&W, I was happy that the B&W post didn't turn into a squabble match. I think most are happy to use either or both, some are film only, and I respect that, others are digital only as well, both are happy.

 

The film shots were with the R8, and the R28-70 zoom, used Kodak 200, so a basic el cheapo colour film. Processed locally by a semi decent lab, and scanned via my Plustek 8100. Same deal as the mono, slight downsizing to match the digital dimensions. No sharpening, no mucking with them. I'd be less than honest if I said I had a faultless scanning discipline for colour, the Kodak 200 always seems to give me a bit of a cast.

 

Digital was same as the B&W stuff, all with the X-Pro2, and this time I used the Fuji XF18-56 zoom, and where I was able to, I matched the view zoom-wise with each camera, R8 being an SLR, Fuji having an EVF. Similar/same apertures. RAW files converted with the Fuji raw convertor, then converted to a JPEG in Photoshop.

 

Same deal as the B&W, take it all with a grain of salt, no scrapping, it's more an exercise in seeing how the two mediums stack up.

Gary

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I did one other, this complete with dust and colour cast from poor processing is blatantly obvious.

Gary

Thanks for the interesting comparison. But in my opinion the film is not showing his full potential here, mostly due to the color cast. Hope it's OK that I've done some tweaking. ;)

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Guess it could be even better when it's done in the scanning, instead with a 8bit jpeg file.

 

Regards

 

Frank

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Here are a few more shots of this quirky wedding from September 2015.

First the bride meeting some of her well-wishers after the wedding.0f13dada5f30cb27f06c53a4bee091ee.jpg

Breaking away after the group photos...a630a8c6034e9dacb01715c9aed1f8fd.jpg

The young people taking photos with their iPads, like large format camera....046a48e788926f02f9827ded2322c881.jpg

The get away car/ van....fda7142464db37c6b370036a24ca07dc.jpg

My daughter sitting in the driver seat239a01ed9168c12ebb0a4d7c4293cce1.jpg

Nothing "normal" about this wedding.... it was good fun. I do wonder if the lens may have been the 28mm Biogon too. Looking at the shots I am not sure. The film was definitely Kodak Portra 160 though. It was a very relaxed wedding.

Regards

Christopher

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Wonderful series! Really lovely.

 

Love the Kombi :)

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KEith - Technically, this photo is great.  But if I may be honest the tree has no "zen" and doesn't facilitate a strong composition.  In a way its limpness is even a bit depressing...

 

 

Thanks, Adam.  I'll have a word with it next time I'm passing and tell it to buck its ideas up...   ;)

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Lovely shots Henry. I took some photos of the wedding of my God-fathers daughter in the summer of 2015. They had tea on the lawn beside the church afterwards. It's a lovely informal shot of a Welsh bride. Only a Welsh bride could have tea straight after her wedding!

 

 

These were taken with the M6 TTL and CZ Sonnar 50/1.5 I think. It was the first summer I returned to film - 2015.

 

 

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These and the others in the series are very well captured - and a ZM Sonnar 50mm f1.5 is almost permanently attached to my M7 - great lens for film.

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Right, I sort of promised the colour segment, and while they are not as simple as the B&W, I was happy that the B&W post didn't turn into a squabble match. I think most are happy to use either or both, some are film only, and I respect that, others are digital only as well, both are happy.

 

The film shots were with the R8, and the R28-70 zoom, used Kodak 200, so a basic el cheapo colour film. Processed locally by a semi decent lab, and scanned via my Plustek 8100. Same deal as the mono, slight downsizing to match the digital dimensions. No sharpening, no mucking with them. I'd be less than honest if I said I had a faultless scanning discipline for colour, the Kodak 200 always seems to give me a bit of a cast.

 

Digital was same as the B&W stuff, all with the X-Pro2, and this time I used the Fuji XF18-56 zoom, and where I was able to, I matched the view zoom-wise with each camera, R8 being an SLR, Fuji having an EVF. Similar/same apertures. RAW files converted with the Fuji raw convertor, then converted to a JPEG in Photoshop.

 

Same deal as the B&W, take it all with a grain of salt, no scrapping, it's more an exercise in seeing how the two mediums stack up.

Gary

 

Gary - The film shot is underexposed by at least one stop.  But it DOES show much better retention of details in the highlights and DR in general.  The digital shot has much more contrast right out of the camera.  The film shot is much flatter right out of the scanner.  But for the small under-exposure in the film shot (which may be due to the settings of the scan not allowing for some blown highlights), all is well in the world under the proper lens.... :)  I will go with the film shot every day of the week sans the el cheapo film  :ph34r:

Edited by A miller
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5th Avenue, NYC


IIIg, 50mm Elmar (LTM collapsible), Ilford FP4


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I like to have the M6 TTL with the 28mm Biogon ZM and 50/1.5 Sonnar along with the small 35/2.4 new Summarit and Voigtländer 75mm Heliar Classic together.

 

The M3 with the 21mm Elmarit f2.8 & Viewfinder, 50/1.5 Summarit (or ZM), 90mm Tele-Elmarit f2.8 & 135mm Apo-Telyt.

 

The M9 I like to use with the Voigtländer 35/1.2 Nokton and my older leica lenses which were my early starter lenses.

 

Regards Christopher

 

 

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Right, I sort of promised the colour segment, and while they are not as simple as the B&W, I was happy that the B&W post didn't turn into a squabble match. I think most are happy to use either or both, some are film only, and I respect that, others are digital only as well, both are happy.

 

The film shots were with the R8, and the R28-70 zoom, used Kodak 200, so a basic el cheapo colour film. Processed locally by a semi decent lab, and scanned via my Plustek 8100. Same deal as the mono, slight downsizing to match the digital dimensions. No sharpening, no mucking with them. I'd be less than honest if I said I had a faultless scanning discipline for colour, the Kodak 200 always seems to give me a bit of a cast.

 

Digital was same as the B&W stuff, all with the X-Pro2, and this time I used the Fuji XF18-56 zoom, and where I was able to, I matched the view zoom-wise with each camera, R8 being an SLR, Fuji having an EVF. Similar/same apertures. RAW files converted with the Fuji raw convertor, then converted to a JPEG in Photoshop.

 

Same deal as the B&W, take it all with a grain of salt, no scrapping, it's more an exercise in seeing how the two mediums stack up.

Gary

No. 1 digital, no. 2 film.  It was only the small dust spot on the left edge that gave away which was which! Agree with Adam that the exposure of the film shot needs a lift.

 

Regarding the pylons, a pity the white balance on the film one was not corrected in scanning (or in LR).  As far as one can tell, the details & definition of the scanned film image hold up well against the digital.

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One more from Saturdays walk on the Marlborough Downs. Cropped from 35mm neg. IIIg, 5cm Summicron Collapsible, Acros 100, Rodinal.

 

Setting Off

 

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