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Wanted to mix old and new by stitching together a four shot panorama in Photoshop that was shot with film. R6.2 w/ 28mm and Tri-X 400.

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T-Rex on T-Max 400,with M6. Tony.

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Thank you Erl. That and the shape of the clouds are what caused me to raise the camera. Here's another one from the same roll and location.

 

28766528822_f8626ef2e1_b.jpg

Flickr

 

 

 

 

Philipus, the motif is not boring at all. I like the way the clouds are 'cradled' in the mountain pass and I appreciate the subtle vignetting that really enhances the whole image. A hard copy print would look fine I feel.

 

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Some more oldies, all taken the day after our wedding.

 

Pen FT, FP4, X1 scans:

28616129940_ca46d7a0f9_c.jpg

Pippa 1980 by chrism229, on Flickr

 

28283589424_58414b0678_c.jpg

Pippa 1980 by chrism229, on Flickr

 

Pentax K1000, FP4, X1:

28616122190_8ae68bbc00_c.jpg

Domestic Violence by chrism229, on Flickr

 

Chris

 

I agree with Philip  :) 

 

Wonderful and lovely pictures in b&w Chris .

Not sure you can keep them in memory card !

Always pretty during all this time, are still intact without damaging

Any change in the pictures : advantage film :)

Thanks Chris for posting

Regards

Henry

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I recently posted a few shots from one of the first rolls through the SWC. At the time I also had the R8 with me, with a roll or Fomapan 100 loaded.

So.

R8

R 28-70

Fomapan 100

R09 1:25

Plustek 8100

Gary

 

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Marseille at sunset

Old Port and the Old Fort  of Pharo

 

 

Kodak Portra 400

MP-28 Summicron Asph

Pictures uncorrected , no intention to distort what I saw :)

 

 

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the Old Fort is at your left. Jet lines are for Philip :)

 

 

 

Rgds

H.

Edited by Doc Henry
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I recently posted a few shots from one of the first rolls through the SWC. At the time I also had the R8 with me, with a roll or Fomapan 100 loaded.

So.

R8

R 28-70

Fomapan 100

R09 1:25

Plustek 8100

Gary

 

It's nice Gary . Pictures seem very good for the duo camera lens and scan ! :)

Thanks Gary for sharing

Best

Henry

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I am always pleasantly surprised to see colors faithfully restituted in the film .
It's  really the "only" true medium for reproducing !

It's easier in bad light condition to shoot with Kodak TX than color Kodak Portra

 

 

The input lighthouse of the Old Port.

Green color still green :)

My conclusion is : Kodak Portra 400 is one of the best color film in bad light condition like

here. I left this place when it's was full dark about 10 pm. :)

 

Kodak Portra 400

MP-28 Summicron Asph

... and pictures are uncorrected

 

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and again the "Vieux Port" (Old Port) 

 

 

Best

Henry

Edited by Doc Henry
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It certainly is a beautiful part of the world Henry.

Gary

 

It's true , this is La Provence , Gary :)

it smells good, thyme, rosemary , lavender :)

and all dishes are cooked with olive oil rich in antioxidants , good for the brain :)

no butter or cream :angry: 

Best

Henry

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For Gary and Eoin  :)

 

...and you can choose yourself delicious and fresh peaches * or apricots sold directly by the local farmer :)

in open air market , that I prefer , never vegetables and fruits at the supermarket for me   :angry:

Notice the nice and true color of fruit .  No correction needed > advantage film :)

 

Kodak Portra 400

M7- Summicron 28 Asph

 

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Best

Henry

 

* and peaches cheaper less 2 Euros (1.95 E.exactly) the kgs , it's written on the black board left  :)

apricots 1.80 Euros   ... and  fruits are certified organic fruits

Edited by Doc Henry
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Ric is absent , where's Ric ?   :)
I replace him for fog

 

 

Ilford HP5 (home dev Ilfosol S)

MP-50 LA

 

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Best

Henry

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The sun reflection glistening off the water in the fountain adds to the photo...looks like you and the SWC are playing nicely together ;)

 

 

I recently posted a few shots from one of the first rolls through the SWC. At the time I also had the R8 with me, with a roll or Fomapan 100 loaded.

So.

R8

R 28-70

Fomapan 100

R09 1:25

Plustek 8100

Gary

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Well Gary..not until now...lol.  I hadn't thought of that, I don't have one and most likely will not be able to get one by tonight.  The most disappointing thing is that we have a lot of cloud cover and it appears I will miss the show.  I'm hoping the skies clear a bit to see something this year, it's supposed to be great this year. 

 

 

DOH!!!

You've thought also about a "Light Pollution" filter? I have used them occasionally while deep sky imaging from my backyard. I'm a little on the fence with them actually, as my backyard is decently dark, well, it used to be, but slowly light is encroaching. The reason I still use them is that while the level of light pollution isn't "that" severe (relative terms here of course), they also seem to assist with any moisture exacerbating the pollution issues.

 

Biggest issue will be getting BIG enough for the SWC (good idea the SWC, nice images across the field I would expect/hope). In my case I used a simple in-line 48mm which is the astro industry standard, (with step-up/down rings to go differing sizes if I was using a smaller camera lens).

 

Either way, take plenty of gear, take plenty of pics, take a dew strap too.

Gary

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Three more from Thailand, than I will start with some recent B&W shots from my M6 and 501C.  This is a small village near where I lived, right on the beach.

 

 

 

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Another village taken from a bus near Bangkok.  

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And near the same village.  

 

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Ric is absent , where's Ric ?   :)

I replace him for fog

 

 

Ilford HP5 (home dev Ilfosol S)

MP-50 LA

 

attachicon.gifImage2brouilhpmplfht+++600.jpg

 

Best

 

Henry

I love that picture because the scenery is flooded with light and yet the highligts don´t appear blown out as this would be the case with a digital capture ! Apart from that a beautiful shot which conveys a certain mood.

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