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Gorgeous.  So smooth and full of energy

Retreating Waves - Another one in the seascape sequence, but this time with Fujifilm Reala

 

Hasselblad, 80mm, Reala

 

Regards,

Ramesh

 

This is an amazing documentation worthy of an Oscar nomination!  

New Year's Eve 1999

attachicon.gifNew Year's Eve 1999.jpg

 

M4-2 1.4/35pre Kodacolor 400 gold

 

Summer 2003

attachicon.gifSummer 2003.jpg

 

m6 1.4/35pre drugstore400

 

Autum 2012

attachicon.gifAutum 2012.jpg

 

m4-2 summarit 90 drugstore 400

 

Thanks, Phil.  The only issue with the lens is that it requires a VERY steady base; even then, a strong wind or other vibrations from the ground can throw off the crispness of the (otherwise perfect) sharpness.  It was vey windy that evening and I had to wait for lulls in the gusts to take my exposures :)

Adam, I think I mentioned how well you use the SWC - add the Superachromat to that list. This is stunning.

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Here is another photo from the Top of the Rock observatory (from last Sunday) @ sunset.

It is in a way a homage to Ektar, which so many people say has a mind of its own when it comes to color rendition and tends to be like a wild horse.  I agree with this, particularly when ND grad and other lens filters are introduced (which preserve otherwise blown out color-schemes in the sky).

Of course, this photo may not sit well with film ultra-purists such as Henry :).  However, I think that with certain widely-known and photographed scenes such as this there is something to be said for adding a little twist and originality - this time care of Ektar. :)

 

Hassy 503cw, 80mm Planar, Ektar

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Edited by A miller
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IIIA, Mountain/Street Elmar, HP5

 

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IIIA, Mountain Elmar, HP5

 

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Yes, that is a dog.

 

 

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Here is another photo from the Top of the Rock observatory (from last Sunday) @ sunset.

It is in a way a homage to Ektar, which so many people say has a mind of its own when it comes to color rendition and tends to be like a wild horse.  I agree with this, particularly when ND grad and other lens filters are introduced (which preserve otherwise blown out color-schemes in the sky).

Of course, this photo may not sit well with film ultra-purists such as Henry :).  However, I think that with certain widely-known and photographed scenes such as this there is something to be said for adding a little twist and originality - this time care of Ektar. :)

 

 

Hassy 503cw, 80mm Planar, Ektar

attachicon.gifESB from the Top of the Rock1.jpg

Adam,

 

I don't think your reference to ultra purists is restricted to film users. Once you realize that photography is never objective, points of view become more nuanced. In your case, any picture of the scene is already, by the very nature of photography a distortion of reality. I suspect your intention is to change the impression in a way to make the scene on the image to represent a similar impression that you felt when you saw it (or that you think it should have or give). This leads you to a choice of film, filter processing and post-processing. In my view pictures like this are successful when you don't notice the processing, in your example I think its ok (the overall impression fits, however, I don't think the colours of the sky looked quite like that. But then, that's just my view and there are many others...).

This is probably why I often prefer B&W pictures - less opportunities to manipulate...

 

Hava a good Sunday,

 

Christoph

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This is another picture I took on the Staten Island ferry. I was really looking forward to photographing aboard this iconic commuter ferry when I was in New York late last year, and it did not disappoint. Not just for the interesting people riding it, but for the whole architecture of the boat and the wonderful atmosphere of it all.

p2154767315-5.jpg

"Alone Together"

M6TTL, Elmarit 28mm, K2, Tri-X

I much enjoy this picture. The expression on the faces of your two main protagonists is exquisite. One hopes "live preservation" is not dependent on them :)

 

Rgds

 

Christoph

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Adam,

 

I don't think your reference to ultra purists is restricted to film users. Once you realize that photography is never objective, points of view become more nuanced. In your case, any picture of the scene is already, by the very nature of photography a distortion of reality. I suspect your intention is to change the impression in a way to make the scene on the image to represent a similar impression that you felt when you saw it (or that you think it should have or give). This leads you to a choice of film, filter processing and post-processing. In my view pictures like this are successful when you don't notice the processing, in your example I think its ok (the overall impression fits, however, I don't think the colours of the sky looked quite like that. But then, that's just my view and there are many others...).

This is probably why I often prefer B&W pictures - less opportunities to manipulate...

 

Hava a good Sunday,

 

Christoph

 

Thanks, Christoph.  I am not sure I am quite following the connection between the point that every photograph is by definition a distortion of reality and the point that the rendition of a sky needs to be the way it looked in person (or that is how I intended it)...  Seems a little incongruous, but perhaps it is too late for me as I haven't quite hit my Sunday yet :)    I attached a tweaked version that warms up the foreground a bit....  My only regret of this is that I wish it weren't so hazy, which is very odd for a cold winter evening...

