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For Klaus

 

old stone and old alley

Ardèche (France)

 

Kodak TX400

Leica MP

50 Summilux Asph

 

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Henry

 

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Old stone,old door and old house

 

Kodak TX400

Leica MP

50 Summilux Asph

 

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Best

Henry

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Another example of Cinestill 50D:

 

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M4-P - Cron 50 DR

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Mucem Marseille *

and vanishing line ... a little  :)

 

 

Kodak TX400

Leica MP

35 Summilux Asph

 

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Best

Henry

 

* http://www.theguardian.com/artanddesign/2013/jun/09/museum-civilisations-europe-mediterranean-mucem-review

 

 

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Guest NEIL-D-WILLIAMS

I'm getting down to the dregs of the remaining developed film......I need to get home and fire off a few more rolls

 

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Guest NEIL-D-WILLIAMS

Last one

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Edited by Neil D
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Fitzroy, Melburne

 

R7, Cinestill 50, 28-90 Vario-Elmarit-R

 

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So I'm posting my photos from this thread (http://www.l-camera-forum.com/topic/259642-what-is-wrong-with-this-roll-of-cinestill-50/) which explains the technical issues with the film processing.  Nevertheless I still like them.

 

 

Incoming rain squall off Malabar Headland, Sydney

 

R7, 2.0/50 Summicron-R (what a lovely lens)

Cinestill 50 (processing buggered up by my lab)

 

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Edited by MarkP
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