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Ok, a different misty day, this time giving a stunning light. I had my M6 with me, with the usual Summicron 50mm.

 

Ran out of film after about ten shots, which was a bit frustrating.

 

Ric

It's a lovely soft and dreamy shot Ric.

I did laugh though, and the first thing I though was you (like many of late) defecting to the Fuji GSW690 side, where 8 is your lot, LOL.

Gary

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It's a lovely soft and dreamy shot Ric.

I did laugh though, and the first thing I though was you (like many of late) defecting to the Fuji GSW690 side, where 8 is your lot, LOL.

Gary

 

The M6 has the full 36 shots of course, but I only had the ca. 10 shots left, and some idiot had forgotten to bring a spare film.

 

Sheesh.

 

Ric

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No longer needed for work....

 

 

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Canon EOS 1000FN, EF 35-80, Fuji Neopan 400CN Pro

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Outstanding Ric. I particularly like the faint elevation behind the tree, which adds just a touch of depth to the image, and the gentle tonality. This would look great as a print on the wall.

 

25518718885_38f6523fb2_b.jpgEgg bei Einsiedeln - Ilford XP2 film by -Ric Capucho-


Ok, a different misty day, this time giving a stunning light. I had my M6 with me, with the usual Summicron 50mm.

Ran out of film after about ten shots, which was a bit frustrating.

Ric

 

This is a beautiful portrait, Tony. The pose, composition and light makes it look cinematic. 

 

attachicon.gifmac_t_20160307_000059280017-Edit.jpg

 

Portrait of my girl on a valentines day hike. Tri-X 400 film.

 

Love it Adam. Nothing beats thos colours. This matches my experience that Velvia 50 is more saturated than Velvia 100.

 

 

NYC

Velvia 50  :p

attachicon.gifvelvia bushwick.jpg

 

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Unusually, some black and white from me. This is Kodak Double-X in Diafine at EI200 shot with my M4 and the 50/2 v3 on a very bright sunny day last summer.

 

The Diafine times were 5+10 (!). I accidentally forgot the film in the tank while doing something else (sheepish smile) but it seems it didn't have a negative impact on the development.

 

25009280353_6a802eaf82_b.jpg

Flickr

 

25339947590_6dbddb6618_b.jpg

Flickr

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Unusually, some black and white from me. This is Kodak Double-X in Diafine at EI200 shot with my M4 and the 50/2 v3 on a very bright sunny day last summer.

 

The Diafine times were 5+10 (!). I accidentally forgot the film in the tank while doing something else (sheepish smile) but it seems it didn't have a negative impact on the development.

 

25009280353_6a802eaf82_b.jpg

Flickr

 

 

Flickr

Philip , very soft b&w tonality.

I don't know this film :)

Best

Henry

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... on a boat

 

Kodak Portra 160

Leica M7

90 Macro Elmar

(uncropped)

 

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Henry

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with Apo Summicron 90 Asph

uncropped

 

on the edge of a river

 

 

 

Kodak Portra 160

Leica M7

 

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Best

Henry

Edited by Doc Henry
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... continuation

 

I like the spider's web in this photo :)

 

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Kodak TX400

MP-90 ME

 

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Henry

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Frosty....

 

 

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Canon EOS 1n, EF 35-80, Agfa Vista Plus

Edited by Bobitybob
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with Apo Summicron 90 Asph

uncropped

on the edge of a river

 

Kodak Portra 160

Leica M7

 

attachicon.gifImage9fleurveslekp160feclfht+++950.jpg

 

Best

Henry

 

Nice color Robert  :)

Thanks

 

 

 

...   and in Kodak TX400 and Leica MP

same lens :)

 

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Which you prefer? both like me ? each have a different style

Rg

Henry

Edited by Doc Henry
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The M6 has the full 36 shots of course, but I only had the ca. 10 shots left, and some idiot had forgotten to bring a spare film.

 

Sheesh.

 

Ric

I might only get 8 shots with the Fuji but there is always spare film in my bag :p

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I really like this one Henry. 

 

For Philip  :)

 

Kodak Portra 160

M7-35 LA

 

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In the morning, the ground is warm and the air above is cold , from where the fog forms

you can see little subtle fog in the foreground , very well reproduced by film

 

Best

Henry

Edited by Doc Henry
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to get away , far from here and forget the cold outside

 

Hoi An

VN

 

Fuji Superia

color not so far in comparison with Kodak Portra or even Ektar , agree with me ?

Leica M7

50 Summilux Asph

 

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Best

Henry

Edited by Doc Henry
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