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Only one lens for M9


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I just spent a week in Europe and took over 1000 shots with my brand new M9 and 35 'cron.

It was a perfect combo.

Of course once in a while I could have used something wider and once in a while I could have used a LONG zoom. But overall the 35 was the best choice for me.

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Gosh,

 

If price was no limitation, my suggestions would be:

 

1. 50 lux asph (makes no compromises, sharp and perfect on M9)

2. 35 lux asph (would be ideal, save focus shift issues, which I don't seem to have)

 

If price was a limitation

1. 35 summarit

2. used 35 cron asph

 

 

I prefer to think in 2 or 3 lens kits, personally, but understand the desire for 1 lens to do most of the shooting, if not all. In this case, the 50 is the most versatile, but also is an overall compromise focal length (not quite tele, may not be wide enough at times....

 

If 2 lenses were an option, I'd go 35/75. If 3 lenses, I'd go 35/50/90....

 

Good luck...

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Another cool option would be the MATE, along with a 90...4 focal lenghs for the price of 2...

 

The MATE is the Tri Elmar 28-35-50, If you go with a Macro Elmar-90 you get 5. Or if you go for the MATE and the WATE you get 6, however again all these are f4, so a monopod will help, a lot

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When I decided to join leica, I was thinking of 35 and 75 or 90 crons combination. Later I decided to go with 50 cron as starter or maybe the only lens. But I know in my mind, one is not good enough. No matter how much I resist because of price, I will choose 28 cron as my 2nd lens, and so on. I have to go - my wife is coming. W.

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It would be the Cron 35 for me.

Not my favorite lens in absolute terms (IMO misses the WOW! that some other glass sometimes offer), but possibly the best all-rounder on the M9: fast enough for most situations, small/light, great IQ and easy to focus.

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Only one ? hummmm

 

If I had ABSOLUTLY to have only one, I would go for a 35 Lux but since theres so many dreaded focus shift issues I would have either :

 

Got the 24mm Summilux if price was no object

 

Or

 

35 Cron preASPH if price was an object

 

PS : I like moderate wide angle"ish" views but with the possibility of blurring the background ( both 24 lux and 35 Cron pre-ASPH allow that, where for example the 24 2.8 doesnt )

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I posted earlier in this thread that I could only afford to get one lens for a while so I chose the new 35 Summicron ASPH. If anyone is interested in looking, i have a gallery from my trip to Europe a couple weeks ago. Every pic but two are from the M9/35. I found this to be the perfect combo. Once on a while it would have been nice to have a 90 or longer, but 95% of the time I was happy as a clam.

 

Europe 2009 - a set on Flickr

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Guest ccmsosse

I have my M9 via Adorma since 12/23/09 and had prior acquried Steve Huff's 50 Summilux pre-asph, I also bought a 35 Summicron from BHPhotovideo, a 24 Elmarit from Dahle Foto, a 50 Noctilux 1.0 from Photovillage, a 75 Summarit from PopFlash and a 90 Elmarit from Tamarkin. I love then all abur mainly use the 50 sumiux and 35 Summicron - I will use the 75 for portraits.

I love the versatility of Leica ... "I have arrived"

I am now working on my Lumix GF1 as a back-up body.

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Erwin's tests and comments really helped me choose between the options available - plus, the smaller size of the 28 Elmarit and 35 cron makes it such that they don't completely obliterate the entire lower right corner of the viewfinder when you're using them (which the luxes in these lenses do to a greater degree).

 

Surprisingly, I actually found the 35mm Summarit sharper than the 35 Cron ASPH.

 

My lens on the M9 would be the 50 Lux Asph.

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Surprisingly, I actually found the 35mm Summarit sharper than the 35 Cron ASPH.

 

My lens on the M9 would be the 50 Lux Asph.

 

What does 'sharp' mean? It is really a subjective perception, and it seems to depend on two different things: Resolution, and contrast. MTF graphs do measure both. Graphs are published for both lenses. But remember that visually, high contrast can make a lens 'feel' sharper than one with more resolution.

 

And for that reason, I avoid the words 'sharp' and 'sharpness' and prefer to speak of definition instead. I hope this makes it easier to understand that it is the technical performance, not my or your subjective experience that I am discussing.

 

The old man from the Age of Glass Plate Negatives

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