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I fully agree with the point about how even the most successful photographs have color renditions that distort reality.  Just look at this very well known photograph taken by Peter Lik from the Top of the Rock.  This photo hangs quite large in the lobby of my office building and I am sure the building owners paid well north of $10K-20K for it..   And I guarantee you the sky didn't look like that! :)  I have the benefit of viewing a full res version of this close up multiple times per day and I just cannot get over how unrealistic and amateurish the color rendition appears.  

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Thanks, Christoph.  I am not sure I am quite following the connection between the point that every photograph is by definition a distortion of reality and the point that the rendition of a sky needs to be the way it looked in person (or that is how I intended it)...  Seems a little incongruous, but perhaps it is too late for me as I haven't quite hit my Sunday yet :)    I attached a tweaked version that warms up the foreground a bit....  My only regret of this is that I wish it weren't so hazy, which is very odd for a cold winter evening...

attachicon.gifTop of the Rock 2.jpg

 

I fully agree with the point about how even the most successful photographs have color renditions that distort reality.  Just look at this very well known photograph taken by Peter Lik from the Top of the Rock.  This photo hangs quite large in the lobby of my office building and I am sure the building owners paid well north of $10K-20K for it..   And I guarantee you the sky didn't look like that! :)  I have the benefit of viewing a full res version of this close up multiple times per day and I just cannot get over how unrealistic and amateurish the color rendition appears.  

attachicon.gifwg902-metro-aurora.jpg

 

Adam may be the second picture was taken in digital ?

But it's true that the color of sunset in example is different between digit and film.

I live this experience during my last humanitarian mission in SE-Asia where I took

many sunsets both in digital and film

I prefer your picture Adam more faithful in color IMO

Thanks for sharing your experience in this thread

Best

Henry

 

On the other hand a link to show you someone who abandons digit and shoot film now

https://petapixel.com/2017/01/21/seeing-double-curious-case-identical-twin-leica-m3s/

Edited by Doc Henry
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So, trying a new to me M6, my second one of late, with the view of having a pair of them.

Fomapan 200 developed in R09 at 1:50.

Lens at the time was an old Summicron 50mm collapsible, and the shot was a mere snap as the guy fired him bike up, and he was off.

Gary

 

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And having an affliction for bikes (although no real desire to ever own a Harley, don't know why, just never really desired one).

Same details as above but lens is the diminutive SA21/4.

Gary

 

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And having an affliction for bikes (although no real desire to ever own a Harley, don't know why, just never really desired one).

Same details as above but lens is the diminutive SA21/4.

Gary

 

 

Nice pic.

 

Good you don't want one.  Why is it that Harley Davidsons can get away with that noise when ANY other vehicle or motor bike would be taken off the road and fined immediately, or probably not even get registered in the first place?  

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Adam Miller (above)  said:

 

I fully agree with the point about how even the most successful photographs have color renditions that distort reality.  Just look at this very well known photograph taken by Peter Lik from the Top of the Rock.  This photo hangs quite large in the lobby of my office building and I am sure the building owners paid well north of $10K-20K for it..   And I guarantee you the sky didn't look like that! :)  I have the benefit of viewing a full res version of this close up multiple times per day and I just cannot get over how unrealistic and amateurish the color rendition appears. 


attachicon.gifwg902-metro-aurora.jpg

 

 

 

 

I think it would be fair to say that Peter Lik is a far better marketer/salesman than he is photographer. In this way he has become one of the wealthiest "photographers" ever, having (according to his website) sold over $500 million worth of product.

 

Doesn't seem quite right, does it?

Edited by stray cat
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So, trying a new to me M6, my second one of late, with the view of having a pair of them.

Fomapan 200 developed in R09 at 1:50.

Lens at the time was an old Summicron 50mm collapsible, and the shot was a mere snap as the guy fired him bike up, and he was off.

Gary

 

Wow , what's that Gary  ,this is your new hobby ? :D

It's look kike a cowboy riding on his horse :D

Nice shot ...  with your new M6 ?

Best

Henry

Edited by Doc Henry
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In my post above to Adam, I had spoken of fidelity of the image in film, here is an example
I make any correction Tiff>Jpeg for post (Nikon Coolscan 5000)

 

Turbulence in the air on Airbus A350

Last mission September 2016

 

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Best

Henry

 

 

 

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And having an affliction for bikes (although no real desire to ever own a Harley, don't know why, just never really desired one).

Same details as above but lens is the diminutive SA21/4.

Gary

 

Also nice this one Gary

The 21 Angulon gives a plus for the picture , nice effect of perspective

Best

Henry

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Twenty years ago at this bank , there were several twenty fishing boats
In 2016 there are only a few boats left. The fish becomes rare and is not paid enough
People prefer fish farming more profitable.Global phenomenon.Sad time

 

 

Kodak TMAX100-Leica MP-50 Summilux Asph

 

Danang

Sept 2016

 

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Best

Henry

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