philipus Posted March 4, 2016 Share #12181 Posted March 4, 2016 Advertisement (gone after registration) Thank you, very nice Henry For Philip Fugitive silhouettes Kodak Portra 160 Leica M7 35 Summilux Asph A very luminous lens Image7cdgkp160m7feclfht+++550.jpg Best Henry Excellent, I particularly like this one. br Philip A couple of shots from a short trip to Frankfurt last year Kodak TriX in HC-110 - also one of the rare times I left my M6 at home. These were shot with a olympus mju II 1 Link to post Share on other sites More sharing options...
Advertisement Posted March 4, 2016 Posted March 4, 2016 Hi philipus, Take a look here I like film...(open thread). I'm sure you'll find what you were looking for!
gsgary Posted March 4, 2016 Share #12182 Posted March 4, 2016 ImageUploadedByTapatalk1457084612.335330.jpg And my first roll of Cinestill 800T's been developed. Ignoring my usual subject and composition mashups, I have to say that this tungsten film gives simply amazing results at night. Especially when there's neon lighting around. Very cinematic, which I suppose is that point. Thanks for the steer, Adam. Consider me hooked. Ric Quite a few film wedding photographers are using it 1 Link to post Share on other sites More sharing options...
A miller Posted March 4, 2016 Share #12183 Posted March 4, 2016 Welcome Derphilip to our dynamic thread Nice pictures specially 2 and 3 Thanks for sharing Best Henry interesting POVs on these. Thanks for sharing and welcome and hope you will continue to post 1 Link to post Share on other sites More sharing options...
A miller Posted March 4, 2016 Share #12184 Posted March 4, 2016 Torridon on a crisp September day. Fuji GX617 Fujinon 90mm Fuji RVP 50 Steve - this is an interesting one as the foreground and background don't (speaking for myself only) appear to be in sync. It has an interesting effect and makes me think of a set from an old western movie. I also wanted to ask you about the saturated blues in the shadows, in particularly in the upper left. In hindsight, is there a lens filter that can have warmed up the shadow values? I suppose that a warm toned paper could be used to warm up the blue shadows. But given that velvia can only be digitally printed these days, I wonder how much flexibility there is in this regard. The blue shadows stand out (for me) particularly in the context of the contrasting aqua (rather than blue) sky. Perhaps it wouldn't be as notable if the blue had the same deep blue values as the values in the shadows and the water. To me, it seems to be a reflection of how the DR velvia 50 might be stretched beyond its comfort zone. Just me, though. It is a lovely photo of a beautifully expansive scene with lovely light, no doubt! 1 Link to post Share on other sites More sharing options...
A miller Posted March 4, 2016 Share #12185 Posted March 4, 2016 For Adam Kodak Portra 160 Leica M7 35 Summilux Asph Image4marsvxportkp160feclfht+++950.jpg Best Henry very funny, Henry. I'll have you know that I cleverly picked up my monitor and put it upside down to view this rather than dangerously standing on my head. :) 1 Link to post Share on other sites More sharing options...
Doc Henry Posted March 4, 2016 Author Share #12186 Posted March 4, 2016 Difficult picture but well reproduced by film and analog camera I am surprised by the lack of flare Contre-jour for Adam Kodak Portra 160 Leica M7 35 Summilux Asph Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Best Henry 6 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! Best Henry ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3001485'>More sharing options...
Doc Henry Posted March 4, 2016 Author Share #12187 Posted March 4, 2016 Advertisement (gone after registration) very funny, Henry. I'll have you know that I cleverly picked up my monitor and put it upside down to view this rather than dangerously standing on my head. :) No no Adam, your monitor is not faulty Kodak Portra 160 M7-35 Summilux Asph Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Best Henry 3 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! Best Henry ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3001506'>More sharing options...
Doc Henry Posted March 4, 2016 Author Share #12188 Posted March 4, 2016 Landscape of our countryside Leica M7 35 LA Kodak Portra 160 a fabulous film of Kodak Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Best Henry 10 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! Best Henry ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3001511'>More sharing options...
chris_livsey Posted March 4, 2016 Share #12189 Posted March 4, 2016 As colour seems to be all the rage today: Portra 400@200 Hasselblad H1 80mm Not cropped from 6x4.5 to mimic the 6x6 it just worked with the composition. Yes I did do a HCB and wait for the figures to enter the frame. Portreath Cornwall UK 10 Link to post Share on other sites More sharing options...
gbealnz Posted March 4, 2016 Share #12190 Posted March 4, 2016 I recognise that reflection Henry. Vieux Port, Marseilles. Couldn't believe our eyes when we came up from the metro. Gary 1 Link to post Share on other sites More sharing options...
