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Archery and photography


bill

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I was struck this morning when listening to Saturday Live on BBC Radio 4 by an item in which archer Tony George was interviewed. It starts about 14 minutes and 40 seconds in. The way he describes the experience of loosing an arrow at the target - the extent to which he is in tune with the physical, mechanical process - is reminiscent (to me at least) of photographing with a meterless mechanical camera. You see the image and raise your camera; you estimate the light by eye and brain, you wind on from the previous exposure, feeling the mechanism draw the film across the gate. You adjust focus, first by feel then by eye and you depress the shutter to the release point. The sound of the shutter confirms to you the shutter speed that you have just used; as you lower the camera again you ready for the next shot.

Have a listen - see if you can see what I mean...

 

Regards,

 

Bill

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As someone who shoots with a camera for a living and with a longbow for fun, I really don't see any comparison between my completely unrelated activities.

 

I use the camera and my skills as a photographer as part of a (my) creative process. The camera I am using at the time is a vehicle, nothing more.

 

When indulging in field archery, the bow I use and the arrows I make are part of a mechanical process I use with my questionable skill as an archer to 'kill' something and build my score.

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Hello honcho,

 

What makes you think they are so different?

 

When you focus on the eye of a person with an M to do their portrait or draw a bow & calculate the path of an arrow to the center of a target you are doing pretty much the same thing.

 

The major difference is the M has a flatter trajectory.

 

Best Regards,

 

Michael

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What makes you think they are so different?

 

When you focus on the eye of a person with an M to do their portrait or draw a bow & calculate the path of an arrow to the center of a target you are doing pretty much the same thing.

 

 

Read my previous post, imo your comparison above is inaccurate. One is a creative process, the other mechanical. To take your own example apart, I'm not in the habit of putting a sitter's eye in the centre of the frame or the kill zone on a third of my field of vision. Try it and you'll see why.

 

To return to the OP: having listened to the piece, I can see your connection and I like what he has to say, but I'm not convinced that you or anyone else is striving for perfection every time you raise your camera to your eye. Draw a bow and you will find the opposite is true.

 

As an archer I can relate to his emotional addiction to 'getting it right'. There are no grey areas in archery, the end result is either good or bad. The same can apply to creating images, but subjectivity can be applied and, for me, any similarity between photography and archery is very limited.

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Hello honcho,

 

For some people 1 is creative, the other mechanical. For others the reverse is true. For some both are the same.

 

5 people can sit in the same chair & look @ the same pomegranite & see very different things.

 

But: Unless someone is zone focussing: When either look @ a subject: They pick their point of interest & lock onto it: 1 w/ a range/viewfinder patch, the other w/ a mindset of how to place an arrow. Then both frame & act.

 

Best Regards,

 

Michael

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.....

 

5 people can sit in the same chair & look @ the same pomegranite & see very different things.

 

 

 

If a pomegranate were a field archery target, (entirely possible) I'd look at it with the intention of 'killing' it.

 

Killing it artistically would not be a primary consideration. :D

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Preferred 'Zen and the Art of Motorcycle Maintenance' myself. Had plenty of practice of the 'maintenance' bit on my (German) motorbike-equivalent to Leica!

 

The author, Robert Pirsig, was a neighbor in Chicago. It was a heady time. BTW, just for the heck of it I did a concordance of ZAMM. Very few mentions of motorcycle brands. Of course the BMW was mentioned (his riding partner, John's), and no mention that his bike was a Honda Super Hawk.

 

When my BMW bike was over 100,000 miles someone asked about maintenance and I pretended to be irritated and said, "Yea, this POS has only 100,004 miles on it and already it needs a new front fork seal. I'll never buy a BMW again."

 

Like the Leica M.

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