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Thomas Struth shoots with digital leica


robert blu

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There was a piece about him shooting that factory in the New Yorker about six weeks ago (as well as his recent portrait of the Queen and Prince Phillip.) It was by Janet Malcolm, and her piece annoyed me -- the New Yorker published my letter on the article on Oct 17. His gallery work is all done with view cameras. The Leica is, I suspect, a kind of note taker.

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