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35/2 biogon or 35 summarit?


jlindstrom

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Juha you will not regret your choice. Sorry I am late to this thread! I have the 50 Sonnar and 35 Biogon from Zeiss; bought them both new to complement my MP4 and I have not regretted the decision for a moment. I also use them both on the GXR with the A12 Module M and they are superb. I have never used the Summarit, but I have used (and still use) a range of Leica glass; the Zeiss lenses hold their own in spades. Incidentally, I too have the 90mm Elmarit-M; it makes a good partner to the Zeiss "twins" :)

 

You may want, in the future, to consider a 50mm Elmar too... :cool:

 

Anyway, what's missing from this thread is a Biogon shot or two:

 

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Regards,

 

Bill

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Thanks Bill. And you're absolutely right, that we needed a couple of shots with Biogon. I'm hoping to add some of mine soon.. leaving on a roadtrip with an RV by the end of this week. Intend to put these lenses to good use :)

 

Btw, surprisingly the biogon signature in your pics is immediately recognisible in my quick test shots.. your shots are million miles a part from my shots of piles of things around the house, but the lens character is seen immediately. Wasn't really expecting the signature to be that strong. Luckily in very positive way!

 

--Juha

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I like the Biogon f/2.

 

A very nice quality lens.

Sharp!

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I got the 35 2.8 Biogon, partly as a result of Sean Reid's comments about its technical competence. While the jury is still out, I am getting the feeling that it is too sharp -- it has a slightly industrial view camera look some times. And once in a while I get artefacts, which I have never experienced with Leica glass. Admittedly JPEG's are useless, but this gives some idea of the look.

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And here is an artefact at very high enlargement

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I noticed in my evaluation of the 35mm/2.8 Biogon and 35mm/2.5 Summarit that the Biogon was more likely to cause moire artifacts on the M9P. I decided to give it to my nephew with my old Hexar RF, as he is studying B&W film photography in high school. The Summarit is also good enough to cause moire in most of the same situations. In the end, I preferred the out of focus character of the Summarit and the fact that it was 6bit coded. Maybe when we get a 96MP digital body the phenomenon will no longer occur. :)

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I noticed in my evaluation of the 35mm/2.8 Biogon and 35mm/2.5 Summarit that the Biogon was more likely to cause moire artifacts on the M9P. I decided to give it to my nephew with my old Hexar RF, as he is studying B&W film photography in high school. The Summarit is also good enough to cause moire in most of the same situations. In the end, I preferred the out of focus character of the Summarit and the fact that it was 6bit coded. Maybe when we get a 96MP digital body the phenomenon will no longer occur. :)

 

reg. 6-bit coding, recent Zeiss lenses have a groove in the mount which makes self coding a breeze. The groove changes the game for the sharpie coding in that you don't have to recode every 2-3 lens changes. works great as I just did it for my new 35/2 biogon.

 

-- Juha

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I’ve never been keen on the 35mm focal length, so I didn’t want to fork out for a Leica lens. I got the Zeiss Biogon 35/2 instead. I like the sharpness and its way with colour very much but I don’t think its handling of very out-of-focus areas matches up to the Leica alternatives. It’s not a lens I would use where that really mattered.

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My example of the Summarit 35 is very sharp and easy and quick to focus. I'm keeping it even though I am lucky enough to have a Summilux 35 ASPH (not FLE) that doesn't have much focus shift. It's smaller and lighter and does what I want, except for those occasions when low light or restricted DOF requires the 1.4 lens. I have had, and sold, two CV 35/1.2 lenses but found them too soft for me. If I want something wider I use the Elmarit 24 which always gives a sharp result. I have had two 28 Crons and passed them on as they were not so reliable at focussing and both kept getting some play in the filter ring. I did have a 35 Cron which most people find very sharp, but mine didn't agree with the adjustment of the rangefinders in my camera bodies. It seems that there is a good deal of variation between bodies and lenses when it comes to focussing, and when I find an example of a lens that agrees with my bodies I keep it!

 

Chris

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That moire is showing you just how sharp the Biogon is... So take some comfort. :)[/quote

 

Trouble is I don't like the look of the lens -- it looks too clinical, or digital. I figured out long time ago when shooting 8x10 that the "drawing" of a lens is far more important to me than technical questions of resolution and contrast. The V4 crons and 28 elmarit are both perfect for me.

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  • 2 weeks later...

Having had the 35/2 Biogon now for a couple of weeks, I have to say it works great. It's everything I was hoping for it to be.

 

Here are a couple of samples:

 

7084593929_61ca69a0db_c.jpg

 

6938441758_281c0dc1d7_c.jpg

 

Both staright from camera and if I recall correctly, the first even straight out of camera jpg from the M9.

 

//Juha

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My son needed a 35 and I debated an ASPH or Biogon. All the test s show the Biogon to have higher contrast. We decided the last thing need in a lens to be used for digital is more contrast. He ordered the ASPH. The wait list was around 3 months.

 

When it came I compared it with my version iv 35. They are very similar, but the ASPH is sharper further into the corners at wide stops. Otherwise similar.

 

No one seems to complain about the Zeiss contrast however.

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