jlancasterd Posted January 20, 2007 Share #1 Posted January 20, 2007 Advertisement (gone after registration) Has anyone any experience of using Fuji Super G Plus 1600 colour negative film? I want to use it for indoor photography in a railway workshop in conditions of very mixed lighting. How will it stand up to such use? Will it scan well? Is there anything I need to know about exposure - is it really an ISO 1600 film or should I rate it higher/lower? Any information gratefully received! Link to post Share on other sites More sharing options...
Advertisement Posted January 20, 2007 Posted January 20, 2007 Hi jlancasterd, Take a look here Fuji Super G Plus 1600. I'm sure you'll find what you were looking for!
XK50 Posted December 21, 2009 Share #2 Posted December 21, 2009 John, For me, this film is sharp enough and exhibits great muted colours that I seldom get from a DSLR (it's actually better in a wider gamut than here). The ISO seems fine and the film handles the mixed lighting well, imho, ...... but oh that grain! You might get away with A3+ prints for certain subjects but this isn't one of them. Hope you weren't holding your breath. Best wishes, John Link to post Share on other sites More sharing options...
Mike Rawcs Posted December 21, 2009 Share #3 Posted December 21, 2009 I'm recently returning to film, from digital and, have concentrated on colour negative film (allows colour and B&W traditional prints: Fuji Pro 400 H gives a wonderful colour palette that amazes me after decades of colour slide use) but how does colour negative film, with all the promise of wide-lattidude and low contrast compete with transparency film, or digital.capture? With regards to the latter, I would encourage new photographers to try film. It looks ... different. Not better, not worse, just .... different. Link to post Share on other sites More sharing options...
jerryharwood Posted December 22, 2009 Share #4 Posted December 22, 2009 Hi, I used to use this film a lot in the work I did at the time; it will handle virtually any situation you care to throw at it, but be aware that you will have a lot of grainy shots to contend with. If you scan the negs, you will have a bit of a job getting the correct negative set up. as this was quite an unusual film, mainly used for specialist environments. A little bit of experimentation will get you on the right track. Link to post Share on other sites More sharing options...
alun Posted December 24, 2009 Share #5 Posted December 24, 2009 It works fine. Yes, it's grainy...but then it's 1600 film. (I should say that I am talking about the 1600 variant of Fuji Superia/Press but I think it's the same thing -- just different names for different markets.) I would also suggest that the graininess in the shot posted above is at least partly a consequence of under-exposure, by the look of it. Expose generously. Link to post Share on other sites More sharing options...
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