ganzosrevenge Posted November 11, 2012 Share #1 Â Posted November 11, 2012 Advertisement (gone after registration) I bought for my Leicaflex SL with 50mm Summicron Mk1 the following: Â Lens Ring 14160 Lens Hood 12564 Â Did I get everything I need to be able to install a hood onto my leicaflex's lens? Â Jason Link to post Share on other sites More sharing options...
Advertisement Posted November 11, 2012 Posted November 11, 2012 Hi ganzosrevenge, Take a look here Did I get everything I need?. I'm sure you'll find what you were looking for!
AB007 Posted November 11, 2012 Share #2 Â Posted November 11, 2012 You got the retaining ring. What about the series VI filter? I think you should get the filter...UV or Yellow based on your requirements. Link to post Share on other sites More sharing options...
ganzosrevenge Posted November 11, 2012 Author Share #3 Â Posted November 11, 2012 You got the retaining ring. What about the series VI filter? I think you should get the filter...UV or Yellow based on your requirements. Â I know this is a stupid question, but what do these yellow, orange, red, etc., filters do? Â (Okay, you may all laugh at me and throw whatever dead leicaflexes you all may have at me) Â Jason Link to post Share on other sites More sharing options...
giordano Posted November 11, 2012 Share #4 Â Posted November 11, 2012 Colour filters such as yellow, green, orange or red are only relevant if you use black and white film (or if you have a Leica M Monochrom or do specialised things with other digital cameras). Â They alter the way in which different colours and brightnesses in the scene transfer to different shades of grey in the image. The classic example is using a yellow filter: this works by absorbing some of the blue light while letting other colours through, and the result is to darken a blue sky relative to the white clouds. With modern films, a light yellow filter often gives a more realistic result than using no filter; a medium yellow filter gives a somewhat stronger contrast that often looks very good in the finished photo; and deep yellow and orange filters give successively stronger and more dramatic results, until finally a red filter gives you a virtually black sky contrasting with white clouds. At the same time, these filters affect the ways in which other elements of the scene are rendered - e.g. foliage, skin tones, different colours of cars, fruit etc. Â That's the basics. The internet will give you lots more. Link to post Share on other sites More sharing options...
Michael Geschlecht Posted November 12, 2012 Share #5  Posted November 12, 2012 Hello Jason,  Welcome to the Forum.  You might enjoy books like the "Leica Manual" from 1973, "The Leica & Leicaflex Way" by Matheson & "The Leicaflex System of Photography" by Grande & Nathan.  You might also consider "The Amateur Photographer's Handbook" 8th Edition by Sussman. Not just for amateurs.  These 4 books contain tons of information to answer questions of the type you are asking as well as tons more information about questions you haven't even thought of yet. For example: They each have whole chapters about filter use. And so on  Don't forget to ask questions here & enjoy your camera, lens & retaining ring.  Best Regards,  Michael Link to post Share on other sites More sharing options...
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