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50mm lens comparisons: Noctilux, Summitar, C Sonnar


MarkP

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Summitar 50/2.0 (c.1948), Noctilux 50/1.0, ZM C Sonnar.

All shot at f4.0,

M9, DNGs straight out of the camera

Full image & 100% crops shown

 

Hand held which may explain some differences @ 1/60 sec. I shot foliage for the colour, and as it is always a challenge for OOF areas. Unfortunately I don't have my 50 Summilux ASPH around at the moment but will re-compare all four lenses again soon.

 

As expected the Sumitar demonstrates softness & low contrast, soft edges, poor out-of-focus rendering, and flares readily. However I like the softness and colour of the greenery, especially the ivy, and the tones in B&W.

 

Mark

 

Summitar f4.0

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C Sonnar f4.0

 

Noctilux f4.0

 

 

Summitar f4.0, 100% crop

 

C Sonnar f4.0, 100% crop

 

Noctilux f4.0, 100% crop

 

 

ps: Summitar B&W conversion

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Hi Paul,

 

Yes, the Summitar's B&Ws have a really nice feel to them, and I was surprised by the colour rendition. However, out-of-focus areas aren't great, and flare is a big problem so I have to be really careful where I'm pointing the lens (I have the original hood fitted). Perhaps this is a bit worse than it should be due to the lens elements having some minor hazing that can't be removed.

 

I also agree about the Sonnar's characteristics. I'm still very new to this lens but am very pleased that I bought it (a bargain compared to the cost of the Summilux). As I mentioned above, once I have the 50 Summilux ASPH (latest version) back I'll post some comparisons.

 

I wonder whether I'll end up doing the same as Bill Plamer who was so impressed with his Sonnar that he sold his Summilux 50 ASPH. Considering it's scarcity it might even recoup it's original cost and that of the Sonnar:D

 

Mark

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The old Summitar is still a great lens - I bought one really cheap years ago and I am still blown away by the way it renders B&W.

+1. You may also want to try an even older Summar (hard to find in good condition, though). You'll be in for an interesting ride.

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