newtoleica Posted November 13, 2010 Share #21 Â Posted November 13, 2010 Advertisement (gone after registration) Barry Lyndon (1975 from David Lynch) all shot with special produced Carl Zeiss Primes with a speed of 0,7 !!!!! Â Agree re the effect, mainly candlelight and soft bokeh, but it was Kubrick not Lynch.... Link to post Share on other sites More sharing options...
Advertisement Posted November 13, 2010 Posted November 13, 2010 Hi newtoleica, Take a look here Decision made, orded a M9 & lenses. I'm sure you'll find what you were looking for!
aymoon Posted November 14, 2010 Share #22 Â Posted November 14, 2010 Agree re the effect, mainly candlelight and soft bokeh, but it was Kubrick not Lynch.... Â yes, it was Kubrick, and he got the lens courtesy of NASA... some say as a result of doing the fake moon-landing for them :D:D Link to post Share on other sites More sharing options...
BerndReini Posted November 14, 2010 Share #23 Â Posted November 14, 2010 While you ponder the miracle of the Zeiss 0.7 cinema lens, keep in mind though that it does not cover 35mm full frame. "Barry Lyndon" was shot in Super 35, so somewhat bigger than your regular movie, but the film frames are still vertically arranged on the film strip, so the Noctilux is still a stunner. Link to post Share on other sites More sharing options...
John McMaster Posted November 14, 2010 Share #24  Posted November 14, 2010 Hi Paul, Look one day at Barry Lyndon (1975 from David Lynch)  Erm, you mean Stanley Kubrick.....  john Link to post Share on other sites More sharing options...
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