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Does anyone use the 24mm Elmarit on their M9?


Logic108

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Guest ccmsosse

Thank You - your encouragement means a lot.

I'll be in Florida for a week shooting in the Everglades - hopefully I'll have some great photos to post after the trip.

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Thanks for the link Ccmsosse. Now my feeling is that I like the Elmarit on my M8 but I'm not so sure if I like 24mm on FF. I think I prefer 21mm on FF for wides and would probably replace my Elamrit for a 35 lux if I got the M9. Many thanks.

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I just picked up the 24mm Elmarit for my M9, and love the width, definitely different enough from my 35.

Aside from a minor issue with it which has seen it go back to Leica for a service, I'm thrilled with it, it is a great performer, has great ergonomics and is relatively easy to use without a viewfinder (unlike a 21 I suspect).

 

homonculus.jpg

 

 

museum2.jpg

 

 

museumi.jpg

 

 

l1000338.jpg

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Much better ! I like a lot the composition of #3.

Pictures #2 and #3 show that warmth I was mentioning earlier., that is the yellowish/orange cast on the stone structures. Of the Leica lenses I owned, I have seen it only with the 24mm Elmarit. It gives a great look, but again, if one wants homogeinity in rendering, it might need to be desaturated a bit in post-processing.

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Here I found another one (obviously post-processed), it illustrates IMO the clarity and pop of this lens. Also it shows how it reacts to tilt as you notice that both the Eiffel Tower and the Institut de France have a lot of distortion.

 

kid seine pont arts paris LR.jpg

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A few 24mm on the M9 images here:

 

http://www.l-camera-forum.com/leica-forum/landscape-travel/111430-stranded.html,

 

see page 2 especially.

 

On the M8, the 24mm Elmarit -M proved itself beyond any doubt, here:

 

http://www.l-camera-forum.com/leica-forum/sports-leisure-time/104258-land-rover.html

 

Even to me, this image quality was a shock, but a pleasant one.

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A few 24mm on the M9 images here:

 

http://www.l-camera-forum.com/leica-forum/landscape-travel/111430-stranded.html,

 

see page 2 especially.

 

On the M8, the 24mm Elmarit -M proved itself beyond any doubt, here:

 

http://www.l-camera-forum.com/leica-forum/sports-leisure-time/104258-land-rover.html

 

Even to me, this image quality was a shock, but a pleasant one.

 

Rolo, the rib-cage and the last shot, both on page 2, are fantastic. Great shots.

 

Regards,

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Guest ccmsosse
@ Michael

you must clean your Sensor.

You can see it on Pic`s 5,6,9.

But great images.

Regards

 

I am sorry - if you are referring to me (or my images) I am lost - can you be more specific

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I read it too, most of his shots were taken at 1.4 with static subjects. F2.8 with moving objects would not have worked.

Yes, a 24mm 1:0.95 is a necessity of course. Every photographer worth his salt has one.

 

We others make do with what we have, or can afford. And it is a good idea to really explore WHAT you can do with it, before you start complaining about slow lenses.

 

The old man from the Age of the 3.5cm Elmar

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Yes, a 24mm 1:0.95 is a necessity of course. Every photographer worth his salt has one.

 

We others make do with what we have, or can afford. And it is a good idea to really explore WHAT you can do with it, before you start complaining about slow lenses.

 

The old man from the Age of the 3.5cm Elmar

You made the reference to that article ... all I am saying is that he did not use F2.8 but F1.4. So maybe go explain Mr. Oliver Rüther that he could have made it work with the Elmarit F2.8.

 

What I know is I could not have taken this shot with a 24mm Elmarit + M8.2.

It was M9 + 35mm Lux F1.4, ISO2500, and a speed of 1/250. On a M8 + F2.8 + ISO1250, that would habe been at most 1/30th so a nice blurred hat.

 

texas cowboy paris LR.jpg

 

So I really think the M9 opens up new possibilities in wide-angle low light photography compared to the M8. This obviously, at a cost, but since we are in the M9 thread, this should be known by the readers already.

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Yanidel is right. There are no substitutes for shooting action in low-light. F/1.4 is a must. Also in the LFI article I see mention of only two lenses 50lux and 35lux.

With moving subjects in low-light you can only get good composition with speed and so the wider the aperture the better.

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I was looking at the Elmarit 24mm images over at Flickr and noticed that there are very few images with this camera/lens combination. The Emarit 24mm is a well-regarded lens and one that I use on my M8. I too regard this lens highly but I wondered how it might perform on an M9. I would appreciate it if any users could perhaps post images or links to their images taken with this combination?

 

Thanks for an interesting inquiry. Here are three photos I shot in October with the Elmarit 24mm and my just-out-of-the-box M9.

 

http://www.l-camera-forum.com/leica-forum/members/rhd2q_lcuf-albums-m9-24mm-elmarit-picture2829-milbank-hall-barnard-college-nyc.html

 

http://www.l-camera-forum.com/leica-forum/members/rhd2q_lcuf-albums-m9-24mm-elmarit-picture2831-l1000053.html

 

http://www.l-camera-forum.com/leica-forum/members/rhd2q_lcuf-albums-m9-24mm-elmarit-picture2830-l1000052.html

 

The corner shot has some interesting convergence issues - I probably didn't have the camera level. I used the Elmarit 24mm as my daily lens with the M8. With the M9, the 35mm Lux stays on the camera.

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