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One of the fun things to try with LF cameras are paper negatives, using printing paper. This morning I did an experiment with pre-flashing the paper by making an exposure (1/4 the 'taking' exposure) with a piece of plain paper in front of the lens (this is to reduce the biting contrast of the orthochromatic paper).

Chamonix 10x8, Symmar-S 360/6.8, Kenthene RC glossy Gr2, Ilford MG developer, V850 scans:

23644341852_e850845971_c.jpg
Paper Negative #16 - no preflash by chrism229, on Flickr

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Paper Negative #17 - paper preflashed by chrism229, on Flickr

These were actually the 5th and 6th exposures I took. The first four were attempts at guessing the exposure, using two CFT lights and one strobe. I ended up taking these two with eight exposures of one second, and during each one second exposure the flash fired twice! Obviously my guess at rating this paper at ISO12 was, umm, inaccurate, as my flash meter had indicated that a single one second exposure would do it.

And to go from the sublime to the ridiculous, having spent the morning at that, I was inspired to clean up and take out my wife's Pen FT this afternoon. She bought it in 1978, and it must have been ten years old then, and hasn't been used for 35 years. The negatives are sitting in some Rodinal at the moment.

Chris

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x

While I can't/won't argue with your reasoning Ian, why? Why not shoot B&W to start with?

Having seen the above photo I can see it works, and works well. Is it so you can also have the original colour shot?

 

Good question, Gary, and the answer is more about having another option as an all-round 400 speed black & white film. I like Tri-X (and will continue to use it) but find it a little hard/grainy for some of what I want to shoot. Converting Portra 400 is just another option to the chromogenic ISO 400 black & white films like BW400CN that I also use. My favourite film is Tmax 100 but it's just too slow at this time of year unless I'm in a position to use a tripod.

Edited by wattsy
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A small series of an evacuation mission to Greenland this summer. All shot on Kodan Portra 400, with my M6 and summicron 35/2 version, a nice and small travel companion.

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Tmax 400 pushed up to 800, Summilux 50, M6

best regards

Marc

 

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Hello C.

 

Welcome to the Forum.

 

Nice photos in # 8583, just above.

 

Is the lack of snow & ice (Photo #1) because of climate change or is this 1 of the parts of Greenland that is not covered by snow & ice all year long?

 

Photo #3 is quite interesting.

 

Do you have anymore photos?

Best Regards,

 

Michael

Edited by Michael Geschlecht
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Thanks for your comment Michael.

 

I'm not sure whether it's due to climate change or not, however this was taken relatively close to the coast, and in summertime. So I can imagine some of the snow melting. More inland it's a huge glacier, all white with some mountains protruding. And some clear blue lakes in it, due to melting. Which is absolutely increasing, as this is the country that's being hit the hardest with the climate change.

I'll have to look if I've got more pictures!

 

Cheers, Chris

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Hello Chris,

 

Is Qaarsut East? West? North? South?

 

We know it is not too far from the Coast of Greenland.

 

Best Regards,

 

Michael

I'd never heard of it, it's a long way from where I am right now.

Looked at Google Maps, it appears to be western side of the "island" about midway north/south.

Gary

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Good question, Gary, and the answer is more about having another option as an all-round 400 speed black & white film. I like Tri-X (and will continue to use it) but find it a little hard/grainy for some of what I want to shoot. Converting Portra 400 is just another option to the chromogenic ISO 400 black & white films like BW400CN that I also use. My favourite film is Tmax 100 but it's just too slow at this time of year unless I'm in a position to use a tripod.

what about tmax 400?  I find it crisper than tri-x and when digitized I really don't notice the 100 to be all than crisper...

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The nostalgic discussion about old films got me thinking about an old collection from the late 60's that my late father took when he was a paparazzi in NYC (using the same Linhof Technika Press that I use today).

 

Let's see if any of these can jog people's memories...

 

The first is for Henry, who should recognize this person...  ;) (taken in 1967 at the Waldorf Astoria Hotel)

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This one is for my American friends...

From the 1968 opening night of the movie Cool Hand Luke...

I am sure about the specific type of Kodak film stock that this was, but it sure did hold up after nearly 40 years...

 

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and finally some Kodachrome from a ball at the Plaza Hotel in 1968...

(actress Angie Dickinson and actor Lloyd Bridges)

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The nostalgic discussion about old films got me thinking about an old collection from the late 60's that my late father took when he was a paparazzi in NYC (using the same Linhof Technika Press that I use today).

 

Let's see if any of these can jog people's memories...

 

The first is for Henry, who should recognize this person...  ;) (taken in 1967 at the Waldorf Astoria Hotel)

Thanks Adam, it is Maurice Chevalier ?

Beautiful photo of 1968's , not sure you have the same result quality with the digital after 47 years !

Nice pictures of Paul Newman and Angie Dickinson.

Best

Henry

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