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zeiss biogon 21mm f2.8 + polarizing filter


sblitz

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have read a number of threads regarding the quality of the lens and questions regarding the m9 (rangefinders in general) and polarizing filters. photo below is meant to answer both questions -- it is a wonderful lens and the filter works fine. photo is not meant to be anything more than a personal vacation memory.

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I agree. One caution: Because of the wide field of view of a 21mm lens, the polarising effect (being angle-dependent) will vary across the field. This would have been visible in the picture – different tone of sky blue in different parts of the picture – if you had used the landscape format. Now it's negligible.

 

So normally, I don't use a polariser on a lens much shorter than 35mm. But if it's OK with you, it's OK.

 

The old man from the Kodachrome Age

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good point lars, thanks for noting. i am actually very happy with this lens considering how little i use it vs my 35 and 50 and so with that the zeiss is a bargain against the cost of leica.

 

to take a page from your book -- i am the old man from the days of kodachrome ii -- asa 25 for those too young to know.

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As you have certainly noted, the blue sky at high elevations is usually of a far deeper blue than closer to the horizon. So even with a 24/25mm lens, which I use as my regular wide angle lens (to me, the 35 is really a "short standard lens") the summer sky is plenty blue, even without a polarizer. If on the other hand with a really wide lens, you use a polarizer to reduce reflections on a water or glasss surface e.g. that stretches across the field of view, you can often get some quite weird effects ...

 

As you see in the picture you showed us, the sky is paler close to the horizon than close to zenith. Low elevation light is more dispersed (by dry or wet haze) than zenital light, because it has a longer path through the atmosphere. In addition, this dispersion reduces polarization, so that a pola filter get less "traction" and shows less effect.

 

The old man from the Kodachrome (period, c. 1936) Age

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But if it's OK with you, it's OK.

 

The old man from the Kodachrome Age

Hi Lars

 

I seem to recall that the fash in '60-65 was heavily polarised wide angle shots, must get a pola for my 15 and 12mms...

 

Noel

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thanks for hint on the white balance. sometimes these photos in their full array look better in capture one than when they become sRGB jpegs, but i will give it a shot. also, i kept the photo untouched except for cropping out my toe so people could see a raw cut of what the lens and filter can do without the processing. but like i wrote, thanks for the hint and i will give it a shot.

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As you have certainly noted, the blue sky at high elevations is usually of a far deeper blue than closer to the horizon. So even with a 24/25mm lens, which I use as my regular wide angle lens (to me, the 35 is really a "short standard lens") the summer sky is plenty blue, even without a polarizer. If on the other hand with a really wide lens, you use a polarizer to reduce reflections on a water or glasss surface e.g. that stretches across the field of view, you can often get some quite weird effects ...

 

As you see in the picture you showed us, the sky is paler close to the horizon than close to zenith. Low elevation light is more dispersed (by dry or wet haze) than zenital light, because it has a longer path through the atmosphere. In addition, this dispersion reduces polarization, so that a pola filter get less "traction" and shows less effect.

 

The old man from the Kodachrome (period, c. 1936) Age

 

Just a few hours after sunrise, these effects can be dreadful (or amazing) with a well-saturated Velvia film.

 

Elio

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