Xmas Posted March 5, 2010 Share #21 Posted March 5, 2010 Advertisement (gone after registration) It looks like a behind armored glass Ja market collector... Noel Link to post Share on other sites More sharing options...
Advertisement Posted March 5, 2010 Posted March 5, 2010 Hi Xmas, Take a look here Where can I find a 50mm Summilux pre-asph version II. I'm sure you'll find what you were looking for!
Philippe D. Posted March 5, 2010 Share #22 Posted March 5, 2010 Hi Peter. So Philippe you're saying that the second one is a v.2? I thought it was the last pre-ASPH version because of the two aperture index marks.It's like a kind of misunderstanding here. We have three versions of Summilux-M 50mm. The first version (as illustrated in the first (big) picture of OP) and two pre-Asph if you want. Version I and II. But actually there is only one Pre-Asph version, the v.II, which have E46 filter size and telescopic hood. (The v.I is a Pre-pre-Asph. ) Is this sounds OK to you ? Link to post Share on other sites More sharing options...
Philip Freedman Posted March 5, 2010 Share #23 Posted March 5, 2010 I have a lens that looks exactly like the one in the bigger picture, same mount, number 1928XXX. It is not bad stopped down a bit but prone to flare if it not carefully shaded. Philip Link to post Share on other sites More sharing options...
peter_n Posted March 5, 2010 Share #24 Posted March 5, 2010 Hi Peter.It's like a kind of misunderstanding here.Yes Philippe, big misunderstanding! I think though that your version nrs. are unique, shall we put it that way? I also think you are correct though that the second OP picture is a 11621. You have a good eye! Link to post Share on other sites More sharing options...
Philippe D. Posted March 5, 2010 Share #25 Posted March 5, 2010 I think though that your version nrs. are unique, shall we put it that way? OK, let's make three and half versions of them all then. Link to post Share on other sites More sharing options...
innerimager Posted March 6, 2010 Share #26 Posted March 6, 2010 What last version, the asph one? I only see those for 3500 and up. Yes insane how fast this glass is rising in price. No, I meant the last version of the pre-aspherical, the 46mm filter size, 0.7M focusing, retractable hood version. The 50 lux asph is much more expensive like you saw. Link to post Share on other sites More sharing options...
Haskell Posted March 6, 2010 Author Share #27 Posted March 6, 2010 Advertisement (gone after registration) Turns out the 11621 version was the gem I was looking for...I had no idea. This has been one interesting journey. I made an offer on this lil beauty here...my bank account is hemorrhaging at the moment and I am selling off some digital gear but I feel this will be my only lens for a while. Thanks everyone for clearing things up. cheers. Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/114327-where-can-i-find-a-50mm-summilux-pre-asph-version-ii/?do=findComment&comment=1248976'>More sharing options...
Xmas Posted March 6, 2010 Share #28 Posted March 6, 2010 [/green with envy alert] Don't forget you need a bay to screw adapter ring which will bring up the 5cm frame. And an armoured glass security safe [end envy] Link to post Share on other sites More sharing options...
peter_n Posted March 6, 2010 Share #29 Posted March 6, 2010 Turns out the 11621 version was the gem I was looking for...I had no idea...Congratulations! Very nice looking lens and a perfect partner for your MP! If the lens doesn't come with an adapter you'll need to get one as Noel points out. Leitz and Voigtlander make good quality adapters. If you decide on a Voigtlander Cameraquest sells CV adapters and shipping is instantaneous. Stephen Gandy's site contains a lot of info on rangefinders and is worth browsing. Link to post Share on other sites More sharing options...
Haskell Posted March 8, 2010 Author Share #30 Posted March 8, 2010 Thanks folks. Hard to find a review on the 11621 edition (aka true pre-asph or V3) From what I understand its the same optics inside, more modern coating. I like the character of older leica glass, the warmness, the glow etc and curious if this lens will have some of that. Link to post Share on other sites More sharing options...
Philippe D. Posted March 8, 2010 Share #31 Posted March 8, 2010 I like the character of older leica glass, the warmness, the glow etc and curious if this lens will have some of that.It's sharp like a knife.If you want a retro look, buy yourself a Summar Link to post Share on other sites More sharing options...
luigi bertolotti Posted March 8, 2010 Share #32 Posted March 8, 2010 Turns out the 11621 version was the gem I was looking for...I had no idea. This has been one interesting journey. I made an offer on this lil beauty here...my bank account is hemorrhaging at the moment and I am selling off some digital gear but I feel this will be my only lens for a while. Thanks everyone for clearing things up. cheers. This is a very fine lens... but keep in mind it's a sort of collectible... it is the "limited edition" Summilux in Screw Mount that Leica did in 1999 (together with Summicron 35 asph and Summicron 50)... if I remember well, destined at the origin to the Japanese market only... I don't know the number of Lux 50s made... the above lens belongs to a batch of 300, maybe the only batch made. Surely perfectly usable with M adapter, but probably costs some more than a Bayonet Mount in same conditions... anyway, a very desirable lens. Link to post Share on other sites More sharing options...
Haskell Posted March 9, 2010 Author Share #33 Posted March 9, 2010 I suppose I am going for a quasi-retro look monsieur Philippe, I love old glass...like I love film to digital or oil to acrylic. In this modern age I have realized that a combination of both makes for a happy medium, like a preferred bathtub temperature if you will I find that the latest digital sensors can breathe a new life into vintage glass with old coatings. In this scenario I plan to use some very modern B&W films stocks that perhaps compete with the digital era (God speed film) combined with some classic optics with modern coatings and well...you get the point. Very excited to start on this road (personally) less traveled. Link to post Share on other sites More sharing options...
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