Doc Henry Posted March 4, 2016 Author Share #12191 Posted March 4, 2016 I recognise that reflection Henry. Vieux Port, Marseilles. Couldn't believe our eyes when we came up from the metro. Gary Bingo Gary Rg Henry Link to post Share on other sites More sharing options...
Doc Henry Posted March 4, 2016 Author Share #12192 Posted March 4, 2016 You like "vivid" color isn't ? Here is one picture Leica M7 50 Summilux Asph Kodak Portra 400 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Best Henry 16 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! Best Henry ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3001644'>More sharing options...
lleo Posted March 4, 2016 Share #12193 Posted March 4, 2016 As promised to Carl and somebody else. Voigtländer 21mm on Leica IIIf, PanF Plus with yellow medium filter. Scanned using Nikonscan. I'll have to try scan it with Vuescan too. 13 Link to post Share on other sites More sharing options...
gbealnz Posted March 4, 2016 Share #12194 Posted March 4, 2016 Wow, looks like the 21 is going to see plenty of use about your wonderful city Leo. Gary Link to post Share on other sites More sharing options...
honcho Posted March 4, 2016 Share #12195 Posted March 4, 2016 (edited) Steve - this is an interesting one as the foreground and background don't (speaking for myself only) appear to be in sync. It has an interesting effect and makes me think of a set from an old western movie. I also wanted to ask you about the saturated blues in the shadows, in particularly in the upper left. In hindsight, is there a lens filter that can have warmed up the shadow values? I suppose that a warm toned paper could be used to warm up the blue shadows. But given that velvia can only be digitally printed these days, I wonder how much flexibility there is in this regard. The blue shadows stand out (for me) particularly in the context of the contrasting aqua (rather than blue) sky. Perhaps it wouldn't be as notable if the blue had the same deep blue values as the values in the shadows and the water. To me, it seems to be a reflection of how the DR velvia 50 might be stretched beyond its comfort zone. Just me, though. It is a lovely photo of a beautifully expansive scene with lovely light, no doubt! There's a lot going on across the frame with regard to the light and the transparency frustrates me no end when I view it on the lightbox To me, it's a record shot. Bear in mind the wide format and the very wide angle 90mm lens because this is the key to answering your comments and questions. What you are seeing is the transition from side (almost) 3/4 lighting to the point where the light in the sky is becoming polarised. If you said I'd taken the photograph at the wrong time of day for the wide format, I would be inclined to agree with you. You also have to consider the clear atmosphere of the northwest of Scotland, this had been a frosty day earlier and this saturation of uv and cooler end of the spectrum light contributes to the blue cast in some of the mid and distant shadows which Velvia 50 is very good at recording. Velvia is very sensitive with snow scenes, it can vary from pleasing pastel magentas, pinks, yellows, cyans and blues (which is when I really like) to an overpowering blue cast. Take a roll or two of RVP 50 to Colorado in December and you'll quickly understand how Velvia records this light. The same goes for less clear, polluted atmosphere when it will easily record yellows and oranges, one reason why it is so good with sunrises and sunsets. On your way back through Colorado to Denver Airport, stop and photograph from the Front Range and you will see that effect too. You won't filter this out, you'll be far better to convert to monochrome if you really want the image. Edited March 4, 2016 by honcho 3 Link to post Share on other sites More sharing options...
A miller Posted March 4, 2016 Share #12196 Posted March 4, 2016 You won't filter this out, you'll be far better to convert to monochrome if you really want the image. Or just use EKTAR? Thanks for the technical explanation. Link to post Share on other sites More sharing options...
honcho Posted March 4, 2016 Share #12197 Posted March 4, 2016 Or just use EKTAR? No!!! 1 Link to post Share on other sites More sharing options...
A miller Posted March 4, 2016 Share #12198 Posted March 4, 2016 No!!! I don't know that it would have come out much different, and even may have even retained more natural shadow detail given the greater range.... Pure speculation, though... Link to post Share on other sites More sharing options...
A miller Posted March 4, 2016 Share #12199 Posted March 4, 2016 For Steve W.... Reservoir Lake, Central Park, NYC EKTAR The best film (on the market today) for this scene.... Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 15 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3001737'>More sharing options...
Trev Posted March 4, 2016 Share #12200 Posted March 4, 2016 Torridon on a crisp September day. Fuji GX617 Fujinon 90mm Fuji RVP 50 It's a WOW from me.. 1 Link to post Share on other sites More sharing options...
Recommended Posts
Create an account or sign in to comment
You need to be a member in order to leave a comment
Create an account
Sign up for a new account in our community. It's easy!
Register a new accountSign in
Already have an account? Sign in here.
Sign In Now